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Hardcover. Condición: new. Hardcover. From the adrenaline-filled 24 Hours of Le Mans to the legendary Goodwood Festival of Speed, Lake Como's famed Concorso d'Eleganza Villa d'Este to the premier Monterey Car Week, the collector car calendar and market has shown one of the most extraordinary growth trajectories of recent years. As thousands flock to specialized meet ups, rallies, auctions, and Concours d'Elegance around the globe, asking prices for the rarest motors have revved higher and higher. So much so, that the value of the 100 cars included in this book exceeds a staggering $1 billion.For the seasoned car collector or the awestruck newcomer, this double-volume is the unrivaled collector car anthology. Curating 100 of the most exquisite, remarkable, and desirable cars of all time to tell a spellbinding story of automotive design-and-engineering endeavor in the tireless pursuit of ever-greater performance both on and off the track, from the first Indy 500-winning 1910 Marmon Wasp to the futuristic 2020 Aston Martin Valkyrie.Laps ahead of any generic catalog, this superlative volume exudes authority and elegance, settling for nothing less than the very best of the best, and presenting each model with the lavish spreads it deserves, complete with stunning imagery taken by the world's leading car photographers alongside rare archival treasures, from original factory photos to famous motorsports event posters. Each entry is also accompanied by expert descriptive texts and specs, detailing each car's make, model, year, engine size, horsepower, top speed, transmission, and all-important production numbers.By passionately tapping into their transatlantic expertise and insider knowledge of car auctions, museums, and collections around the world, design authors Charlotte and Peter Fiell survey the autoworld's finest cars of all time. Their carefully curated selection spans the whole history of the automobile, taking in such rare models as a 1912 Stutz Model A Bearcat, as well as lesser-known jewels such as the astonishing 1937 Talbot-Lago T150-C SS "Goutte d'Eau" Coupe by Figoni et Falaschi.This definitive compendium includes a foreword from Rob Myers, the founder of RM Sotheby's, and includes an introduction from the authors that gives a unique perspective on the ins and outs of car collecting at the highest level. The main content is interspersed with interviews with Dr. Frederick Simeone, founder of the Simeone Foundation Automotive Museum; The Duke of Richmond and Gordon, founder of the Goodwood Festival of Speed and Goodwood Revival; Sandra Button, Chairman of the Pebble Beach Concours d'Elegance; John Collins, leading dealer of historic Ferraris; and Shelby Myers, global head of Private Sales at RM Sotheby's, which offer key personal insights into the car-collecting world. This double-volume is the ultimate collector car anthology, featuring 100 of the most remarkable and desirable cars of all time, from the landmark 1903 Mercedes-Simplex 40 hp to the radical 2020 McLaren Speedtail. Each model is presented in stunning imagery by the world's leading car photographers. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

An original painting by costume designer Marco Montedoro showing a costume which includes a dramatic black skirt, green accessories, and a skull mask. Montedoro labeled the painting "Danse Macabre" in the upper right corner in pencil. Unsigned. Gouache and pencil on paper. Condition: Good to very good. Slightly age-toned and foxed with minor marking to recto and slightly more frequent marking to verso. Open cut at lower left corner; several creases to upper right corner. A small patch of surface damage to verso near center of left edge. Dimensions: w 11 x h 13.5 in THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341009. Arts & Antiques.

An original painting by costume designer Marco Montedoro for an unidentified production. The painting depicts a woman riding a sea serpent while her long hair and a strand of metallic beads stream out behind her. A wave-like green banner wraps around the woman and the serpent. The phrase "For the large HEMP" is written in the upper left corner of the image. Unsigned. Gouache and pencil on paper. Condition: Good to very good. Paper lightly age-toned with scattered staining, most notably at the upper right edge of the image. Some marking and evidence of yellowed adhesive on the verso. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341062. Arts & Antiques.

An original painting by costume designer Marco Montedoro showing a design for a flowing white gown with silver accents. Signed (at a later date and somewhat shakily) by the artist in pencil at the lower right corner. Gouache, colored pencil, and pencil on board. Dimensions: w 15 x h 20 in Condition: Good to very good. Age-toned, slightly foxed, and lightly marked with some bumping and chipping to corners and edges. Manufacturer's stamp and yellowed adhesive on verso. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341101. Arts & Antiques.

