minimal future art object (29 resultados)

Wraps. Condición: Near Fine. 1st edition. 1st edition, 2004. A Near Fine copy. 4to., 452 pp., bound in stiff white illustrated wraps. Very minor signs of shelf wear, text is clean and unmarked. This publication accompanies the exhibition "A Minimal Future? Art as Object 1958-1968" organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles from March 14 to August 2nd, 2004.

Paperback. Condición: Very Good. Very Good. Used with some reading wear but is still in great reading condition. No markings in text.

Trade Paperback. Condición: Used - Very Good. Used copy with light wear. Spine is sun faded. Great reading copy.

Softcover. Condición: Very Good. First Edition. First edition, trade paperback published to accompany the exhibition of the same title, has a light lean to the binding, bumps to the spine ends and cover corners, and rubbing with some small smudges to the exterior. Overall, a solid, tight, Very Good copy.

Soft cover. Condición: Near Fine. 1st Edition. NEAR FINE in French-fold wraps.

Hard cover. Condición: Very good. Estado de la sobrecubierta: Very good. This publication accompanies the exhibition "A Minimal Future? Art as Object 1958-1968" organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles from March 14 to August 2nd, 2004. Jacket is lightly rubbed and jacket spine is very lightly tanned, but text is legible. Binding is tight and inside is clean and unmarked.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. First Edition. A Near Fine copy of the First Edition; dust jacket Very Good with mild shelfwear and a bit of scuffing. // 'As a new movement that arose in the 1950s and 1960s, Minimalism challenged traditional ideas about art-making and the art object. A Minimal Future? Art As Object 1958-1968, which accompanies a major exhibition at The Museum of Contemporary Art in Los Angeles, offers a redefinition of Minimalism by situating it in the context of the concurrent aesthetics of modernist abstraction, pop art and nascent ideas of conceptual art. Minimalism is presented as a range of strategies that propelled new definitions of the structure, form, material, image and production of the art object and renegotiated its relationship to space and to the spectator. Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called canonisation of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt and Lawrence Weiner that reflect the shifting object status of painting and sculpture. The text features original essays by prominent art historians and scholars. Diedrich Diedrichsen addresses the relationship between minimal art and music; Jonathan Flatley focuses on Donald Judd and Andy Warhol; Timothy Martin considers performance in relation to minimal art; James Meyer examines East and West Coast practices of Minimalism; and Anne Rorimer discusses the relationship of minimal to conceptual art. Exhibition curator Ann Goldstein contributes an introduction. Also included are individual entries on each of the artists, an extensive bibliography and an exhibition chronology. The 400-page book includes 300 images, most in colour.' -- publisher.

Hardcover. Condición: Good.

Soft cover. Condición: Very Good. 1st Edition. Minor wear to cover. Corners bumped. Pages crisp and clean. **Due to size or weight of book additional charges for international and priority shipping may apply.**.

Essays by Diedricn Diederichsen, Jonanthan Flatley, Carrie Lambert, Lucy R. Lippard, James Meyer, and Anne Rorimer; 452 pages, illustrated. Fine paperback exhibition catalog (soft cover)/ no dust jacket.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine.

Softcover. White, orange illustrated wraps. 452 pp w/ primarily color illustrations. "As a new movement that arose in the 1950s and 1960s, Minimalism challenged traditional ideas about art-making and the art object. A Minimal Future? Art As Object 1958-1968, which accompanies a major exhibition at The Museum of Contemporary Art in Los Angeles, offers a redefinition of Minimalism by situating it in the context of the concurrent aesthetics of modernist abstraction, pop art, and nascent ideas of conceptual art. Minimalism is presented as a range of strategies that propelled new definitions of the structure, form, material, image, and production of the art object and renegotiated its relationship to space and to the spectator.Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s.The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture.The text features original essays by prominent art historians and scholars. Diedrich Diedrichsen addresses the relationship between minimal art and music; Jonathan Flatley focuses on Donald Judd and Andy Warhol; Timothy Martin considers perfomance in relation to minimal art; James Meyer examines East and West Coast practices of Minimalism; and Anne Rorimer discusses the relationship of minimal to conceptual art. Exhibition curator Ann Goldstein contributes an introduction. Also included are individual entries on each of the artists, an extensive bibliography, and an exhibition chronology. The 400-page book includes 300 images, most in color."--Amazon. VG- (ex-museum w/ taped ID to lower spine; peeling barcode to back wrap edge; interior stamps & notations. wraps scuffed & scratched; rubbed edge-wear. rubbing to corners. light abrasion to lower textblock w/ fine rubs to associated pg edges. fairly tightly bound; appears to selectively read/referenced).

