dissertation lorigine progrès lart de fournier pierre (10 resultados)

Condición: Sehr gut. Zustand: Sehr gut | Seiten: 94 | Sprache: Französisch | Produktart: Bücher.

small 8vo. full brown leather, border stamped in blind on the front and rear boards, gilt ornaments on spine, title in second compartment, five raised bands, all edges stained red, marbled endsheets. (1)ff.-92, (3), -263 pages. Pour éclaircir quelques traits de l"histoire de l'Imprimerie, & prouver que Guttemberg n'en est pas l'Inventeur. Two works bound in one. Very rare first edition (Bigmore and Wyman p.228). Private bookplate of Jackson Burke on the verso of the front free endpaper. Contemporary boards with some rubbing to the spine and extremities, corners a bit worn, gilt on the spine is lightly flaking, evidence of bookplate removal to front and rear pastedowns. Else a fine copy of this very scarce work. Two works bound together. Complete titles are: Dissertation sur l'origine et les progrès de l'art de graver en bois (1758) and De l'origine et des productions de l'imprimerie primitive en taille de bois (1759). Fournier (1712--1768) was born in Paris and trained as a wood engraver. He later turned to steel engraving. In the first essay, Fournier sets out to prove that Gutenberg was not the inventor of the printing press by examining the history of printing. He believes that the technology Gutenberg made popular existed long before the German printer's work. The second volume follows this up with further discussion of the origins of woodcut prints. Fournier wrongly disputes the dating of Mr. De Bure le Jeune concerning the Gutenberg Bible, but he is the first, (with the help of an observation by Gerard Meerman), to note the progressive increase in the number of lines per page in the early stages of Bible production. full brown leather, border stamped in blind on the front and rear boards, gilt ornaments on spine, title in second compartment, five raised bands, all edges stained red, marbled endsheets.

8vo (179 x 115 mm), 5 works in one, [4], 92, [4]; 263, [1]; 62; 84; 14pp., with additional collective title page and table of contents, engraved portrait of Fournier, marbled endpapers, contemporary smooth calf, joints slightly cracked, spine tooled in gilt with a red morocco label lettered in gilt, lightly rubbed but a nice tight copy. Collective, second issue of the sheets of the first editions of four works by Fournier on the origins of typography. They originally appeared in 1758-61, to which Barbou has added for this collection a brief new tract by Fournier, Lettre a M. Freron. The publisher has also supplied a collective title and a table of contents. Provenance: Bookplate of 'Cte. L. de B.' with device "Cunctis nota fides", i.e. Comte Léon de Bastard d'Estang. (1822-1861); red morocco booklabel of Eduardo J. Bullrich (1895-1951); bookplate of Major J. R. Abbey (1894-1969). Bigmore & Wyman, I, 228; Updike I, p. 253.

large 12mo. unbound, cord tied, housed in a green half-morocco goat over cloth boards clamshell case, spine tooled in gold leaf with title, author, and date. 92, (3) pages. Pour éclaircir quelques traits de l"histoire de l'Imprimerie, & prouver que Guttemberg n'en est pas l'Inventeur. Very rare first edition (Bigmore and Wyman p.227). Unbound textblock lightly soiled with minor creasing at corners. Faint moisture staining throughout, with some affecting the text. In this text, Fournier sets out to prove that Gutenberg was not the inventor of the printing press by examining the history of printing. He believed that the technology Gutenberg made popular existed long before the German printer's work. Fournier also followed up this text with two additional works which are not present: De l'origine et des productions de l'imprimerie primitive en taille de bois (1759) and Observations sur un ouvrage intitulé Vindiciae Typographicae (1760). These two works provided further discussion of the origins of woodcut prints, including a passage refuting popular belief about the origin wood engraving and some ideas for further study. Fournier (1712--1768) was born in Paris and trained as a wood engraver and type founder, being a member of the 18th century dynasty of the well-known Fournier family. He later turned to steel engraving. He published a table of the proportions of the different printing characters whose purpose was to propose for all typefaces a fixed measurement in "typographic points" and a systematic gradation. He worked closely with the collaborators of the Encyclopédie, providing the printer Le Breton with all the documentation relating to the typographic foundry and plans for his own instruments, as well as providing Diderot with his collection of ancient alphabets. Finally, after multiple disputes with his Parisian colleagues, he became infamous for the printing of his famous Manuel Typographique (1764, 1766) just prior to his death. unbound, cord tied, housed in a green half-morocco goat over cloth boards clamshell case, spine tooled in gold leaf with title, author, and date.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1758 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 110 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 110 Fournier (Pierre Simon), Pierre Simon Fournier.

Leather Bound. Condición: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1758. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages: - 107, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 107.

Leather Bound. Condición: New. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1758. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 110, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 110.

Leather Bound. Condición: New. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1758. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 110, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 110.

LeatherBound. Condición: NEW. LeatherBound edition. Condition: New. Reprinted from 1758 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 118.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Dissertation Sur L¿¿¿¿¿¿¿Origine Et Les Progres De L¿¿¿¿¿¿¿Art De Graver En Bois (1758) est un livre ¿¿¿¿¿crit par Pierre Simon Fournier. Il s'agit d'une ¿¿¿¿¿tude compl¿¿¿¿¿te de l'histoire de la gravure sur bois, depuis son origine jusqu'¿¿¿¿¿¿ son d¿¿¿¿¿veloppement et sa progression ¿¿¿¿¿¿ travers les si¿¿¿¿¿cles. L'auteur explore les diff¿¿¿¿¿rentes techniques de gravure sur bois, ainsi que les artistes et les ¿¿¿¿¿uvres les plus remarquables de cette forme d'art. Il examine ¿¿¿¿¿galement l'impact de la gravure sur bois sur la culture et la soci¿¿¿¿¿t¿¿¿¿¿ de l'¿¿¿¿¿poque. Ce livre est un pr¿¿¿¿¿cieux t¿¿¿¿¿moignage de l'histoire de l'art et de la culture, et est une lecture essentielle pour tout ¿¿¿¿¿tudiant ou amateur d'art int¿¿¿¿¿ress¿¿¿¿¿ par la gravure sur bois.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.