Nainsukh Of Guler: A Great Indian Painter From A Small Hill State - Tapa dura

B.N.Goswamy, distinguished art historian, is Professor Emeritus of Art History at the Panjab University, Chandigarh. His work covers a wide range and is regarded, especially in the area of Indian painting, as having influenced much thinking. He has been the recipient of many honours, including the Jawaharlal Nehru Fellowship, the Rietberg Award for Outstanding Research in Art History, the Padma Shri (1998) and the Padma Bhushan (2008) from the President of India. Professor Goswamy has taught, as Visiting Professor, at several universities across the world, among them the Universities of Pennsylvania, Heidelberg, California (at Berkeley and Los Angeles), Texas (at Austin), Zurich, and the ETH (Federal University) at Zurich. He has also been responsible for major exhibitions of Indian art at Paris, San Francisco, Zurich, San Diego, New York and New Delhi. Among his many publications are: Pahari Painting: The Family as the Basis of Style (Marg, Bombay,1968); Painters at the Sikh Court (Wiesbaden, 1975), Essence of Indian Art (San Francisco, 1986); Wonders of a Golden Age: Painting at the Court of the Great Mughals (with E. Fischer, Zurich, 1987); Pahari Masters: Court Painters of Northern India (with E. Fischer; Zurich, 1992); Indian Costumes in the Collection of the Calico Museum of Textiles (Ahmedabad, 1993); Painted Visions: The Goenka Collection of Indian Paintings (New Delhi, 1999); Piety and Splendour: Sikh Heritage in Art (New Delhi, 2000); Domains of Wonder: Selected Masterworks of Indian Painting from the Edwin Binney Collection (with Caron Smith; San Diego, 2005); I See No Stranger: Early Sikh Art and Devotion (with Caron Smith; New York, 2006); The Word is Sacred; Sacred is The Word: The Indian Manuscript Tradition (New Delhi, 2006), and Indian Paintings in the Sarabhai Foundation (Ahmedabad, 2010).