Hardcover. Condición: New. Estado de la sobrecubierta: Near Fine. 4to (28 cm), 452 pp. Publisher's cloth and dj. From the blurb: As a new movement that arose in the 1950s and 1960s, Minimalism challenged traditional ideas about art-making and the art object. A Minimal Future? Art As Object 1958-1968, which accompanies a major exhibition at The Museum of Contemporary Art in Los Angeles, offers a redefinition of Minimalism by situating it in the context of the concurrent aesthetics of modernist abstraction, pop art, and nascent ideas of conceptual art. Minimalism is presented as a range of strategies that propelled new definitions of the structure, form, material, image, and production of the art object and renegotiated its relationship to space and to the spectator.Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s.The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture.The text features original essays by prominent art historians and scholars. Diedrich Diedrichsen addresses the relationship between minimal art and music; Jonathan Flatley focuses on Donald Judd and Andy Warhol; Timothy Martin considers perfomance in relation to minimal art; James Meyer examines East and West Coast practices of Minimalism; and Anne Rorimer discusses the relationship of minimal to conceptual art. Exhibition curator Ann Goldstein contributes an introduction. Also included are individual entries on each of the artists, an extensive bibliography, and an exhibition chronology. The 400-page book includes 300 images, most in color.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Oversized: Shipping Cost Will Depend on Destination. Bottom edge just slightly rubbed.

Hardcover. Condición: Like New. First Edition. Near Fine/Very Good condition, text tight clean unmarked, minor bump bottom tip front board, essays by Diederichsen, Flatley, Lambert, Lippard, Meyer, Rorime, full color reproductions throughout, published in connection with exhibition at Museum of Contemporary Art LA.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Book and jacket in fine condition.

Softcover exhibition catalog, 452 pages, very good condition except crease to spine; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Encuadernación de tapa blanda. Condición: Como Nuevo.

Condición: new.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: Fine Condition. 452 pages 205 illustrations in color. Foreword by Jeremy Strick. Published on the occasion of the exhibition from The Museum of Contemporary Art, Los Angeles CA 14 March-2 August 2004. Additional essays by Diedrich Diederichsen, Jonathan Flatley, Carrie Lambert, Lucy R. Lippard, James Meyer, and Anne Rorimer. Artists in the Exhibition. General Bibliography and Artists' Selected Bibliographies and Exhibitions. Book.

First Edition. 28 x 22 cm 452 pp with colour and b&w illustrations throughout. Cloth, fine in dustwrapper.

Hardcover. Condición: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition at the Museum of Contemporary Art in Los Angeles from March 14 to August 2, 2004. Essays by Ann Goldstein, Lucy Lippard, James Meyer, Jonathan Flatley, Anne Rorimer, Carrie Lambert and Diedrich Diederichsen. 205 color plates and many black & white illustrations. Bibliography. 11" high X 9" wide, 452 pages. Massive reference on late 1950's and 1960's art. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Hardcover with dustjakcet, 452 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2350grams, ISBN:9780262072519.

Soft cover. Condición: New. 1968 Book: New/, Ilustrador. Book: New/, $98.81 A MINIMAL FUTURE: ART AS OBJECT 1958-1968. arts magazine March 1967 $1.25. Book: New/, * GOLDSTEIN MOCA; Museum of Contemporary Art 1968 UnKnown Edition Tall Wide Thick & Heavy S/c 0ff~White Ends With Orange Center Spine And Title In Black And 0ff~White Letters, Soft Cover Book: New/, UnOpened In Publishers Original Shrink Wrap Packaging. D/j: None. This Book Will Be Sent Wrapped In Plastic, Taped Shut And In A = Corrugated Mailing B0X. * To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *.