9781844135448 - Cover Versions: Singing Other People's Songs de Sweeting, Adam (29 resultados)

Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: As New. Unread book in perfect condition.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: New. Girls Aloud record the Pointer Sisters' 'Jump'; Atomic Kitten record Blondie's 'The Tide is High' and Kool and the Gang's 'Ladies Night'' Westlife record Billy Joel's 'Uptown Girl', Phil Collin's 'Against All Odds', Abba's 'I Have a Dream', and Barry Manilow's 'Mandy'-Thanks to the boom in TV-created pop stars, ancient pop classics have never had it so good, with 'Unchained Melody' massacred afresh by Gareth Gates and 'Bridge Over Troubled Water' eviscerated by Hear'Say. But back in pop's early days, every record was a cover version. Frank Sinatra and Ella Fitzgerald were famous for interpreting other people's songs, and the closest Elvis Presley ever got to writing one was when his manager, Colonel Parker, arm-twisted the rights away from the original songwriters. The balance of power shifted when The Beatles and the Stones wrote all their own material, yet the great tradition of the cover version never died. In this elegantly-tooled volume, Adam Sweeting gets the lowdown on cover versions - the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet.

Paperback. Condición: New. Girls Aloud record the Pointer Sisters' 'Jump'; Atomic Kitten record Blondie's 'The Tide is High' and Kool and the Gang's 'Ladies Night'' Westlife record Billy Joel's 'Uptown Girl', Phil Collin's 'Against All Odds', Abba's 'I Have a Dream', and Barry Manilow's 'Mandy'-Thanks to the boom in TV-created pop stars, ancient pop classics have never had it so good, with 'Unchained Melody' massacred afresh by Gareth Gates and 'Bridge Over Troubled Water' eviscerated by Hear'Say. But back in pop's early days, every record was a cover version. Frank Sinatra and Ella Fitzgerald were famous for interpreting other people's songs, and the closest Elvis Presley ever got to writing one was when his manager, Colonel Parker, arm-twisted the rights away from the original songwriters. The balance of power shifted when The Beatles and the Stones wrote all their own material, yet the great tradition of the cover version never died. In this elegantly-tooled volume, Adam Sweeting gets the lowdown on cover versions - the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet.

Condición: New.

Paperback. Condición: new. Paperback. Following on from the success of The Beatles at No 1, another cheap, small-format rock 'n' roll book for Christmas 2004Girls Aloud record the Pointer Sisters' 'Jump'; Atomic Kitten record Blondie's 'The Tide is High' and Kool and the Gang's 'Ladies Night'' Westlife record Billy Joel's 'Uptown Girl', Phil Collin's 'Against All Odds', Abba's 'I Have a Dream', and Barry Manilow's 'Mandy'-Thanks to the boom in TV-created pop stars, ancient pop classics have never had it so good, with 'Unchained Melody' massacred afresh by Gareth Gates and 'Bridge Over Troubled Water' eviscerated by Hear'Say. But back in pop's early days, every record was a cover version. Frank Sinatra and Ella Fitzgerald were famous for interpreting other people's songs, and the closest Elvis Presley ever got to writing one was when his manager, Colonel Parker, arm-twisted the rights away from the original songwriters. The balance of power shifted when The Beatles and the Stones wrote all their own material, yet the great tradition of the cover version never died. In this elegantly-tooled volume, Adam Sweeting gets the lowdown on cover versions - the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet. In this elegantly tooled volume, Adam Sweeting gets the lowdown on cover versions - the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 144.

Paperback. Condición: Brand New. 144 pages. 7.75x4.75x0.50 inches. In Stock.

Condición: New. pp. 144.

Condición: New. Girls Aloud record the Pointer Sisters' 'Jump'; Atomic Kitten record Blondie's 'The Tide is High' and Kool and the Gang's 'Ladies Night" Westlife record Billy Joel's 'Uptown Girl', Phil Collin's 'Against All Odds', Abba's 'I Have a Dream', and Barry Manilow's 'Mandy'. Num Pages: 144 pages. BIC Classification: AVGP. Category: (G) General (US: Trade). Dimension: 198 x 131 x 11. Weight in Grams: 168. . 2004. 1st Ed. Paperback. . . . . Books ship from the US and Ireland.

Condición: Used - Very Good. VG paperback. 1st ed. A tidy copy in tight binding. Used - Very Good. VG paperback.

Condición: New. Girls Aloud record the Pointer Sisters' 'Jump'; Atomic Kitten record Blondie's 'The Tide is High' and Kool and the Gang's 'Ladies Night" Westlife record Billy Joel's 'Uptown Girl', Phil Collin's 'Against All Odds', Abba's 'I Have a Dream', and Barry Manilow's 'Mandy'. Num Pages: 144 pages. BIC Classification: AVGP. Category: (G) General (US: Trade). Dimension: 198 x 131 x 11. Weight in Grams: 168. . 2004. 1st Ed. Paperback. . . . .

Condición: New. pp. 144.

Condición: New. In.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Fine. New and unread with shelf wear to closed pages and corners Shipped from the UK within 2 business days of order being placed.

