Publicado por Buenos Aires Talleres Eliograficos de Ricardo Radaelli, 1907
Librería: Chaco 4ever Books, Montevideo, MO, Uruguay
Revista / Publicación Ejemplar firmado
EUR 3.483,18
Cantidad disponible: 1 disponibles
Añadir al carritoEncuadernación de tapa dura. Condición: Muy bien. Folio.#1 Apr 1907 - #285 Sep 1912. #15/55, 57, 58, 66, 87, 88, 89, 91/146, 150, 151, 154/220, 228, 278 285. (171 of 285 issues). Bound in 3/4 red cloth and some in wrappers. Collaborators : Maximo Torres, Salvador Oria, Luis Gutierrez, Arturo Gimenez Pastor, Jose Maturana, Arturo Visca, Martiniano Leguizamon, Alvaro Melian Lafinur, Among others. Illustrated by Sachetti, Gibs, Fortuny, Yrurtia, Navarrete, Among others. Some magazines for different reasons were of great relevance to the history of print culture in Argentina and one of them was La Vida Moderna, initiative of Arturo and Aurelio Giménez Pastor, one writer and critic, the other an artist, they directed it from his birth in 1907 until Aurelio's death in 1910 and from April 1910 there was probably a change in the writing, however the magazine was published without mentioning any director until the November 8, 1910, when Rodolfo de Puga appeared as director and Pedro de Rojas as artistic director. This directory will be kept very little, until the change - also in the format, which is reduced by half - on July 12, 1911, when the name of J. Pérez Carmena appears as managing director. The Magazine was very attentive to all cultural events, therefore the celebrations of the first Centennial of the May Revolution had a great relevance and among them the International Art Exhibition prevailed. The circumstances that led Sacchetti to cross the ocean are not exactly known, the Italian biographies refer to the fact that in 1908 a collaboration proposal came to El Diario, including a good stipend and the passage by boat to Buenos Aires, the director and founder of El Diario, Manuel Laínez, was a character linked by family ties to Miguel Cané, he had traveled through Europe and was perfectly informed of world events. His newspaper began to edit, from the beginning of the 20th century. Examining the years 1908-1911, a sort of ups and downs of Sacchetti's presence in the magazine is evidenced. In the first quarter of 1908, the Italian caricatured political figures above all, even drawing satirical allegories of the Argentine homeland, at a time when the same magazine seemed to debate in explicit ways - more than it did successively - the political situation from the country. On February 13, 1908 (#44) Sacchetti signed the cover representing a Medusa with a frieze cap that becomes the model of the coins to pay for the new budget, while on a page of #46 he was ironizing about the capabilities of Figueroa Alcorta to hold the presidency. Washington Pereyra T1,p172. No complete copies in public or private libraries. Rare. Codz. Firmado por el autor.