An original painting by costume designer Marco Montedoro showing a design for a woman's costume with a wide sheer shirt with a floral border. A green parrot is perched on the woman's shoulder. Unsigned. Gouache and pencil on paper. Dimensions: w 11.25 x h 14.25 in. Condition: Good to very good. Age-toned and slightly foxed, with several corrections in white. Minor bumping to edges and corners, including crease at lower left corner. Yellowed tape and light marking on reverse. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341102. Arts & Antiques.

An original painting by costume designer Marco Montedoro showing a design for a costume to be worn by the Rockettes. There are several overlapping pencil drawings on the verso, three showing full costumes and three focused on women's hats. Signed (at a later date and somewhat shakily) by the artist in pencil at the lower right corner of recto. Gouache and pencil on paper. Dimensions: w 1.5 x h 14.5 in. ondition: Good to very good. Age-toned and slightly foxed. Some bumping to edges and corners, with two closed tears (â in) to left edge, a heavy crease to lower right corner, and a lighter crease across top edge. One scrape near the figure's right shoulder, and one indentation impacting the purple scarf near her left elbow. One small circle of water staining near left edge (smaller stains from pigmented water scattered across page). THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341104. Arts & Antiques.

An original painting by costume designer Marco Montedoro depicting a design for a woman's costume composed of a ruffled dress shirt, jacket, and trousers. Two smaller pencil sketches on the same sheet give further insight into the construction of the shirt and trousers. Signed (at a later date and somewhat shakily) by the artist in pencil at the lower right corner. Gouache, colored pencil, and pencil on paper. Dimensions: w 11 x h 14 in. Condition: Lightly age-toned with a few small spots of foxing on recto, and slightly more foxing on verso. Minor bumping and creasing to edges and corners. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341108. Arts & Antiques.

An original painting by costume designer Marco Montedoro showing a design for a woman's costume featuring an elaborate purple velvet hat and a yellow and purple satin train. In the upper right corner Montedoro has written notes about the construction of the costume. Signed (at a later date and somewhat shakily) by the artist in pencil at the lower right corner. Gouache, colored pencil, and pencil on paper. Dimensions: w 11 x h 14 in. Condition: Good to very good. Age-toned, slightly foxed and marked. Minor bumping to edges and corners, with heavier crease to lower left corner. Several small dark stains at upper left corner. Yellowed tape and light marking to verso. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341105. Arts & Antiques.

An original painting by costume designer Marco Montedoro showing a costume labeled "Sultane." There are construction notes written in Montedoro's hand at the right margin. Unsigned. Gouache, colored pencil, and pencil on paper. Dimensions: w 14 x h 18 in. Condition: Very good. Lightly age-toned and foxed, with light marking to right edge. Marking and yellowed adhesive on verso. Some bumping to edges and corners. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341106. Arts & Antiques.

An original painting by costume designer Marco Montedoro showing a woman's costume with dragon-inspired elements. A smaller pencil sketch of another view of the same costume. Unsigned. Gouache and pencil on paper, mounted on brown board. Dimensions: w 11 x h 14 in. Condition: Good to very good. Lightly age-toned and foxed, with a light crease to the bottom of the painting. Paper lightly bumped and somewhat unevenly trimmed. Board lightly bumped at edges and corners, with several small marks. Small marks and adhesive on verso of board. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341107. Arts & Antiques.

An original painting by costume designer Marco Montedoro showing a design apparently for Patti Philippi in a performance entitled Sophisticated Lady. The costume features a blue spangled jacket and top hat, and is accompanied by pencil notes in Montedoro's hand regarding the construction of the costume. Another image has been heavily marked out on the verso. Signed (at a later date and somewhat shakily) by the artist in pencil at the lower right corner. Gouache, colored pencil, and pencil on paper. Dimensions: w 11 x h 14.25 in. Condition: Age-toned and slightly foxed with some light marking. Minimal bumping to edges and corners with a light crease at the upper right corner. Yellowed tape on verso. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341109. Arts & Antiques.

An original painting by costume designer Marco Montedoro showing a design for a short dress in red, blue, and gold with a matching hat. Unsigned. Gouache, colored pencil, and pencil on paper. Dimensions: w 11 x h 16.5 in. Condition: Lightly age-toned and very slightly foxed, with minor bumping to edges and corners. A small patch of surface damage (as if from the removal of adhesive) to the center left edge of the recto. Yellowed adhesive and minor damage from adhesive removal on verso. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341110. Arts & Antiques.

