9780226828954 - Efficacy of Sound: Power, Potency, and Promise in the Translocal Ritual Music of Cuban Ifá-Òrìsà (Chicago Studies in Ethnomusicology) de Meadows, Ruthie (27 resultados)

Condición: New. 2023. 1st Edition. paperback. . . . . .

Condición: New. In.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2023. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: New. The first book-length ethnographic study on music and Ifá divination in Cuba and Nigeria. Hailing from Cuba, Nigeria, and various sites across Latin America and the Caribbean, Ifá missionary-practitioners are transforming the landscape of Ifá divination and deity (òri`s?a`/oricha) worship through transatlantic travel and reconnection. In Cuba, where Ifá and Santería emerged as an interrelated, Yorùbá-inspired ritual complex, worshippers are driven to "African traditionalism" by its promise of efficacy: they find Yorùbá approaches more powerful, potent, and efficacious.   In the first book-length study on music and Ifá, Ruthie Meadows draws on extensive, multisited fieldwork in Cuba and Yorùbáland, Nigeria, to examine the controversial "Nigerian-style" ritual movement in Cuban Ifá divination. Meadows uses feminist and queer of color theory along with critical studies of Africanity to excavate the relation between utility and affect within translocal ritual music circulations. Meadows traces how translocal Ifá priestesses (ìyánífá), female batá drummers (bataleras), and priests (babaláwo) harness Yorùbá-centric approaches to ritual music and sound to heighten efficacy, achieve desired ritual outcomes, and reshape the conditions of their lives. Within a contentious religious landscape marked by the idiosyncrasies of revolutionary state policy, Nigerian-style Ifá-Òri`s?a` is leveraged to transform femininity and masculinity, state religious policy, and transatlantic ritual authority on the island.

Paperback. Condición: New. The first book-length ethnographic study on music and Ifá divination in Cuba and Nigeria. Hailing from Cuba, Nigeria, and various sites across Latin America and the Caribbean, Ifá missionary-practitioners are transforming the landscape of Ifá divination and deity (òri`s?a`/oricha) worship through transatlantic travel and reconnection. In Cuba, where Ifá and Santería emerged as an interrelated, Yorùbá-inspired ritual complex, worshippers are driven to "African traditionalism" by its promise of efficacy: they find Yorùbá approaches more powerful, potent, and efficacious.   In the first book-length study on music and Ifá, Ruthie Meadows draws on extensive, multisited fieldwork in Cuba and Yorùbáland, Nigeria, to examine the controversial "Nigerian-style" ritual movement in Cuban Ifá divination. Meadows uses feminist and queer of color theory along with critical studies of Africanity to excavate the relation between utility and affect within translocal ritual music circulations. Meadows traces how translocal Ifá priestesses (ìyánífá), female batá drummers (bataleras), and priests (babaláwo) harness Yorùbá-centric approaches to ritual music and sound to heighten efficacy, achieve desired ritual outcomes, and reshape the conditions of their lives. Within a contentious religious landscape marked by the idiosyncrasies of revolutionary state policy, Nigerian-style Ifá-Òri`s?a` is leveraged to transform femininity and masculinity, state religious policy, and transatlantic ritual authority on the island.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days. 340.

Paperback or Softback. Condición: New. Efficacy of Sound: Power, Potency, and Promise in the Translocal Ritual Music of Cuban If�-�r�s� 0.84. Book.

Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. 1st edition NO-PA16APR2015-KAP.

Condición: As New. Unread book in perfect condition.

Taschenbuch. Condición: Neu. Neuware - 'Hailing from Cuba, Nigeria, and various sites across Latin America and the Caribbean, Ifâa missionary-practitioners are transforming the landscape of Ifâa divination and deity (áoráiðsáa/oricha) worship through transatlantic travel and reconnection. In Cuba, where Ifâa and Santerâia emerged as an interrelated, Yoráubâa-inspired ritual complex, worshippers are driven to 'African Traditionalism' by its promise of efficacy: they find Yoráubâa approaches more powerful, potent, and efficacious. In the first book-length study on music and Ifâa, Ruthie Meadows draws on extensive, multi-sited fieldwork in Cuba and Yoráubâaland, Nigeria to examine the contentious 'Nigerian-style' ritual movement in Cuban Ifâa divination. Meadows uses feminist and queer of color theory along with critical studies of Africanity to excavate the relation between utility and affect within translocal ritual music circulations. Meadows traces how translocal Ifâa priestesses (áIyâanâifâa), female batâa drummers (bataleras), and priests (babalâawo) harness Yoráubâa-centric approaches to ritual music and sound to heighten efficacy, achieve desired ritual outcomes, and reshape the conditions of their lives. Within a contentious religious landscape marked by the idiosyncrasies of Revolutionary state policy, Nigerian-style Ifâa-áOráiðsáa is leveraged to reshape femininity and masculinity, state religious policy, and transatlantic ritual authority on the island'.

