DISCOURSE (64 resultados)

Condición: As New. Unread book in perfect condition.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: New. 1st Edition.

Paperback. Condición: New. DISCOURSE (#013).

Paperback. Condición: New. This essay-led book project by Izabella Scott and Skye Arundhati Thomas examines ongoing land disputes, military occupation, and communication blackouts. Through an extended text and a selection of photo essays made in collaboration with photographers, the project gathers together records produced under daily surveillance and confrontation. It seeks a new register of writing and image to make visible the conditions of military occupation and the protracted violence of the blackout.

Condición: Very Good.

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: New. In an era of climate catastrophe and corporate agribusiness, meat has been decisively made over. Urbanites across the West are called upon to look at the animals we eat, and by looking, learn to treat them with love. We are asked to tenderise our carnal desire for flesh and dignify our relationship with the land. Yet can our appetite for meat be redeemed by this new way of seeing? Can an 'ethical' approach to the farming, sale, and consumption of meat really save both the planet and our souls?Revisiting John Berger's writings on animals and class, Meat Love restores a materialist lens to the politics of carnivorous desire. In this vital essay, Amber Husain deconstructs the beauty, tragedy, and mystery with which our images of meat are embellished, drawing on a range of visual sources from contemporary art and film to Instagram and advertising. Probing the nature of 'love' in contemporary human-animal relations, it casts a critical eye on the visual culture of meat as it gentrifies and mutates, informing, for better or for worse, who we become as political subjects.

Paperback. Condición: New. On the outbreak of the war in Gaza in October 2023, Melani McAlister began to use her journal to track the rapid development of the conflict and the parallel evolution in the ways it was represented in the US media. Drawing on McAlister's decades of experience as a scholar of US-Middle East relations, as well as her personal history in activism, this incisive and dynamic text traces the devastating development of the current war in real time, identifying echoes with previous moments in the history of the region and the protests and artistic responses they prompted. This series of meditations explores the enduring power of narrative and memory, threading throughout the work of Arab and Arab American poets and musicians to tell a story of Palestinian resistance and resilience. Encompassing the earliest political promises, made and broken, that laid the ground for the Israel-Palestine conflict, subsequent wars and attempts at peace, through to the flashpoint campus protests of 2024, this text serves as a primer to the history of the region and its unique place in global consciousness. Promises, Then the Storm is a reflection on the significance of Palestinian liberation at a moment when it has never been more urgently at stake - one that reckons with possibilities for justice and equality and the hopes carried by activists and artists, against all odds, into the future.

Paperback. Condición: New.

Paperback. Condición: New. DISCOURSE (#11).

Paperback. Condición: New. We know that celebrities can make great muses: think of the work of Richard Phillips, who has painted an entire series of works inspired by Lindsay Lohan, Robert Pattinson, and Miley Cyrus, or of Urs Fischer, who recently showed a life-sized candle in the shape of Leonardo DiCaprio. Notoriously, the art collector Peter Brant commissioned the wickedly satirical Italian American artist Maurizio Cattelan to make a sculpture of his wife, the supermodel Stephanie Seymour. The work was technically called Stephanie, but became known in the industry as 'Trophy Wife'. With the sculpture valued at 1.5 million dollars, while Seymour herself is purportedly worth one hundred million dollars, you might be tempted to wonder which has the claim to be the 'better' work of art.In this illustrated essay, critic Philippa Snow asks whether all great, or iconic, celebrities can be considered technically self-authored artworks in and of themselves. Drawing on a wide range of cultural references from the past two decades, she proposes that increasingly - as celebrities' private lives become more visible and thus more art-directed, and especially as plastic surgery becomes de rigueur for even the most minor public figures - celebrity itself can be a medium for contemporary art, a form of mythmaking and image-making that is every bit as complex, conceptual, and compelling as the work of a traditional artist.

Softcover. Condición: As New. Originalverpackt. 'You must sit down, says Love, and taste my So I did sit and eat.' -George Herbert, 'Love (III)' In an era of climate catastrophe and corporate agribusiness, sumptuous representations of animal meat increasingly go hand in hand with romantic portrayals of animal life. Revisiting John Berger's writing on animals, agriculture, and anti-capitalist struggle in Why Look at Animals? (1977), Amber Husain asks how we are drawn to look at dead meat with eyes befitting of life itself, and what happens to us when we do. How is it that desire for slabs, hunks, racks, and rashers of purpose-bred death can be made to swell not despite but in proportion with attachment to its living source? Meat Love is an exploration of our taste for meat and its enduring appeal to the political left as well as the right. Ranging from advertising to art, from Instagram to the blockchain, Meat Love deconstructs the beauty, tragedy, and mystery with which our images of meat are embellished, as well as the political conditions in which the romanticisation of carnivorous hunger can flourish.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condición: As New. 'You must sit down, says Love, and taste my So I did sit and eat.' -George Herbert, 'Love (III)' In an era of climate catastrophe and corporate agribusiness, sumptuous representations of animal meat increasingly go hand in hand with romantic portrayals of animal life. Revisiting John Berger's writing on animals, agriculture, and anti-capitalist struggle in Why Look at Animals? (1977), Amber Husain asks how we are drawn to look at dead meat with eyes befitting of life itself, and what happens to us when we do. How is it that desire for slabs, hunks, racks, and rashers of purpose-bred death can be made to swell not despite but in proportion with attachment to its living source? Meat Love is an exploration of our taste for meat and its enduring appeal to the political left as well as the right. Ranging from advertising to art, from Instagram to the blockchain, Meat Love deconstructs the beauty, tragedy, and mystery with which our images of meat are embellished, as well as the political conditions in which the romanticisation of carnivorous hunger can flourish.