An original painting by costume designer Marco Montedoro showing a design for a blue and white tutu. The pencil text in the artist's hand at the upper left corner (partially covered by the mat) reads "Stuart Concerto Number." Signed (at a later date and somewhat shakily) by the artist in pencil at the lower left corner. Dimensions: w 11 x h 13.5 in. Condition: Age-toned and foxed. Light marking and minor bumping to edges and corners of mat. Yellowed adhesive and light marking to verso. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341111. Arts & Antiques.

An original painting by costume designer Marco Montedoro depicting a design for a cabaret costume featuring a bikini-style design and a sun umbrella. Unsigned. Gouache, colored pencil, and pencil on paper. Dimensions: w 11 x h 14 in. Condition: Age-toned and slightly foxed with minor bumping to edges and corners. A closed tear (1.25 in) to top center edge. Yellowed adhesive and minor damage from adhesive removal on verso. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341159. Arts & Antiques.

An original painting by costume designer Marco Montedoro depicting a design for a black evening gown with sheer sleeves and floral details. The construction notes in the right margin are in the artist's hand, and indicate that the gown was intended to be made of velvet with chiffon sleeves (both in black). The floral details were to be constructed from spangles, and the lace-like elements at the top and bottom of the dress were to be made of velvet applique. An incomplete design for a serving tray featuring a fish design is visible on the verso. Unsigned. Gouache, colored pencil, and pencil on paper. Dimensions: w 11 x h 10 in. Condition: Good. Age-toned and slightly foxed, with marking to both recto and verso.Some bumping to edges and corners, including creasing along the lower edge. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341167. Arts & Antiques.

An original painting by costume designer Marco Montedoro showing a slim red evening gown with white and silver details. The construction notes, written in pencil at the right margin in Montedoro's own hand, have been partially trimmed from the image. The artist had begun a painting for a tray design on the verso. Unsigned. Gouache, colored pencil, and pencil on paper. Dimensions: w 11 x h 14 in. Condition: Good. Age-toned and slightly foxed with some light marking and scattered water staining. Minimal bumping to edges and corners; edges somewhat unevenly trimmed. Yellowed adhesive and minor damage from adhesive removal on verso. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341163. Arts & Antiques.

An original painting by costume designer Marco Montedoro showing a costume consisting of a bikini top with nautical elements, a dress or beach cover-up with a sailor collar, and a large sun hat that conceals the figure's face. Unsigned. Gouache, colored pencil, and pencil on paper. Dimensions: w 12 x h 17 in. Condition: Age-toned and slightly foxed. Some bumping and creasing to edges and corners, including a significant crease to lower left corner. Light marking on verso. THIS ITEM IS AT OUR DUPONT STORE. Marco Montedoro (1887-1947) was born in Italy to a family of musicians. Regarded as a child prodigy, he was sent to Paris to study drawing and painting as a teenager. He established himself as an artist there, and remained in Paris until 1913 when he became the artistic director of the Metropol in Berlin. Montedoro moved back to Italy for the duration of WWI, where he designed posters for Italian theaters and cinemas. He returned to Paris after the war, and found work designing costumes for Le Palace, Les Ambassadeurs, Moulin Rouge, and Folies Bergère (including a 1927 production featuring Josephine Baker). During this period, he also designed productions in Milan, Berlin, London, St. Petersburg, and Poland. In 1930, Montedoro relocated to New York City and designed for the Schuberts, including the 1941-1942 Broadway production of La Vie Parisienne. From 1932-1947, he worked alongside Vincinte Minelli designing sets and costumes for Radio City Music Hall, where Montedoro became head designer. Montedoro's talent is featured in Angelo Luerti's 2006 book Non Solo Erté - Not Only Erté, Costume Design for the Paris Music Hall 1918-1940. Provenance: Before his death, Montedoro gave a significant collection of his designs to his close friend Hella Aronson (a German Jewish newspaper illustrator who had emigrated to New York from Nazi Germany before the beginning of WWII). The collection has remained with the Aronson family since that time. 1341161. Arts & Antiques.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - These two volumes present the results of studies and debates given at the 3rd Late Roman Coarse Wares, Cooking Wares and Amphorae Conference, held at Parma and Pisa in March 2008. They follow the LRCW1 (Late Roman Coarse Wares, Cooking Wares and Amphoraein the Mediterranean. Archaeology and Archaeometry edited by J. M. Gurt i Esparraguera, J.Buxeda i Garrigós and M.A. Cau Ontiveros, BAR International Series 1340, 2005) and LRCW2 (Roman Coarse Wares, Cooking Wares and Amphorae in the Mediterranean. Archaeology and Archaeometry edited by M. Bonifay and J.-C. Treglia, BAR International Series 1662 (I-II), 2007) Volumes and a few mid-term meetings of the Standing, Scientific and Organizing committees of the LRCW research network. Starting in March 2002, when the first Conference was organized in Barcelona, a great effort was made to ensure the continuity of these international meetings held every three years. Each time the results of more and more extended research are presented. Increasing numbers of papers document the success of this initiative: LRCW1 and LRCW2 included 48 and 73 papers respectively; in present volumes there are 105 papers. As at Barcelona and Aix-en-Provence, Marseille and Arles, many archaeologists (230 of 303 enrolled) took part in the Parma-Pisa Conference, coming from 25 different countries: 50 papers and 104 posters were presented. J.W. Hayes introduced the sessions which were summarized by M. Bonifay. The themes treated were: 1) production centres; 2) pottery distribution and consumption; 3) forms, function and contents; 4) regional contexts: Adriatic area; 5) the eastern Mediterranean; 6) Rome and Ostia; 7) Tyrrhenian Italy; 8) the western Mediterranean.This volume is part of a two volume set: ISBN 9781407307343 (Volume I); ISBN 9781407307350 (Volume II); ISBN 9781407307367 (Set of both volumes).

