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Descripción Condición: New. pp. 230. Nº de ref. del artículo: 2697185819
Descripción Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service. Nº de ref. del artículo: ABEOCT23-273262
Descripción Condición: New. pp. 230 2 Figures. Nº de ref. del artículo: 96292804
Descripción Condición: New. Nº de ref. del artículo: 20778489-n
Descripción hardback. Condición: New. Language: ENG. Nº de ref. del artículo: 9781439910009
Descripción Condición: New. Nº de ref. del artículo: 20778489-n
Descripción Condición: New. Provides a cogent, multipronged analysis of this subgenre of films to investigate the underpinnings of the Hollywood-constructed images of idealized white Americans. Examining the content of fifty films, and interviews with viewer focus groups, this book accounts for the popularity of this subgenre and its portrayal of "racial progress." Num Pages: 230 pages, illustrations (black and white). BIC Classification: 1KBB; APF. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 20. Weight in Grams: 458. . 2014. Hardcover. . . . . Nº de ref. del artículo: V9781439910009
Descripción Hardback. Condición: New. New copy - Usually dispatched within 4 working days. Provides a cogent, multipronged analysis of this subgenre of films to investigate the underpinnings of the Hollywood-constructed images of idealized white Americans. Examining the content of fifty films, and interviews with viewer focus groups, this book accounts for the popularity of this subgenre and its portrayal of "racial progress.". Nº de ref. del artículo: B9781439910009
Descripción Hardcover. Condición: Brand New. 222 pages. 9.25x6.25x0.75 inches. In Stock. Nº de ref. del artículo: __1439910006
Descripción Hardcover. Condición: new. Hardcover. The cinematic trope of the white savior film-think of Sandra Bullock in The Blind Side, Kevin Costner in Dances with Wolves, or Tom Cruise in The Last Samurai--features messianic characters in unfamiliar or hostile settings discovering something about themselves and their culture in the process of saving members of other races from terrible fates. In The White Savior Film, Matthew Hughey provides a cogent, multipronged analysis of this subgenre of films to investigate the underpinnings of the Hollywood-constructed images of idealized (and often idealistic) white Americans. Hughey considers the production, distribution, and consumption of white savior films to show how the dominant messages of sacrifice, suffering, and redemption are perceived by both critics and audiences. Examining the content of fifty films, nearly 3,000 reviews, and interviews with viewer focus groups, he accounts for the popularity of this subgenre and its portrayal of "racial progress." The White Savior Film shows how we as a society create and understand these films and how they reflect the political and cultural contexts of their time. Provides a cogent, multipronged analysis of this subgenre of films to investigate the underpinnings of the Hollywood-constructed images of idealized white Americans. Examining the content of fifty films, and interviews with viewer focus groups, this book accounts for the popularity of this subgenre and its portrayal of "racial progress." Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9781439910009