paperback. Condición: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condición: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Paperback. Condición: New. In 1996, a book of photographs by an unknown young British photographer was launched on to the London contemporary art market to immediate popular and critical success. The pictures were taken within the claustrophobic, chaotic interior of a Birmingham council flat where the photographer's father, Ray, an alcoholic, lived with Liz, his sedentary and occasionally violent mother, and his younger brother Jason.For the public, including cultured, art-loving viewers, the pictures were a shock: more intimate, more personal, more oppressive than the well-meaning photojournalistic study of working-class poverty to which they were accustomed. Some saw them as a betrayal - exposing unsuspecting family members to potential humiliation - but from Richard Billingham's point of view they made moral judgements and had no social or political purpose. He had taken them as reference images for his painting, and their lives as artworks were as much a result of the interventions of other editors and gallerists as of Billingham's own intentions.This reader traces the history of a body of work which remains as vital and provocative as on its first release, and whose story tells us much about the workings of art, publishing, and the politics of dissemination. Editor Liz Jobey charts the history in a new essay drawing on interviews with Billingham and all the primary protagonists of the work's emergence, including Michael Collins, Julian Germain, and Paul Graham. This is followed by an extensive selection of conversations and essays from 1996 to the present day, by writers including Charlotte Cotton, Gordon Burn, Lynn Barber, and Jim Lewis.

paperback. Condición: New. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback. Condición: new. Paperback. In an era of climate catastrophe and corporate agribusiness, meat has been decisively made over. Urbanites across the West are called upon to look at the animals we eat, and by looking, learn to treat them with love. We are asked to tenderise our carnal desire for flesh and dignify our relationship with the land. Yet can our appetite for meat be redeemed by this new way of seeing? Can an 'ethical' approach to the farming, sale, and consumption of meat really save both the planet and our souls?Revisiting John Berger's writings on animals and class, Meat Love restores a materialist lens to the politics of carnivorous desire. In this vital essay, Amber Husain deconstructs the beauty, tragedy, and mystery with which our images of meat are embellished, drawing on a range of visual sources from contemporary art and film to Instagram and advertising. Probing the nature of 'love' in contemporary human-animal relations, it casts a critical eye on the visual culture of meat as it gentrifies and mutates, informing, for better or for worse, who we become as political subjects. An extended illustrated essay by writer Amber Husain critically examining romantic representations of meat in contemporary culture, drawing on a wide range of references across political theory, literature, and art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. After arriving in New York in 1938, Austrian photographer Lisette Model quickly found stunning early success. Her photographs graced the pages of renowned magazines and were exhibited at the Museum of Modern Art. Their frank portrayals of ordinary Americans, captured in bars and restaurants, on the beach and in the streets, revolutionised the world of photography. Yet by 1950, Model had all but ceased to circulate her images, devoting herself instead to teaching a new generation of photographers, including Diane Arbus and Rosalind Fox Solomon. She gained the reputation, scandalous in business-like New York, of being difficult. In this illustrated essay, Duncan Forbes offers a new interpretation of Models photography and biography, asking whether the artists rebelliousness is not in fact the key to understanding her remarkable life and work. This compelling illustrated essay offers a fresh view of photographer and teacher Lisette Model, considering the artists rebelliousness as the key to understanding her remarkable life and work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. After arriving in New York in 1938, Austrian photographer Lisette Model quickly found stunning early success. Her photographs graced the pages of renowned magazines and were exhibited at the Museum of Modern Art. Their frank portrayals of ordinary Americans, captured in bars and restaurants, on the beach and in the streets, revolutionised the world of photography. Yet by 1950, Model had all but ceased to circulate her images, devoting herself instead to teaching a new generation of photographers, including Diane Arbus and Rosalind Fox Solomon. She gained the reputation, scandalous in business-like New York, of being 'difficult'. In this illustrated essay, Duncan Forbes offers a new interpretation of Model's photography and biography, asking whether the artist's rebelliousness is not in fact the key to understanding her remarkable life and work.

Condición: New.

Paperback. Condición: New. Sally Stein reconsiders Dorothea Lange's iconic portrait of maternity and modern emblem of family values in light of Lange's long-overlooked 'Padonna' pictures and proposes that 'Migrant Mother' should in fact be seen as a disruptive image of women's conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens. Dr. Stein, Professor Emerita, UC Irvine, is an independent scholar based in Los Angeles who continues to research and write about 20thcentury photography in the U.S. and its relation to broader questions of culture and society. She has written about New Deal FSA photographers-particularly Dorothea Lange, Marion Post Wolcott, Jack Delano-as well as the contested image of FDR. Her numerous essays about popular mass media - Ladies Home Journal, Life and Look - extend her ongoing study of the various aspects of the rise of color photography. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens.

Paperback / softback. Condición: New. New copy - Usually dispatched within 2 working days.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: As New. Unread book in perfect condition.