Blattmaß: 81 x 56,5 cm. Das farbige Fotoplakat, herausgegeben vom VAA, wurde anlässlich des 25. Jahrestages der Abriegelung der Sektorengrenze und somit dem Beginn des Mauerbaus gedruckt. Dargestellt ist ein NVA-Soldat mit der Beischrift "Ein Vorbild an Werkbank und Waffe". Die Gestaltung des Blattes stammt von Herbert Wengler, das Foto fertigte Thomas Billhardt an. - Das Blatt ist etwas angerändert und hat leichte Knickspuren. Sonst gutes Exemplar.

Condición: Strappetti al margine destro. 1968 (maggio), Manifesto originale. Strappetti al margine destro. Serigrafia a inchiostro viola. 36,5x80. Manifesto originale.

Condición: Minimi strappetti ai margini. École N.le Supérieure des Beaux-Arts, Quai de Malequis, (1968) maggio, Manifesto originale. Minimi strappetti ai margini. Serigrafia a inchiostro sabbia (raro), ne furono stampati anche in rosso e verde. Timbro École N.le Supérieure des Beaux-Arts. Notevole, nell appello all unità di lavoratori e migranti, l assenza della lingua francese. 78x55,5. Manifesto originale.

École N.le Superieure des Beaux Arts. Quai Malequis, 1968 (maggio), Manifesto originale. Strappetto al margine sinistro, lievi segni di piegatura. Qualche macchia. Serigrafia a inchiostro verde. Manifesto dei sindacati Confédération générale du travail e Confédération française démocratique du travail a sostegno dello sciopero alla Renault. Timbro in parte sbiadito dell École N.le Superieure des Beaux Arts. 80x60. Manifesto originale. Strappetto al margine sinistro, lievi segni di piegatura. Qualche macchia.

Condición: Assez bon. Sylvie Michelet Ilustrador. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

No Binding. Condición: Fine. 1st Edition. Original vintage poster, offset printing, published in 1981. First printing of this poster. 62cm x 96cm. Condition Grade: A, Excellent. Linenbacked. Poster issued in 1981 to promote the recommenced running of the famous Orient Express train from London to Paris and onto Venice. This is the railway line best remembered for Agatha Christe's classic murder mystery "Murder on the Orient Express". Pierre Fix-Masseau (1905-1994) was a noted French artist and graphic designer, best remembered for his art deco posters.

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -active industrial participation in the organizing committee. Recently, the conference has begun a regular informal industrial roundtable (Session 4). This has become very popular as it allows industrial participants to speak more openly. For a broader perspective, R. James Woolsey, Former Direc tor of Central Intelligence Agency, gave an after-dinner address on 'Wagon Trains for the 21st Century: The Role for Biorefineries. ' He urged the attendees of the importance of their efforts to develop renewable, benign processes for the United States and the world based on both security and prosperity reasons. These related to energy supply, support of domestic agriculture, global warming, and other issues. With the Twentieth Symposium, we continued the tradition of pro viding an informal, congenial atmosphere that our participants find condu cive to pursuing technical discussion of program topics. The technical program consisted of 35 oral presentations, a roundtable forum, two spe cial topic discussions, and a poster session of 133 posters. This year, tech nical topics included: Session 1: Feedstocks: New Supplies and Processing Session 2: Applied Biological Research Session 3: Bioprocessing Research Session 4: Emerging Opportunities for Industrial Chemicals Session 5: Bioprocess Evaluation and Confirmation Session 6: Enzymatic Processes and Enzyme Production Special topic discussions were held on 'Defining the Future Separa tions Needs Derived from Bioprocessing' by Earl Beaver, Monsanto Com pany, St. 904 pp. Englisch.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This volume contains the contributions to the 10th International Workshop on Railway Noise, held October 18-22, 2010, in Nagahama, Japan, organized by the Railway Technical Research Institute (RTRI), Japan. With 11 sessions and 3 poster sessions, the workshop featured presentations by international leaders in the field of railway noise and vibration. All subjects relating to 1. prospects, legal regulation, and perception; 2. wheel and rail noise; 3. structure-borne noise and squeal noise; 4. ground-borne vibration; 5. aerodynamic noise and micro-pressure waves from tunnel portals; 6. interior noise and sound barriers; and 7. prediction, measurements, and monitoring are addressed here. This book is a useful 'state-of-the-art' reference for scientists and engineers involved in solving environmental problems of railways. 600 pp. Englisch.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This volume contains the texts of lectures and posters presented at the Sixth European Conference on the Spectroscopy of Biological Molecules (ECSBM), held at the 'Universite des Sciences et Technologies de Lille', Villeneuve d'Ascq, France rd th from 3 to 8 September 1995 at the occasion of the tenth anniversary of the Conference. During a NATO Summer School 'Infrared and Raman Spectroscopy of Biological Molecules', organized by C. Sandorfy and T. Theophanides in Maratea (Italy) in 1983, a group of spectroscopists decided to organize a regular European meeting to check the lastest research results obtained by the different groups working in this field and to promote new cooperation between spectroscopists, biophysicists, biochemists and physicians. Since then ECSBM has been held biennially at Reims, France (1985), Freiburg, Germany (1987), Rimini, Italy (1989), York, United Kingdom (1991) and Loutraki, Greece (1993). The great increase in both the number of participants in this International Conference and in their countries of origin (from many countries outside as well as within Europe) during the last ten years has proved the necessity of this kind of meeting and the prosperity of this field of research. 660 pp. Englisch.

Colour lithograph on a vellin type hand laid paper with blindstamp at bottom right. on paper. Size in cm: The overall size is ca. 28 x 38.5 cm. The image size is ca. 22.5 x 35 cm. Size in inch: The overall size is ca. 11 x 15.2 inch. The image size is ca. 8.9 x 13.8 inch.Maitres de l'Affiche - Plate 200: 'Read the Sun.', by Louis Rhead. New York Sun newspaper poster. This original old antique print / plate originates from: 'Maitres de l'Affiche (Masters of the Poster) and refers to 256 color lithographic plates used to create a very significant art publication during the Belle Epoque in Paris, France. The collection, reproduced from the original works of ninety-seven artists in a smaller 11 x 15 inch format, was put together by Jules Cheret, the father of poster art. The varied selection of prints were sold in a package of four and delivered monthly to subscribers. On sixteen occasions during the selling period between December 1895 through November 1900, the monthly package included a bonus of a specially created lithograph. Enormously successful, today the Maitres de l'Affiche works are as rare as the original large format images and much in demand by collectors from around the world.Artists and Engravers: Jules Cheret (1836-1932) was a French painter and lithographer who became a master of Belle Epoque poster art. He has been called the father of the modern poster. This lithograph by Louis Rhead (1858-1926) a English-born American Golden Age Illustrator.Condition: Excellent. General age related toning and occasional light staining from handling as visible on image. Some paper erosion from framing in left margin not effecting image. Tiny tears in paper edges not effecting image, backed by acid free tape.Keywords: ANTIQUE POSTER-MAITRES AFFICHE-PL 200-LOUIS RHEADXXX-A3-37.

Poster. Condición: Good. Poster measures 19 x 30 inches. Decorative colour poster. Design adapted from the Poster Used in the 1924 Production At the Queens Theatre Dublin. Edge nicks & tears. Centre fold crease. Else good. Rare.

Condición: Très bon. Lithographic poster - Affiche lithographique. Lithographie d'interprétation d'après une estampe, exécutée pour une exposition à la Galerie Huguette Bérès. Format: 64 X 46 cm . Exemplaire sur Arches.