isabelle récit de gide andré (17 resultados)

Couverture souple. Condición: Assez bon. Un volume in-12 ,broché,( 11 x 16,7 cm ), 155 pages.Dos un peu fripé avec renfort d'adhésif en tête et en queue . Bon état intérieur .

Condición: New.

Condición: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Condición: New.

Paris, Librairie Gallimard, 1946 ; in-12 (109 x 169 mm), 158 pp., broché. 38ème édition.

Buch. Condición: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Large 8vo (29x19 cm). The quires sewn but not sized (important for a potential binder). Orig. printed wrappers, with small vignettes on front- and backcover (at hinges small tears repaired; the rose wrappers discolored. Uncut. 152,(i: Justification),(iii: blank) pp. Printed with the types "Elzévir Mayeur" of the Fonderie Typographique Française on the presses of R. Girard & Cie. Pagination, head-texts and 9 typographical vignettes (tail-pieces) printed in red. The tail-pieces printed by G. A. Mousset on the handpress. With frontispiece, large title-vignette and 15 other lithographed plates (8 full-page & 7 half-page) also printed on the handpress. - Printed in a limited edition of 410 copies. One of the 370 copies (23 till 392) printed on vélin de Rives B.F.K. - Copy nr 378. - Small lightbrown spots in places, but acceptable copy. 600g.

LeatheBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 173. A perfect gift for your loved ones. Reprinted from 1929 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 173.

1. Auflage. mit einem 2-farbigen Titel in rot-schwarz SCHÖNES, UNBESCHNITTENES UND UNAUFGESCHNITTENES EXEMPLAR mit einer EIGENHÄNDIGEN WIDMUNG DES AUTORS an Harry Graf Kessler 1868 - 1937 (in Frankreich und England aufgewachsener deutscher Kunstsammler, Mäzen, Schriftsteller, Publizist, Pazifist und Diplomat):".3 juillet an Comte des Kessler en.hommage André Gide"« Nouvelle » édition originale, avec l'achevé d'imprimer du 20 juin 1911. L'édition originale, en date du 29 mai 1911, a presque entièrement été détruite car trois pages n'avaient pas le nombre régulier de lignes. Tirage unique à 500 exemplaires sur vergé d'Arches. Sprache: Deutsch 17 x 11 cm, hellblaue illustrierte OBroschur.

Paris, Gallimard, 1911. In-12, 192 pp., broché, couverture originale illustrée (quelques petits frottements et taches). Édition originale. Un des 500 exemplaires tirés sur vergé d'Arches au filigrane de la Nouvelle Revue Française, unique tirage annoncé. Voir photographie(s) / See picture(s) * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.

P., Nouvelle Revue Française, Marcel Rivière, 1911, In-12, br., couverture bleue, 192 pp. Un des 500 exemplaires numérotés sur vergé d'Arches au filigrane de la Nouvelle Revue Française.Exemplaire du second tirage après la très rare édition du 29/05 détruite à la demande de l'auteur. Livres.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1921 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 174 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 174 Language: French.

Condición: Good. 12mo. Half morocco. Edition of 500; presentation copy from the author to the wife of Octave Mau, the Belgian polymath.New "first edition"; one of 500 copies on laid Arches paper and consisting of the second edition of this text (completed June 20, 1911).This posterior edition of less than a month after the original published May 29, 1911, is considered the original of this text, because the latter was almost completely destroyed, André Gide being dissatisfied with the printing because three pages had not the regular number of lines.Petit in-12, demi-maroquin vert bouteille à coins, dos lisse, tête dorée, couverture conservée (griffures, dos passé).ENVOI D'ANDRÉ GIDE À MADAME OCTAVE MAUS.Octave Maus, né à Bruxelles le 12 juin 1856 et mort dans cette ville le 26 novembre 1919, est un avocat, un écrivain et critique d'art et musical belge.«Nouvelle» édition originale avec l'achevé d'imprimer du 20 juin 1911. L'édition originale, dont l'achevé d'imprimer date du 29 mai 1911, a presque entièrement été détruite car trois pages n'avaient pas le nombre régulier de lignes. Notre édition fut tirée à 500 exemplaires sur vergé d'Arches, un de ceux-ci.

In-16, demi-maroquin bleu nuit à coins, plats de papier marbré, dos à nerfs; doublures et gardes de papier peigne, tête dorée, non rogné, couverture imprimée (Devauchelle).Cette édition dont l'achevé d'imprimer est au 20 juin 1911, est considérée comme l'originale de ce texte, car la première publiée chez les mêmes éditeurs moins d'un mois avant (achevé au 29 mai 1911) a été presque entièrement détruite, car trois pages n'avaient pas le nombre régulier de lignes! Le tirage de ces deux éditions a été fait uniquement sur papier vergé d'Arches, et la présente édition n'a été imprimée qu'à 500 exemplaires numérotés. Précieux exemplaire portant sur le faux titre un amical envoi autographe signé de l'auteur au romancier et critique littéraire Edmond Jaloux.

