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Título: Imagination and the Imaginary
Condición del libro: New
US Edition Book In Mint condition. Shipping with Trackable Method. N° de ref. de la librería 0415430925-TOS
The concept of the imaginary is pervasive within contemporary thought, yet can be a baffling and often controversial term. In Imagination and the Imaginary, Kathleen Lennon explores the links between imagination - regarded as the faculty of creating images or forms - and the imaginary, which links such imagery with affect or emotion and captures the significance which the world carries for us.
Beginning with an examination of contrasting theories of imagination proposed by Hume and Kant, Lennon argues that the imaginary is not something in opposition to the real, but the very faculty through which the world is made real to us. She then turns to the vexed relationship between perception and imagination and, drawing on Kant, Merleau-Ponty and Sartre, explores some fundamental questions, such as whether there is a distinction between the perceived and the imagined; the relationship between imagination and creativity; and the role of the body in perception and imagination. Invoking also Spinoza and Coleridge, Lennon argues that, far from being a realm of illusion, the imaginary world is our most direct mode of perception. She then explores the role the imaginary plays in the formation of the self and the social world.
A unique feature of the volume is that it compares and contrasts a philosophical tradition of thinking about the imagination - running from Kant and Hume to Strawson and John McDowell - with the work of phenomenological, psychoanalytic, poststructuralist and feminist thinkers such as Merleau-Ponty, Sartre, Lacan, Castoriadis, Irigaray, Gatens and Lloyd. This makes Imagination and the Imaginary essential reading for students and scholars working in phenomenology, philosophy of perception, social theory, cultural studies and aesthetics.
Cover Image: Bronze Bowl with Lace, Ursula Von Rydingsvard, 2014. Courtesy the artist, Galerie Lelong and Yorkshire Sculpture Park. Photo Jonty Wilde.
The concept of the imaginary is pervasive within contemporary writing concerning the self, the body and social groupings. This work explores the links between imagination, conceived of as some kind of faculty, the faculty of creating images or forms, and that of the imaginary, the domain of affectively laden images. A conception of the imaginary is distilled which characterises it not as a domain of illusion posited in opposition to the real, but rather as that by which the real is made available to us. Central to such an account is a recognition of the imagination working within perception, deriving from the insights of Kant and Merleau-Ponty. And this imaginary, at work in perception, yields a world with affective shape. The work of Sartre is also pivotal here, although his fundamental distinction between perceiving and imagining consciousness is rejected. In the resulting picture it becomes clear that the imaginaries interwoven in perception, and the imaginaries manifest in works of art, form a continuity. This concept of the imaginary is explored with reference to social imaginaries, imaginary selves and imaginary bodies.
Imagination and the Imaginary is essential reading for students and scholars working in phenomenology, philosophy of mind, and aesthetics.
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