shuei sha (11 resultados)

267 S. mit zahlr. Abb. 29,5 x 23 cm, Orig.-Karton (berieben, mit Rückensignatur) * Bebilderte Biographie des großen japanischen Komponisten Toru Takemitsu (1930-1996). Originalausgabe in japanischer Sprache.

Paperback. Best selling VIZ series Death Note, Volume 1 now reissued in an amazing fan-desirable collector's edition Special edition features larger trim, sturdy deluxe hardcover binding and protective dust cover. Both new and collector fans will admire this handsome edition.Light Yagami is an ace student with great prospects - and he's bored out of his mind. But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami death god. Any human whose name is written in the notebook dies, and now Light has vowed to use the power of the Death Note to rid the world of evil. But when criminals begin dropping dead, the authorities send the legendary detective L to track down the killer. With L hot on his heels, will Light lose sight of his noble goal.or his life? Light tests the boundaries of the Death Note's powers as L and the police begin to close in. Luckily Light's father is the head of the Japanese National Police Agency and leaves vital information about the case lying around the house. With access to his father's files, Light can keep one step ahead of the authorities. But who is the strange man following him, and how can Light guard against enemies whose names he doesn't know?Over 2.8 Million copies sold to date in Japan. Characters from Death Note also seen in Japense Video Game Jump Superstars.   Condition: As newThis manga is in Japanese.

Hardcover. Condición: F/F, DJ. HB Illustrated Nicely illustrated for young readers Contains: Spec-Blue.

Condición: Fine. Number of books: 1.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Japanese Edition. First Edition in Japan. In Japanese. With Preface by Yukio Mishima, who also serves as model for many of the images. A Fine hardcover copy in deep purple cloth stamped in silver and spine and on front cover (large oval), in a Fine dustwrapper (crown of spine a bit rubbed), in a Very Good silver and pink band (short closed tear front spine-fold). Monochrome photographs, printed in various colors. Large format. Considerably scarcer than the American edition [Aperture]. Q03365.

Hardcover. Condición: Very Good. Very Good in original 3 fold portfolio with bone ties. Gently used; some light rubbing wear to boards of book with slight transfer of blue front interior of portfolio; exterior of portfolio is grey with orangejapanese text;A beautiful collection of Hiroshige prints. Pasadena's finest independent new and used bookstore since 1992.

Quer-Imperial-Folio (38 x 54 cm.). [52] Bl. mit Frontispiz auf mont. Aluminiumplatte, 3 farb. Illustrationen u. 40 (3 farb.) ganzs. Abb. nach Fotografien. Schwarzer Orig.-Samteinband mit farb. Deckelbild in Leinen-Flügelmappe mit Deckeltitel und 5 farb. Illustrationen auf dem Innendeckel und den Flügeln mit Versandkarton mit Deckelschild. - Black original velvet cover with color cover image in original linen wing folder with cover title and 5 color illustrations on the inner cover and the wings with original shipping box with cover label. Auer 534. Heiting/Kaneko 408 f., 322. Parr/Badger I, 282 f. (mit mehreren Abb.). - Zweite, von Tadanori Yokoo oppulent ausgestattete Ausgabe des Hauptwerks. Die erste Ausgabe erschien bereits 1963. Texte in Japanisch und Englisch. - An "astonishing book . Yokoo created one of the most complex photographic books ever. Bound in black velvet, it nestles in a portfolio case , whose lining is covered with more of Ykoo's highly coulored illustrations, a blend of Pop art with ukiyo-e . Hosoe's photographs are printed in the most luscious photogravure imaginable, with blacks as deep as the ocean . Evan without the bizarre circumstances of its genesis, it is by any standards an extraordinary book" (Parr/Badger). - "(A) rare glimpse into the life of the great modern Japanese writer, Yukio Mishima, who ended his life in 1970 by ritual suicide. Many in Japan regarded the suicide as a sensational act. However, the publication of Mishima's final cycle of novels, which had been conceived eight years prior to his death, revealed that his death was carefully considered a gesture of historical import in perfect accord with the morbid and esoteric aesthetic that pervades his writing. In 1961 Mishima asked Eikoh Hosoe to photograph him, giving him full artistic direction in making these surreal and alluring photographs. The props that surround the writer and the baroque interior of his home are antithetical to the pure Japanese sensibility of understatement and reveal Mishima's dark, theatrical imagination" (Verlagswerbung zur Neuausgabe, New York 1985). - Die Flügelmappe mit minimalen Altersspuren, außergewöhnlich schönes und sauberes Exemplar im Orig.-Versandkarton und mit beil. Verlags-Prospekt. - The wing folder with minimal signs of age, exceptionally beautiful and clean copy in the original shipping box and with enclosed publisher's brochure. Sprache: japanisch.

Disbound. Condición: Fine. Estado de la sobrecubierta: No Dust Jacket. First Edition. A Fine but incomplete set of these large color reproductions of Utamaro's work, each laid into a separate folder. Only 20 of 24 are present: missing 7,8,9 and 15. The descriptive booklet is present, and two additional images tipped onto stiff paper are laid in. The vinyl-covered clam-shell box is Near Fine, and the publisher's cardboard case is present, in Good condition. A 1963 gift presentation letter signed by eight doctors from the Research Institute of Tuberculosis of Kanazawa University is laid in loosely. Book.

Un grand coffret (35 x 48,5cm), très élégant, de couleur crème, en skaï vertex, avec un lettrage argenté pour le titre et des bords noirs soulignant l'épaisseur. Il s'agit du 1er volume d'une série de 7, annoncée par l'Editeur. Ce coffret contient 24 planches en couleurs, contrecollées sur des pages doubles repliées et autonomes.Il s'agit au départ de peintures que le monde entier connaît aujourd'hui, peintures qui ont été gravées et estampées en grand nombre, les originaux n'ayant jamais été vendus.Ce coffret et les estampes qu'il contient sont d'une très grande qualité.Exemplaire en langue japonaise, en très bon état.[638].

Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 inches (273 x 200 mm), full margins. In excellent condition with the extreme lower right corner slightly dog-eared. Well inked with good coloring. Printed later. From the collection of 24 masterpieces by Haranobu published in 1963 by Shuei-Sha and printed by Toppan, Tokyo. With the publisher's chop mark in black ink on the verso.

Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 inches (273 x 200 mm), full margins. In excellent condition with the extreme lower right corner slightly dog-eared. Well inked with good coloring. Printed later. From the collection of 24 masterpieces by Harunobu published in 1963 by Shuei-Sha and printed by Toppan, Tokyo. With the publisher's chop mark in black ink on the verso. An impression of the 1768 edition of this work may be found in the permanent collection of the Metropolitan Museum of Art; Object Number: JP2451. This print is an excellent example of Harunobu's artistic tastereflecting non-sensuous tenderness and exquisiteness of figures. Casting off her sandals, a young woman has climbed onto her maid's back to break off a branch of a plum tree growing over a tall wall with a tiled ridge. The two women are elegant and gentle despite their tomboyish behavior. The rigid and monotonous pattern of bricks in the fence is a foil for the graceful figures. Despite Harunobu's depiction of these two young women as innocent, the expression "plucking a branch of plum blossoms" typically refers to a fashionably dressed female and even carries sexual overtones. The young woman wears a kimono (furisode) with hanging sleeves and a design of snow-clad bamboo. Her elaborately tied obi, or sash, has a scrolling floral pattern. Metropolitan Museum of Art.