A Divided Poet: Robert Frost, North of Boston, and the Drama of Disappearance: 0 (Studies in American Literature and Culture) - Tapa dura

A Divided Poet is written with a remarkable clarity and elegance. One is genuinely charmed by broad swaths of lucid and eloquent prose, carefully laying out its case. Sanders patiently uncovers, one by one, the sedimentary layers of meaning and sentiment. The argument slowly but irresistibly gathers force and gains in persuasion. POLISH JOURNAL FOR AMERICAN STUDIES

Looking in particular at Frost's North of Boston, [Sanders] argues that the poet was caught between a sentimental attachment to a dying pastoral world and his own exploitation of this world to further his career. . . The argument is lucid and clearly worthwhile. . . Recommended. CHOICE

North of Boston, Robert Frost's second book of verse and arguably his greatest, brought him suddenly into national prominence in 1915. Though completed and first published in England in 1914, the book was rooted in the decade, 1900-1910, that Frost spent in Derry, New Hampshire, where he witnessed the decline of its traditional farming culture. In presenting this "drama of disappearance," twelve of the book's fifteen principal poems are literally dramatic, composed mainly of direct dialogue. Among them are three of Frost's most famous lyrics, each featuring a signature task of New England life and underlining the book's tribute to a fading culture. Collectively, the poems bring the diction and tones of a New England vernacular within a traditional metric frame, making "music," as Frost boasted, "from the sound of sense" and poetry of "a language absolutely unliterary." Such adaptations of ordinary language and experience to blank verse drama made Frost a founder of American modernism and North of Boston one of its monuments. Exploring Frost's complex connection to his poetic characters, this study provides new readings of the individual poems and a new look at North of Boston's development. To a degree no other study has done, it addresses the book's design as an artistic whole while placing it in the context of Frost's unfolding career.

David Sanders is Professor Emeritus of English at St. John Fisher College, Rochester, New York.