Paperback. Condición: new. Paperback. Following on from the success of The Beatles at No 1, another cheap, small-format rock 'n' roll book for Christmas 2004Girls Aloud record the Pointer Sisters' 'Jump'; Atomic Kitten record Blondie's 'The Tide is High' and Kool and the Gang's 'Ladies Night'' Westlife record Billy Joel's 'Uptown Girl', Phil Collin's 'Against All Odds', Abba's 'I Have a Dream', and Barry Manilow's 'Mandy'-Thanks to the boom in TV-created pop stars, ancient pop classics have never had it so good, with 'Unchained Melody' massacred afresh by Gareth Gates and 'Bridge Over Troubled Water' eviscerated by Hear'Say. But back in pop's early days, every record was a cover version. Frank Sinatra and Ella Fitzgerald were famous for interpreting other people's songs, and the closest Elvis Presley ever got to writing one was when his manager, Colonel Parker, arm-twisted the rights away from the original songwriters. The balance of power shifted when The Beatles and the Stones wrote all their own material, yet the great tradition of the cover version never died. In this elegantly-tooled volume, Adam Sweeting gets the lowdown on cover versions - the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet. In this elegantly tooled volume, Adam Sweeting gets the lowdown on cover versions - the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. Following on from the success of The Beatles at No 1, another cheap, small-format rock 'n' roll book for Christmas 2004Girls Aloud record the Pointer Sisters' 'Jump'; Atomic Kitten record Blondie's 'The Tide is High' and Kool and the Gang's 'Ladies Night'' Westlife record Billy Joel's 'Uptown Girl', Phil Collin's 'Against All Odds', Abba's 'I Have a Dream', and Barry Manilow's 'Mandy'-Thanks to the boom in TV-created pop stars, ancient pop classics have never had it so good, with 'Unchained Melody' massacred afresh by Gareth Gates and 'Bridge Over Troubled Water' eviscerated by Hear'Say. But back in pop's early days, every record was a cover version. Frank Sinatra and Ella Fitzgerald were famous for interpreting other people's songs, and the closest Elvis Presley ever got to writing one was when his manager, Colonel Parker, arm-twisted the rights away from the original songwriters. The balance of power shifted when The Beatles and the Stones wrote all their own material, yet the great tradition of the cover version never died. In this elegantly-tooled volume, Adam Sweeting gets the lowdown on cover versions - the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet. In this elegantly tooled volume, Adam Sweeting gets the lowdown on cover versions - the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: New. Girls Aloud record the Pointer Sisters' 'Jump'; Atomic Kitten record Blondie's 'The Tide is High' and Kool and the Gang's 'Ladies Night'' Westlife record Billy Joel's 'Uptown Girl', Phil Collin's 'Against All Odds', Abba's 'I Have a Dream', and Barry Manilow's 'Mandy'-Thanks to the boom in TV-created pop stars, ancient pop classics have never had it so good, with 'Unchained Melody' massacred afresh by Gareth Gates and 'Bridge Over Troubled Water' eviscerated by Hear'Say. But back in pop's early days, every record was a cover version. Frank Sinatra and Ella Fitzgerald were famous for interpreting other people's songs, and the closest Elvis Presley ever got to writing one was when his manager, Colonel Parker, arm-twisted the rights away from the original songwriters. The balance of power shifted when The Beatles and the Stones wrote all their own material, yet the great tradition of the cover version never died. In this elegantly-tooled volume, Adam Sweeting gets the lowdown on cover versions - the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet.

Condición: NEW.

Condición: New. Girls Aloud record the Pointer Sisters Jump Atomic Kitten record Blondie s The Tide is High and Kool and the Gang s Ladies Night Westlife record Billy Joel s Uptown Girl , Phil Collin s Against All Odds , Abba s I Have a Dream , and Barry Manilow.

Taschenbuch. Condición: Neu. Neuware - In pop's early days, Sinatra and Elvis Presley were famous for interpreting other people's songs. Cover Versions gives us the lowdown on the worst, most popular, most frequently recorded, most successful, stupidest, tasteless etc., and the ones nobody has got around to yet.

Paperback. Condición: New. Girls Aloud record the Pointer Sisters' 'Jump'; Atomic Kitten record Blondie's 'The Tide is High' and Kool and the Gang's 'Ladies Night'' Westlife record Billy Joel's 'Uptown Girl', Phil Collin's 'Against All Odds', Abba's 'I Have a Dream', and Barry Manilow's 'Mandy'-Thanks to the boom in TV-created pop stars, ancient pop classics have never had it so good, with 'Unchained Melody' massacred afresh by Gareth Gates and 'Bridge Over Troubled Water' eviscerated by Hear'Say. But back in pop's early days, every record was a cover version. Frank Sinatra and Ella Fitzgerald were famous for interpreting other people's songs, and the closest Elvis Presley ever got to writing one was when his manager, Colonel Parker, arm-twisted the rights away from the original songwriters. The balance of power shifted when The Beatles and the Stones wrote all their own material, yet the great tradition of the cover version never died. In this elegantly-tooled volume, Adam Sweeting gets the lowdown on cover versions - the worst, the most popular, the most frequently recorded, the most successful, the stupidest, the most tasteless, the most influential, and the ones nobody got around to yet.