Paperback. Condición: Brand New. 238 pages. 8.75x5.75x0.75 inches. In Stock.

Condición: New. &Uumlber den AutorRuthie Meadows is assistant professor of ethnomusicology at the University of Nevada, Reno.Klappentext Hailing from Cuba, Nigeria, and various sites across Latin America and the Carib.

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condición: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Paperback. Condición: new. Paperback. The first book-length ethnographic study on music and Ifa divination in Cuba and Nigeria. Hailing from Cuba, Nigeria, and various sites across Latin America and the Caribbean, Ifa missionary-practitioners are transforming the landscape of Ifa divination and deity (orisa/oricha) worship through transatlantic travel and reconnection. In Cuba, where Ifa and Santeria emerged as an interrelated, Yoruba-inspired ritual complex, worshippers are driven to African Traditionalism by its promise of efficacy: they find Yoruba approaches more powerful, potent, and efficacious. In the first book-length study on music and Ifa, Ruthie Meadows draws on extensive, multi-sited fieldwork in Cuba and Yorubaland, Nigeria to examine the contentious Nigerian-style ritual movement in Cuban Ifa divination. Meadows uses feminist and queer of color theory along with critical studies of Africanity to excavate the relation between utility and affect within translocal ritual music circulations. Meadows traces how translocal Ifa priestesses (Iyanifa), female bata drummers (bataleras), and priests (babalawo) harness Yoruba-centric approaches to ritual music and sound to heighten efficacy, achieve desired ritual outcomes, and reshape the conditions of their lives. Within a contentious religious landscape marked by the idiosyncrasies of Revolutionary state policy, Nigerian-style Ifa-Orisa is leveraged to reshape femininity and masculinity, state religious policy, and transatlantic ritual authority on the island. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condición: good. USED book in GOOD condition. Great binding, pages and cover show normal signs of wear from use.

Condición: acceptable. This copy may contain significant wear, including bending, writing, tears, and or water damage. This book is a functional copy, not necessarily a beautiful copy. Copy may have loose or missing pages and may not include access codes or CD.

Paperback. Condición: new. Paperback. The first book-length ethnographic study on music and Ifa divination in Cuba and Nigeria. Hailing from Cuba, Nigeria, and various sites across Latin America and the Caribbean, Ifa missionary-practitioners are transforming the landscape of Ifa divination and deity (orisa/oricha) worship through transatlantic travel and reconnection. In Cuba, where Ifa and Santeria emerged as an interrelated, Yoruba-inspired ritual complex, worshippers are driven to African Traditionalism by its promise of efficacy: they find Yoruba approaches more powerful, potent, and efficacious. In the first book-length study on music and Ifa, Ruthie Meadows draws on extensive, multi-sited fieldwork in Cuba and Yorubaland, Nigeria to examine the contentious Nigerian-style ritual movement in Cuban Ifa divination. Meadows uses feminist and queer of color theory along with critical studies of Africanity to excavate the relation between utility and affect within translocal ritual music circulations. Meadows traces how translocal Ifa priestesses (Iyanifa), female bata drummers (bataleras), and priests (babalawo) harness Yoruba-centric approaches to ritual music and sound to heighten efficacy, achieve desired ritual outcomes, and reshape the conditions of their lives. Within a contentious religious landscape marked by the idiosyncrasies of Revolutionary state policy, Nigerian-style Ifa-Orisa is leveraged to reshape femininity and masculinity, state religious policy, and transatlantic ritual authority on the island. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. Brand New.

Paperback. Condición: Brand New. 238 pages. 8.75x5.75x0.75 inches. In Stock. This item is printed on demand.