santa fe new mexico twin palms publishers (76 resultados)

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Very Good+. Monochrome illustrations Ilustrador. First Edition. [167]pp [sticker removal scar and mild edge wear to dust jacket] Size: Oblong 8vo - over 7¾" - 9¾" tall.

Hardcover. Condición: Very Good. Pages clean & bright; binding tight; very minor wear to covers. Unpaginated (approx 56 pages). Illustrated in color. Short interviews with men & women in the phonesex industry. Size: 9" x 12".

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First and Limited Edition. FINE/FINE: Fine Copy in Fine Dust Jacket of the Limited First Edition. Location: V12.

Hardcover/Hardback. Condición: As New. Estado de la sobrecubierta: As new. First edition. Book condition: Like New () Binding: Hardcover including dustjacket Language: English Edition: First edition Publishing place: Santa Fe, New Mexico Publishing Year: 1993 Description: Beautifully printed book with 45 full-page gravure plates about ranch life. 555.000000.

Hardcover. Condición: As New. No Jacket. Alexis Rockman Ilustrador. 1st Edition. First edition stated 1996, first printing limited to 3000. Published by Twin Palms Publishers. Large hardcover in full cloth with title in green and red on front cover, without DJ. Condition as new, square tight and crisp book, no edgewear, no markings of any kind, no names, no underlinings, no highlights, no bent page corners, not a reminder. Folio, 92 pages, illustrated with numerous full page color plates, several double-page. Heavy book will require additional postage for international orders.

Cloth Over Boards. Condición: Very Good. 1st Edition. tight binding; clean pages Size: 4to - over 9¾" - 12" tall. 1st Edition.

Hardcover. Burgundy cloth boards, B/W illustrated DJ. 188 pp. Catalog of an exhibition held at the Addison Gallery of American Art, Phillips Academy, Andover, Mass., 3 Sept.-22 Dec. 2002. From the artist's website: Like all obsessive artists, photocollage practitioner John O'Reilly spends hours and days on end in his studio, fine-tuning his intricate, idiosyncratic cut-and-paste compositions. On those rare occasions when O'Reilly feels limited within the confines of his own studio, he visits those of fellow artists such as Picasso, Pissaro and Ingres, often making cameo appearances in their masterpieces. In daring feats of illusionary transformation, O'Reilly time-travels through centuries of art history and rummages around the studios and canvases of his idols, searching for clues to his own identity. VG/VG, bump to lower front cover.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. Clean and crisp. Protected in Mylar. Black and white plates. One of 3,000 limited casebound copies; not the limited 100 edition. ; 14.10 X 9.60 X 0.80 inches; 124 pages.

Hardcover. Condición: F. Estado de la sobrecubierta: F. First Edition Thus. The dust jacket is protected by a Brodart mylar cover. ; Color and B&W Photographs; Folio; Unpaginated pages.

First Edition. Near Fine book in a Near Fine dust jacket.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Book is in fine condition and dj is vg with minor folds and a small tear rear bottom. Profusely illustrated with photographs, Many shadowy, artistic male nudes.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. No markings.

F/F. Limited to 2, 000 copies. The dust jacket is protected by a Brodart mylar cover. ; B&W Photographs; 4to.; No Pagination pages. First Edition. Binding is Hardcover.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 2nd Edition. text clean and unmarked. binding tight. embossed cloth boards have very light wear. edges of pages have very light wear. dust jacket has light wear.

Hardcover. Second Edition, 1/5000 Copies. Quarto, unpaginated. In Very Good condition with a Very Good dust jacket. Spine black with white lettering. Dust jacket protected with a mylar covering. Minor general shelf wear. Textblock clean. Shelved in Photo History. 1390480. Shelved Dupont Bookstore.

Condición: Good. Oblong 8vo. Hardcover with dust-jacket [ca 80 pp.] B&W Plates. Very Good, one of 4,000 copies.Provenance: Richard A. Lorenz (1952 -2001), author, art conservator, curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust, Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer.

