enitharmon press gb (182 resultados)

Paperback. Condición: New. Kajal Ahmad was born in Kirkuk, Kurdistan, in 1967. A leading poet of her generation, she has published seven collections of poetry in Kurdish (Sorani) and her work has been translated into Norwegian, Swedish, German, French, Persian, Arabic and Turkish. She is fluent in Kurdish and Arabic.

Paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: New. Anthony Thwaite's new collection is both moving and funny, elegiac and playful. The personal poems span a life-time as Thwaite relives moments of childhood, or reassesses his role as son to a dying mother, or gets told how to behave by his grandson. Elsewhere he laments his old cat and conjures up a Sumerian Anthology of poets. The principal concern of the collection is what lasts and what vanishes: dreams, memories, people and objects. In this quest, he takes us with him to Italy, Siberia and Syria, and is haunted by the mystery of places 'where there are no words'. It is, however, the very craft of his finely wrought poetry and its sudden moments of sheer beauty which make palpable for the reader 'the shape of the invisible soul'.

Paperback. Condición: New. These stories (one novella-length, six shorter) testify to Edward Upward's continuing creativity into his mid-nineties. They interweave elements from every period of his work: railway accidents and Kafkaesque dreams recall his earliest; concern for the survival of humanity maintains the left-wing commitment of his middle years; and the more contemplative note of his later writing now deepens with the themes of ageing, bereavement and death. The protagonists are threatened by a malevolent state and socio-political violence, but sustained by visions of a better future and the restorative of sexual love. The precise observation and lucid dialogue that always marked Upward's fiction still make a powerful impression.

Paperback. Condición: New. Gascoyne's membership of the Surrealist movement and his association with its leading members - among them Andre Breton, Paul Eluard, Max Ernst and Salvador Dali - placed him in an ideal position to witness and record the development and significance of its foremost artists and writers.

Paperback. Condición: New. Following her prize-winning first collection, Martha Kapos again captures an extraordinary range of perceptions and emotion. Her style is highly original, a sort of internal Cubism, conveying a feeling-state by observing it precisely through many sharply nuanced images and from many angles. She creates a very distinctive, unique atmosphere - graver here than in her previous collection. "Supreme Being" is both a huge hymn of praise for 'life', for ordinary experiencing, and at the same time faces very movingly and directly the incomprehensibility of loss - the loss of someone else, deeply known and loved, and the awareness, too, of the coming loss of the poet's own 'experiencing': themes as grave and profound as can be imagined. These are the substance of religious feeling and - without overt religious referencing - "Supreme Being" earns its bold title.

Paperback. Condición: New. These are tough poems, full of love and harm, good and damage, rage and compassion. They show us dealing well and also very badly with our kind and with the rest of the living planet. They are made of the rough substance of real lives. Their hallmark is loyalty: a steadfast, clear-sighted, unsentimental loyalty. Their truth is a 'being true to'. And they are a beautiful answering back against the worst. Maureen Duffy reminds us how funny people are, how vulnerable, lovable, bizarre and heroic. Her own voice is umistakeable in every line. And every poem is a sort of fighting between two lines: 'Mortality's at best a dodgy state' and 'It's not over yet; rejoice.'.

Paperback. Condición: New. Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.' Jack Kerouac. Renowned for his groundbreaking Beat Generation novel "On the Road", Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form's essence. He incorporated his 'American' haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings.In this edition, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac's archives with a generous selection of the rest of his haiku, from both published and unpublished sources. The result is a compact collection of more than five hundred poems that reveal a lesser known but important side of Jack Kerouac's literary legacy.

Paperback. Condición: New. The poems in Nancy Campbell's first collection transport the reader to the frozen shores of Greenland. The Arctic has long been a place of encounters, and Disko Bay is a meeting point for whalers and missionaries, scientists and shamans. We hear the stories of those living on the ice edge in former times: hunters, explorers and settlers, and the legendary leader Qujaavaarssuk. These poems relate the struggle for existence in the harsh polar environment, and address tensions between modern life and traditional ways of subsistence. As the environment begins to change, hunters grow hungry and their languages are lost. In the final sequence, Jutland, we reach the northern fringes of Europe, where shifting waterlines bear witness to the disappearing arctic ice.