Elie Lascaux. An excellent unsophisticated copy of the 'deluxe' issue of this limited edition with an important provenance: the edition as a whole limited to 600 copies, of which 30 were printed on 'japon impérial' paper and accompanied by the illustrations in two suites, this being number 2 of 22 copies numbered from 1-22. Text vol.: pp.[i-ii, 1-]10-152[-158], printed in red and black, on 'japon impérial' paper. Lithographic title vignette, 16 lithographic illustrations (9 full-page; 7 presented as headpieces), some other decorations printed in red, EXTRA-ILLUSTRATED with an original black and red ink drawing, inscribed and signed by Lascaux, and dated '47; atlas volume: without text, the 16 lithographic illustrations presented in two states: in black on a warm-toned 'annam' paper, and in 'carmin' (red) on a cooler toned 'chine' paper). 4to. Provenance: ?Donald C. Gallup (original drawing inscribed 'Le livre de AndréGideavec / des illustrations de votre ami cher Gallup / Elie Lascaux / 47'). The inscription probably refers to Donald C. Gallup, bibliographer and Yale library curator, a strong advocate for the artist Elie Lascaux and a keen collector of his work. In addition, Gallup mounted two exhibitions of Lascaux's work at Yale. 'Isabelle', first published in 1911, tells the story of a young man whose studies take him to the remote country home of an eccentric family, where he falls in love with a portrait of their absent daughter. As he unravels the mystery of her absence, he is forced to abandon his passionate ideal. The illustrations are by Elie Lascaux. "Gertrude Stein once described the paintings of French artist Lascaux (1888-1968) by saying that in all his works there is 'that white light which is the light that Elie Lascaux has inside him.' Donald Gallup, wrote that this light 'is at once the key to the charm which his work holds for his admirers and a hindrance to his gaining the appreciation of those who do not instinctively understand him.' In a catalogue for an exhibition celebrating the 100th anniversary of Lascaux's birth at the Galérie Louise/Leiris in Paris in 1988, Gallup wrote: 'In the main, he was content to portray only scenes long familiar and well understood: the streets and buildings of Paris, especially Montmartre and the Ile de la Cité, Versailles, Limoges (where he was born) and the surrounding towns and countryside. In these pictures, there is a sureness, sensibility, and sincerity, born of deep knowledge and true affection, set down in his own inimitable, unique way.' Lascaux moved from his village to Paris in 1905 when he 17 and took jobs as an actor and singer before he became an architect's draftsman. After being wounded in World War I, he was held prisoner by the Germans early in 1915. A German officer of the prison camp allowed Lascaux to spend his time painting, and Lascaux made a career out of art when he returned to Paris after the Armistice. In 1921, the artist Max Jacob brought Lascaux to the attention of Kahnweiler, who represented many Cubist artists. Lascaux's work was subsequently shown in the art dealer's gallery. This is the second time Lascaux's work is being shown at Yale. In 1951, Jonathan Edwards College hosted a larger exhibit of his work, also drawn from Gallup's collection. " ('Yale Bulletin & Calendar, January 21, 2000 Volume 28, Number 17". Gide Both volumes unbound within original pink paper wrappers, both contained within a single pink paper-covered board 'chemise', all within a matching pink paper-covered board slipcase. (Spine of 'chemise' and some areas of the slipcase faded). Very good indeed Text vol.: pp.[i-ii, 1-]10-152[-158], printed in red and black, on 'japon impérial' paper. Lithographic title vignette, 16 lithographic illustrations (9 full-page; 7 presented as headpieces), some other decorations printed in red, EXTRA-ILLUSTRATED with an original black and red ink drawing, inscribed and signed by Lascaux, and dated '47; atlas volume: without text, the 16 lithographic illustrations presented in two states: in black on a warm-toned 'annam' paper, and in 'carmin' (red) on a cooler toned 'chine' paper). 4to An excellent unsophisticated copy of the 'deluxe' issue of this limited edition with an important provenance: the edition as a whole limited to 600 copies, of which 30 were printed on 'japon impérial' paper and accompanied by the illustrations in two suites, this being number 2 of 22 copies numbered from 1-22.

Paperback. Condición: Brand New. 154 pages. 8.75x5.75x0.34 inches. This item is printed on demand.

Leather Bound. Condición: New. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1921. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 174, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 174.