Hardcover. Condición: Fine. 1st Edition. First edition, first printing. Hardcover. Two-volume set with photographically illustrated laminated paper-covered boards, contained in a fine black cloth-covered slipcase with title blind-stamped on spine. Photographs and paintings by David Deutsch. Essays (in both volumes) by Laurence A. Rickels. Includes list of plates in each volume. Designed by Jack Woody. Each volume 80 pp.; Volume One (Paintings) contains 36 four-color plates; Volume Two (Photographs) contains 41 black and white plates printed full-bleed. Each book 7 3/4 x 10 3/4 inches; slipcase 8 1/4 x 11 inches. This first edition was limited to 1000 copies. Fine. From the essay by Laurence A. Rickels: "In psychoanalytic terms . . . Deutsch shows our vision in sync or swinging with the alternating alterations between identification and projection. These are the parallel universals of Deutsch's art world that turn around the axis to grind the lenses now of not-seeing-but-being the bit parts we borrow or take in from others, now of seeing through to the screen of what's coming at us, not as evidence of our senses, but rather in our own defense, one that rests not on what we see but on what we forget." From the artist: "I analyze the pictures. I study them as if they were surveillance photos from a satellite or a hidden camera, to absorb impressions and what I might do with them. The photographs inform my painting because their virtual nothingness makes the paint more important to me.".

Cloth over Board. Condición: As New. No Jacket. Still in plastic wrap. Minor corner bumping. Due to size, this book will require additional shipping. Size: Elephant Folio - over 15" - 23" tall.

Black and Red Cloth. Condición: Fine. Estado de la sobrecubierta: Near Fine. Photographs By John Patrick Salisbury Ilustrador. First Edition. One Of 3.000 First Edition Copies. Interior Immaculate. Inscribed In Red Ink By John Patrick Salisbury, Under His Printed Name On Verso Of The First Page (With The Poem "Entrance" By Ranier Maria Rilke). The Pictorial Red And Black Covers Are Clean And Bright And Covered By An Acetate Dustjacket, As Issued. The Acetate Is Lightly Scuffed; No Rips Or Tears. Signed by Author(s).

Hard Cover. Condición: Fine. First Edition. This is a fine hardcover copy with just light wear. Illustrated boards, no dust jacket as issued. Completely clean inside and out. Photographs by Shimon Attie. Essay by Alexandre Stille. Text by Natasha Egan. Afterword by Rod Slemmons. 14" high X 17" wide, 48 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and shipped with tracking.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first printing. Hardcover. Fine dark blue linen cloth, with title stamped in black on front cover and spine and photographically illustrated endpapers, with dust jacket. Photographs by Debbie Fleming Caffery. 86 pp., with 64 tritone plates, beautifully printed on 200 gsm heavy fine paper by drukkerij Mart.Spruijy, Netherlands, from tritone separations made by Robert J. Hennessey. 12-1/8 x 10-1/8 inches. This first edition was limited to 3000 hardbound copies. Fine in Fine dust jacket. From the publisher: "Debbie Fleming Caffery's images can be seen as articles of faith. The relentless insistence of subject and symbol in these images is assuredly their greatest strength. This vigor results from a tension that can be both visual and emotional. In this marshy no-man's-land between description and illusion, her photographs serve as an able guide to truths that are better sensed than seen." -- John Lawrence. "The subject matter of Debbie Fleming Caffery's new work shifts from the mysterious and hard life of the Louisiana sugar culture to that of foreign imagery. The style of her photography remains the same. Light is never allowed to blind us to the darkness of human existence and its inexorable limitations. But neither is darkness allowed to swallow the bitter sweet moments of disclosure. This is the absurd, the tension, always maintained in Caffery's photographs -- she has found the spiritual, together with its enemies." -- James R. Watson.".

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first printing. Hardcover. Fine purple linen cloth-covered boards, with debossed title on front cover and spine, with photographically-illustrated dust jacket. Photographs by Simen Johan. Essay by Lyle Rexer. Includes a exhibition history and bibliography. 96 pp., with 42 duotone and four-color plates. 12-3/8 x 10-7/8 inches. This first edition was limited to 2000 hardbound copies. Fine in Fine dust jacket. From the publisher: "Simen Johan creates surreal and narrative tableaux of corrupted youth. His images of children and adolescents are constructed by digitally manipulating and combining parts of faces and bodies belonging to people of various ethnicities, ages, and genders. His fictional identities are depicted in equally fabricated scenarios that are replete with references to both the art historical tradition and Freudian sexuality. The poster-perfect finish of his prints belies the disturbing nature of their content; a pubescent girl hula hoops against an idyllic seaside backdrop, as the hoop leaves bruises on her waist; an androgynous teenager cradles the head of a dead sheep on which flies are beginning to land." From Simen Johan: "My photographs are composites of multiple-image fragments that I digitally manipulate and combine, including both images that I have photographed myself and found images. By combining different elements, my objective is to create artificial scenarios that appear vaguely familiar and produce numerous associations. I want to evoke a sense of familiarity that will seduce the viewer into allowing his or her own experience, imagination, and understanding of existing popular imagery to become tools for interpreting my work.".