Paperback. Condición: New. These new poems by Martha Kapos represent an act of reclamation or capture: an attempt to retrieve someone whose loss has been experienced through illness and finally death. Taking as an epigraph a line from Richard Wilbur ' - a thing is most itself when likened' Kapos discovers various viewpoints from which to try to see the thing 'being most itself'. Most often the viewpoints are visual ones - making use of the phenomenon of perspective with its effects of hiddenness, distance or diminution. In every case metaphor is the guiding principle in these poems, which address how a figure is brought back to life through a process whose essence is poetic. The Likeness is a sustained elegy, an unfolding study in psychology and visual observation, and an example of the animating power of metaphor to reshape loss into presence.

Paperback. Condición: New. In 1927, a writer in the "Radio Times" declared it unsurprising that poets should write about radio, 'for the new magic, which pours the music of the concert room into the stillness of the cottage and brings the song of nightingales into the heart of Town, is of the very stuff of poetry.'That early fascination with the power of the invisible waves that transmit thoughts around the globe persists, and continues to draw poems from writers who find that the kinship of both forms as purveyors of 'pictures in the mind' remains a unique one in the constantly evolving development of electronic media.In 1998, poet and broadcaster Sean Street was commissioned by BBC Radio 4 to write his sequence "Radio - Ten Poems about Sound" as the network's contribution to National Poetry Day. This led to a collection based on the sequence, and ultimately to this book, beginning and ending in silence, and containing in between, the words and music, the images and ideas of a medium which - like poetry - is capable of a potent partnership between maker and 'tuner-in'.Here are poems which speak of the power of radio to pour hatred and dogma into the head and the heart, beside others which celebrate Test Match Special and The Archers. The favourite aphorism about radio is that 'the pictures are better because we collaborate in their making' remains true. After all, we may hear with our ears, but we listen with our mind.

Paperback. Condición: New. The Orchid Boat is a weave of stories: some personal, some historical, some real, some imaginary. Often these stories may co-exist in a poem just as they do in one's everyday mind, as a collage mirroring our own perception of the world. It is a mix that can include Alexandria or China or Brighton or North Wales. These interwoven stories insist on the acceptance of contradictions and complexity in people and in life; a recognition characteristic of Harwood's poetry and shaped by his acknowledged influences: Gide, de Montherlant and Cavafy, John Ashbery and Frank O'Hara. In Harwood's poems the richest material and tone is found in 'the ordinary', and in The Orchid Boat this focus is thrown into even greater relief as he explores the power and weight of memories.

Paperback. Condición: New. U. A. Fanthorpe was that rarest of literary beings, a poet who was hugely popular with the general public and at the same time very seriously regarded by fellow poets and literary critics for her originality, wit and humanity. Since her death, much of her work has been out of print. Selected Poems, chosen from over thirty years of Fanthorpe's distinctive and accessible writing by her partner R V Bailey, will delight all her existing fans as well as those who come to her poems for the first time.

Paperback. Condición: New. Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.' Jack Kerouac. Renowned for his groundbreaking Beat Generation novel "On the Road", Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form's essence. He incorporated his 'American' haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings.In this edition, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac's archives with a generous selection of the rest of his haiku, from both published and unpublished sources. The result is a compact collection of more than five hundred poems that reveal a lesser known but important side of Jack Kerouac's literary legacy.

Paperback. Condición: New. In fifty-five sonnets, Rilke plays an astonishing set of philosophical and sensual variations on the Orpheus myth. 'Praising, that's it!' he declares; nature, art, love, time, childhood, technology, poverty, justice - all are encompassed in poems that spark with insight and invention, amongst the joyful and light-footed that Rilke ever wrote. 'All poetry resists translation, and one poem may have many different versions in another language; what I look for first is clarity, and this version supplies that generously. With the presence of the German text and Crucefix's helpful notes, the English-speaking reader with little or no German will find in this version a welcoming entrance to the path which leads eventually to a full understanding - if a full understanding of this mysterious poetry is ever possible. This translation will have, and keep, a place on my shelves where all the poetry lives.' PHILIP PULLMAN.

