Interpreting Films: Studies in the Historical Reception of American Cinema

Staiger, Janet

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9780691006161: Interpreting Films: Studies in the Historical Reception of American Cinema

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ISBN 10: 0691006164 ISBN 13: 9780691006161

Editorial: Princeton University Press, 1992

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Book by Staiger Janet

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Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain immanent meanings, that differences among interpretations have historical bases, and that these variations are due to social, political, and economic conditions as well as the viewers' constructed images of themselves. Alter proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations. Her analysis reflects recent developments in post-structuralism, cognitive psychology, psychoanalysis, and cultural studies, and includes a discussion of current reader-response models in literary and film studies as well as an alternative approach for thinking about historical readers and spectators.

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Interpreting Films

Janet Staiger

Publicado por Princeton University Press 1992-03-23, Princeton (1992)

ISBN 10: 0691006164 ISBN 13: 9780691006161

Nuevo paperback Cantidad disponible: > 20

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Interpreting Films - Studies in the Historical Reception of American Cinema

J Staiger

Publicado por Princeton University Press (1992)

ISBN 10: 0691006164 ISBN 13: 9780691006161

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Interpreting Films - Studies in the Historical Reception of American Cinema

J Staiger

Publicado por Princeton University Press (1992)

ISBN 10: 0691006164 ISBN 13: 9780691006161

Nuevo PAP Cantidad disponible: 1

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Interpreting Films: Studies in the Historical Reception of American Cinema

Janet Staiger

Publicado por Princeton University Press (1992)

ISBN 10: 0691006164 ISBN 13: 9780691006161

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Descripci�n Paperback / softback. Condici�n: New. New copy - Usually dispatched within 4 working days. Argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. This title gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations. N� de ref. del art�culo: B9780691006161

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Interpreting Films: Studies in the Historical Reception of American Cinema

Janet Staiger

Publicado por Princeton University Press 1992-03-23 (1992)

ISBN 10: 0691006164 ISBN 13: 9780691006161

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Descripci�n Paperback. Condici�n: New. N� de ref. del art�culo: 6666-LSI-9780691006161

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Interpreting Films: Studies in the Historical Reception of American Cinema (Paperback)

Janet Staiger

Publicado por Princeton University Press, United States (1992)

ISBN 10: 0691006164 ISBN 13: 9780691006161

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Descripci�n Paperback. Condici�n: New. Language: English. Brand new Book. Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain immanent meanings, that differences among interpretations have historical bases, and that these variations are due to social, political, and economic conditions as well as the viewers' constructed images of themselves. After proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations.Her analysis reflects recent developments in post-structuralism, cognitive psychology, psychoanalysis, and cultural studies, and includes a discussion of current reader-response models in literary and film studies as well as an alternative approach for thinking about historical readers and spectators. N� de ref. del art�culo: AAV9780691006161

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