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first printing. Hardcover. Fine silk-like light gray cloth-covered boards with title stamped in black on front cover and spine, with photographically illustrated French-fold dust jacket. Photographs by Bill Jacobson. Story by Klaus Kertess. 112 pp. with 48 tritone plates. 12-1/4 x 10-1/4 inches. This first edition was limited to 3000 hardbound copies. Fine in Fine dust jacket. From Bill Jacobson: "I started taking photographs as a teenager, nearly twenty-five years ago. Since then my work has been an ongoing meditation around desire, loss, and the role of photography as a vehicle for remembrance. My pictures often function as metaphors for the way the mind works: simultaneously collecting images while letting others go, fading in the way that memories fade, and alluding to the fact that, historically, photographs have faded as well. Decades later as I lose more and more friends to AIDS, the world is still a blur too. I am still struggling, though in different ways, to make sense of it all. While my photography is not specifically about AIDS, it refers to what I have learned from being part of a community ravaged by the epidemic. By losing a steady stream of friends and acquaintances these past fourteen years I have come to understand the transient nature of existence. For me these photographs have been a way of recording these feelings in an ongoing attempt to define them for myself. Most photographs are meant as documents of moments we wish to hold onto forever. My work suggests that these moments, like life itself, are constantly fading into the past.".

Hardcover. Condición: New. 1st Edition. First edition, first printing. Hardcover. Two-volume set with photographically illustrated laminated paper-covered boards, contained in a fine black cloth-covered slipcase with title blind-stamped on spine. Photographs and paintings by David Deutsch. Essays (in both volumes) by Laurence A. Rickels. Includes list of plates in each volume. Designed by Jack Woody. Each volume 80 pp.; Volume One (Paintings) contains 36 four-color plates; Volume Two (Photographs) contains 41 black and white plates printed full-bleed. Each book 7-3/4 x 10-3/4 inches; slipcase 8-1/4 x 11 inches. This first edition was limited to 1000 copies. New in publisher's shrink-wrap. From the essay by Laurence A. Rickels: "In psychoanalytic terms . . . Deutsch shows our vision in sync or swinging with the alternating alterations between identification and projection. These are the parallel universals of Deutsch's art world that turn around the axis to grind the lenses now of not-seeing-but-being the bit parts we borrow or take in from others, now of seeing through to the screen of what's coming at us, not as evidence of our senses, but rather in our own defense, one that rests not on what we see but on what we forget." From the artist: "I analyze the pictures. I study them as if they were surveillance photos from a satellite or a hidden camera, to absorb impressions and what I might do with them. The photographs inform my painting because their virtual nothingness makes the paint more important to me.".

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. First edition, first printing. Hardcover. Black paper-covered boards with title stamped in gray on cover and on black cloth-covered spine, with heavy translucent dust jacket printed with title in white on front and spine. Photographs by Ken Ohara. Essay by Craig Nova. Designed by Ken Ohara and Jack Woody. 144 pp., with 133 duotone plates. 10-1/4 x 8-3/8 inches. This first was edition limited to 2000 hardbound copies. New in publisher's shrink-wrap. From the publisher: "Ken Ohara's photographic series of one-hour exposure portraits create in their final form a new identity for each subject. The traditional evaluations we make of a portrait, i.e. 'How do you look?' are lost in the blur of a passing hour. The soft outlines of heads and bodies take on a new power in their loss of detail, and we look to the objects that frame each sitter to give us a context for identity. Like Meatyard before him, Ohara's collective subjects create a wry and melancholy portrait of the absent artist.".

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. First edition, first printing. Hardcover. Fine dark blue linen cloth, with title stamped in black on front cover and spine and photographically illustrated endpapers, with dust jacket. Photographs by Caffery. 86 pp., with 64 tritone plates, beautifully printed on 200 gsm heavy fine paper by drukkerij Mart. Spruijy, Netherlands, from tritone separations made by Robert J. Hennessey. 12-1/8 x 10-1/8 inches. This first edition was limited to 3000 hardbound copies. New in publisher's shrink-wrap. From the publisher: "Debbie Fleming Caffery's images can be seen as articles of faith. The relentless insistence of subject and symbol in these images is assuredly their greatest strength. This vigor results from a tension that can be both visual and emotional. In this marshy no-man's-land between description and illusion, her photographs serve as an able guide to truths that are better sensed than seen." -- John Lawrence. "The subject matter of Debbie Fleming Caffery's new work shifts from the mysterious and hard life of the Louisiana sugar culture to that of foreign imagery. The style of her photography remains the same. Light is never allowed to blind us to the darkness of human existence and its inexorable limitations. But neither is darkness allowed to swallow the bitter sweet moments of disclosure. This is the absurd, the tension, always maintained in Caffery's photographs -- she has found the spiritual, together with its enemies." -- James R. Watson.".