Paperback. Condición: New. In fifty-five sonnets, Rilke plays an astonishing set of philosophical and sensual variations on the Orpheus myth. 'Praising, that's it!' he declares; nature, art, love, time, childhood, technology, poverty, justice - all are encompassed in poems that spark with insight and invention, amongst the joyful and light-footed that Rilke ever wrote. 'All poetry resists translation, and one poem may have many different versions in another language; what I look for first is clarity, and this version supplies that generously. With the presence of the German text and Crucefix's helpful notes, the English-speaking reader with little or no German will find in this version a welcoming entrance to the path which leads eventually to a full understanding - if a full understanding of this mysterious poetry is ever possible. This translation will have, and keep, a place on my shelves where all the poetry lives.' PHILIP PULLMAN.

Paperback. Condición: New. U. A. Fanthorpe was that rarest of literary beings, a poet who was hugely popular with the general public and at the same time very seriously regarded by fellow poets and literary critics for her originality, wit and humanity. Since her death, much of her work has been out of print. Selected Poems, chosen from over thirty years of Fanthorpe's distinctive and accessible writing by her partner R V Bailey, will delight all her existing fans as well as those who come to her poems for the first time.

Paperback. Condición: New. Pittaway, Neil Ilustrador. This anthology is a celebration of the city of London: 'Noisy, stimulating, deadening, filthy, mysterious, tolerant, racist, crime-ridden, saint-haunted, ancient, up-to-the-minute, oppressive, liberating, crowded, lonely, addictive, and green-and-gardened, London is a microcosm of the World.' These words, from Anna Adams' Foreword, give a taste of the breadth of subject-matter and tone to be enjoyed in this magnificent illustrated anthology. Writing from the Middle Ages to the present is divided into themes including 'The Weather in the Streets', 'The Poor and the Rich', 'The Countryman in Town', 'The Recent Wars' and - unavoidably - 'London Transport'.Writers include: Anna Adams, Fleur Adcock, W.H.Auden, James Berry, William Blake, James Boswell, Robert Bridges, Alan Brownjohn, Lord Byron, Geoffrey Chaucer, Amy Clampitt, John Clare, Arthur Hugh Clough, David Constantine, John Davidson, Charles Dickens, T.S.Eliot, D.J.Enright, U.A.Fanthorpe, John Greening, Thomas Hardy, James Harpur, John Heath-Stubbs, Stuart Henson, Frances Horovitz, Ted Hughes, Samuel Johnson, John Keats, Rudyard Kipling, Charles Lamb, Louis MacNeice, Glyn Maxwell, Felix Mendelsohn, Grace Nichols, William Oxley, Peter Phillips, Ruth Pitter, Thomas de Quincey, Kathleen Raine, Carole Satyamurti, Percy B.Shelley, Jon Silkin, Stevie Smith, Stephen Spender, Anne Stevenson, Jonathan Swift, Vernon Watkins, Virginia Woolf, William Wordsworth, Kit Wright and Benjamin Zephaniah.

Paperback. Condición: New.

Paperback. Condición: New. Second edition. Perhaps no cycle of poems in any European language has made so profound and lasting an impact on an English-speaking readership as Rilke's Duino Elegies. These luminous new translations by Martyn Crucefix make it marvellously clear how the poem is committed to the real world observed with acute and visionary intensity. Completed in 1922, the same year as the publication of Eliot's The Waste Land, the Elegies constitute a magnificent godless poem in their rejection of the transcendent and their passionate celebration of the here and now. Troubled by our insecure place in this world and our fractured relationship with death, the Elegies are nevertheless populated by a throng of vivid and affecting figures: acrobats, lovers, angels, mothers, fathers, statues, salesmen, actors and children. This bilingual edition offers twenty-first century readers a new opportunity to experience the power of Rilke's enduring masterpiece.

Paperback. Condición: New.