Cloth. Condición: Fine. Limited Edition of 2000 copies. Folio, unpaginated. Fully illustrated with full-page photographs. Hardcover, bound in fine black cloth with pictorial pastedown to upper board. In excellent condition. As new.

Hard Cover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Limited Edition. This is a near fine hardcover copy in a very good dust jacket. Boldly signed by the artist, Ross Bleckner, in silver marker, on the title-page and dated 1999. Briefly inscribed. Illustrated throughout in black & white with photographs and blow-ups of text excerpts. Limited edition of 3000 copies. 10" high X 14" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Artist.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first printing. Hardcover. Fine maroon cloth-covered boards with title stamped in black on cover and spine, with photographically illustrated dust jacket. Photographs by John O'Reilly. Essays by Klaus Kertess and Francine Koslow Miller. Includes list of plates, biography, and bibliography. Designed by Arlyn Eve Nathan and Jack Woody. 184 pp., with 106 four-color plates and additional color illustrations. 12-1/4 x 10-3/8 inches. Published on the occasion of the 2002 exhibition John O'Reilly: Assemblies of Magic, at the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts. Fine in Fine dust jacket. From the essay by Francine Koslow Miller: "Meditations on space, art, war, death and religion merge with the homoerotic in John O'Reilly's intensely personal photo transformations. For this artist, montage has proved the richest medium for personal allegory, and the formal and symbolic evolution of O'Reilly's work corresponds to his own awakening self discovery. His working methods of cutting and pasting mirror the energy inherent in de-constructing and reconstructing the psyche. Alternately, the physical merging of iconic Others enables their psychic incorporation into the Self. Over twenty-five years of part-time employment as an art therapist have rendered O'Reilly equally interested in art and psychology and willing to use his deepest obsessions, fetishes, and fears as source material for his tiny assemblies of magic.".

Hardcover. Condición: New. 1st Edition. First edition thus (Twin Palms Publishers), first printing. Signed in black marker verso the front free endpaper by Burke, with his personal black 'Actual Signature' and red 'Bînh Fótò' stamps added. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs and text by Bill Burke. Unpaginated with numerous four-color and black and white plates, designed by Burke (who also originally made the duotone and halftone separations) while in residency at Nexus Press in 1987. 15-1/4 x 11-1/2 inches. This first Twin Palms edition was limited to 2000 hardbound copies. New in publisher's shrink-wrap (slit open for signature). Since the early 1980s, Bill Burke has photographed extensively in Southeast Asia, focusing primarily in Cambodia, Laos and Vietnam. Burke's haunting and layered examination of the landscape and people is informed by the collective political and social conscience galvanized by the United States' lengthy occupation and annihilation of these regions before, during, and after the Vietnam War. His lifelong desire to connect personally and viscerally to the people he meets sets his work in an altogether separate category from most artists who photograph outside their circumscribed "experience." Neither overtly political nor proscriptive, Burke's work instead recognizes the personal is indeed political. Gone are the cultural stereotypes we have long seen in images of Southeast Asia. Instead we are able to experience the intensity of the individual through Bill Burke's idiosyncratic and careful observation. He obliterates the notion that the "documentary photograph" is a vehicle for "truth" and compellingly shows the viewer that it is always a form of personal or political propaganda. 'I Want to Take Picture' (originally published by Nexus Press in 1987) is a combination artist book and 'travelogue.' It is considered by many to be one of the very best, disturbing and important books in the history of photography. From Bill Burke (1987): "Each day, I was thinking about practicality, is my pass in order, how do I get there, who do I meet that will get me through. The philosophical thoughts came later. When I realized that I had access to the camps and could see the Khmer Rouge, it was like being able to see the Devil. It seamed to be an incredible opportunity." From an interview with Bill Burke by Willis Hartshorn (New York City, June 1987): "Hartshorn: 'Do you find it problematic that in a politically savage environment your pictures are often ambiguous as to who's good and who's bad?' Burke: 'I have no problem with ambiguity. Again, all the information is filtered, everything I know about it is secondhand. I know what the refugees at the border say and what books say. I heard how bad the Khmer Rouge were, and then as I read more I found out the other people had been bad too. The people who were victims at one time were victimizing others at another time. There are two sides, the information is slanted, and it's good that people understand that. . . I would like things to be spelled out clearly so I wouldn't have to think about it. But that's not the way it is. I can't say this is this and that is that. There is no indisputable truth.'" Signed by Author.