Paperback. Condición: New. Second edition. Perhaps no cycle of poems in any European language has made so profound and lasting an impact on an English-speaking readership as Rilke's Duino Elegies. These luminous new translations by Martyn Crucefix make it marvellously clear how the poem is committed to the real world observed with acute and visionary intensity. Completed in 1922, the same year as the publication of Eliot's The Waste Land, the Elegies constitute a magnificent godless poem in their rejection of the transcendent and their passionate celebration of the here and now. Troubled by our insecure place in this world and our fractured relationship with death, the Elegies are nevertheless populated by a throng of vivid and affecting figures: acrobats, lovers, angels, mothers, fathers, statues, salesmen, actors and children. This bilingual edition offers twenty-first century readers a new opportunity to experience the power of Rilke's enduring masterpiece.

Paperback. Condición: New. 2nd Second Edition, Second ed. 'Over 32 poems Geoffrey Hill traces an elegiac sequence for William Lawes and his music, intermingling the historical events around his death with flashes of the everyday. The result is a collection that delights in eccentric incongruities. Ben Jonson will appear a line after a popular instant coffee blend has been mentioned, Dante will be found next to a mime artist, Marcel Marceau, and Lawes himself figures auditioning for Ronnie Scott. Mr Hill actively seeks out such juxtapositions. He will audaciously rhyme "haruspex", an Etruscan soothsayer who saw prophecies in the entrails of victims, with "bad sex", his poetry delighting in "a dissonance to make them wince". Yet, as Mr Hill writes, when speaking of Lawes's tendency to jar different musical themes, "the grace of music is its dissonance." This discordance is part of his wider belief in the public nature of poetry. Refusing to be a "light entertainer" like the hypocrites in Dante's inferno, Mr Hill presents a difficult world as he sees it. His gift lies in making such difficulty momentarily understood.' THE ECONOMIST.

Paperback. Condición: New. The poems in Earth's Almanac emerged over a fifteen-year period following the untimely death of the poet's sister. Lucy Newlyn adapts the tradition of the 'Shepherd's Calendar' to the phases of grief, condensing a long process of reflection and remembering into the passage of a single year. The poems shift through forms and move between places - Oxford, Borrowdale, and finally Cornwall, where the poet finds a second home near the sea. In these intense expressions of love and loss, anger and guilt, there is no smooth path towards consolation.

Paperback. Condición: New.

Paperback. Condición: New. Into the Woods takes us to imaginary wild woodland in the centre of London. In this story the woodsman, the wild girl and the widow Mary live in a recognisable present, but being archetypes, they continually try to emerge from our time into one that may never have been - to the Lambeth woods. We too are drawn into our own fantasies of wild woods from folk tales, and here real-life images of Epping Forest and Box Hill fuel our imagination and work to plunge us, resisting, into the centre of the woods, into heterotopia. In the end though, we emerge back to the familiar, and the widow Mary snaps us back to reality when she purchases an acre of woodland from the Archbishop of Canterbury, signaling the end of the wild wood. The second book from Anna Robinson builds upon her acclaimed debut The Finders of London, leading us further into a London that we have never seen.

Paperback. Condición: New. Wadley, Nick Ilustrador. U. A. Fanthorpe and R. V. Bailey write: 'Wordsworth speaks of the spontaneous overflow of powerful feelings. This seems an apt description of these love poems. They are not important resonant pieces of writing: they simply happened when one of us felt like writing to the other other, quite often when one of us was away from home. Some of them coincided with Valentine's Days or birthdays, but that was more a matter of good luck than foresight. Quakers, rightly, maintain that Christmas Day is only one important day of all the 365 important days of the year. It's the same with love poems: they are appropriate at any time, and can be written, incidentally, to dogs, cats, etc., as well as humans. No room for Cupid.""(.) The pleasant thing about writing such poems, apart from having someone to write them for, is that there is no particular restriction as to subject matter. In "Christmas Poems", UA felt the draughty awareness of the diminishing cast of subjects, from donkey to Christmas tree. With love, on the other hand, the sky's the limit.'.