Publicado por Christy Publishing Co, Los Angeles, 1922
Librería: Epilonian Books, Manhattan Beach, CA, Estados Unidos de America
Partitura
Sheet music. Condición: Fair. Christy Publishing Co., Los Angeles [Published date: 1922]. Sheet Music, Piano, Vocals, 5 pp, including cover and blank inside of front cover. Words by James A. Pease, Music by Chris Schonberg, composer of "Darling". Cover art by Milton Menasco. In acceptable condition with several 1/2" or less nicks and tears and creasing along edges of pages. Previous owner's names in ink and pencil on front cover. Pages held together with off-white cloth binding tape. Light to moderate overall spotting, aging and soiling to pages, which are otherwise unmarked.
Publicado por Henry Holt & Co / Christy Ottaviano Books, 2010
ISBN 10: 0805066217 ISBN 13: 9780805066210
Librería: Inga's Original Choices, Piggott, AR, Estados Unidos de America
Original o primera edición
Hard Cover. Condición: As New. Estado de la sobrecubierta: Near Fine. Ransome, James Ilustrador. Stated First Edition, First Printing. A stock image [photo] is an accurate representation of the listed book's dust jacket design. No remainder marks. Rare with dustjacket. Complete number line [1 - 10] at copyright page. Pages [67] clean, unmarked, binding tight and square. Illustrated case binding [same design as dust jacket]. Illustrated throughout with color art reproductions. Green satin page marker bound in. NON price-clipped dust jacket [$ 19.99], clean, crisp, colors bright, minor display indications. Media Mail, Priority & most international shipping include free tracking information. Every book listed is located in my smoke free and climate controlled shop. All are inspected by me and will have qualities and/or flaws described. Size: 4to - over 9 3/4 - 12" Tall.
Publicado por NY: Christy Ottaviano Books, Henry Holt and Co., 2016, 2016
Librería: WellRead Books A.B.A.A., Northport, NY, Estados Unidos de America
Original o primera edición
Stated First edition with a 1 present in the number line; 4to.; illustrated boards with illustrated endpapers, hardcover; color illustrations; very good in a very good unclipped dust jacket.
Publicado por Christy Co, 2003
ISBN 10: 0974140309 ISBN 13: 9780974140308
Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 0.64.
Más opciones de compra de otros vendedores en IberLibro
Nuevo desde EUR 56,67
Usado desde EUR 28,15
Encuentre también Tapa blanda
Publicado por Christy Ottavaiano Books / Henry Hold & Co, New York, 2012
Librería: Cher Bibler, Tiffin, OH, Estados Unidos de America
Ejemplar firmado
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 2nd printing. Unpaginated. Signed by author on title page with a little drawing of Edisons's face. Signed by Author(s).
Publicado por London: Christy & Co, 1878
Librería: Forest Books, ABA-ILAB, Grantham, LINCS, Reino Unido
Original o primera edición
First Edition, iv, [4], 186, [6] pp., the final 6pp. are advertisements, ms. additions, original limp green cloth, title in gilt on upper cover, a good copy.
Publicado por Christy & Co., Limited, London, 1948
Librería: The Old Mill Bookshop, HACKETTSTOWN, NJ, Estados Unidos de America
Original o primera edición
Illustrated. 1 vols. 4to. Condición: Cloth in fine dust jacket. First edition. First edition. Illustrated. 1 vols. 4to.
Publicado por London, Christy and Co, 1884
Librería: Tiber Books, Cockeysville, MD, Estados Unidos de America
Hardcover. Condición: Very Good. . . . . Cloth, quarter leather, several endpapers detached, 140 pages including ads and plates, one in color, ex Patent Office dup, lib stamps but text vg, overall vg.
Publicado por Christy & Co, London, 1878
Librería: Andrew Cox PBFA, Shropshire, Reino Unido
Miembro de asociación: PBFA
Original o primera edición
Hardcover. Condición: Good. 1st Edition. Published in London in 1878, this is an interesting botanical notebook with printed matter on plants, but also designed to be used for making notes The book runs to 186 printed pages, This copy has been used to make extensive notes on plants, with 70 pages used for notes, with the notes dated 1888 The book measures 8.5 inches by 6 inches approx. The covers have some general rubbing wear, with some wear to corners, internally some occasional foxing and light marking else in good general condition.
Publicado por Christy & Co. Ltd. n.d. [1910s], London, 1910
Librería: Antiquariaat Berger & De Vries, Groningen, Holanda
27x21 cm. original softcover, stapled. unpaginated (16) pp. ills. -(cover slightly sunned and foxed).
Publicado por Rochester Lithographing and Printing Co.; Stecher Lithography; Christy Inc; M. Brunswick and Co, Rochester, New York, 1900
Librería: Donald A. Heald Rare Books (ABAA), New York, NY, Estados Unidos de America
Oblong 8vo. (5 1/2 x 8 3/4 inches). 151 chromolithograph and photomechanical offset plates with captions, and 1 uncolored mounted photograph, of flowers, apples, pears, plums, cherries, peaches, berries, grapes, trees, shrubs, and much more. Original black cloth enclosure, gold dye-stamp lettering on front, with a buttoned wallet-style binding, and marbled endpapers A late-period "tree-peddler's" sample-book, which captures the evolution of American commercial color-printing through hand-colored lithography, chromolithography, and early photomechanical productions. Sample books, or seed catalogs, such as the present example, were made for the use of traveling nurserymen in selling stock in the late 19th and early 20th centuries. They are evocative and delightful pieces of American vernacular art. Used to market fruit trees and shrubs, the plates display the peddler's handsome fruits and flowers in vivid color. The albums were made to order, each including different individual plates, often from different printing firms, which were then swapped out and changed as the seasons changed too. "Virtually every album is unique in its makeup." [Reese] The present album of 151 pomological and horticultural plates demonstrates the evolution of color-printing processes available for everyday commercial usage in fin-de-siècle America. Itinerant "seed merchants" or "tree-peddlers" used albums such as this one to dazzle potential customers with eye-catching, tantalizing displays. The hand-colored lithographs are the earliest plates, and were produced from the 1870s-onward. From the mid-1880s, the chromolithography increasingly took over, and by the mid-1890s was the standard method. This seed catalog even includes a number of early twentieth-century plates printed with photomechanical reproductive processes, both colored and black and white. Unlike earlier nineteenth-century seed catalogs, these plates are on thinner, glossier cardstock and seem much more a product of an industrial age. The variety of different card printers, printing technologies, and dates of printing exhibit the salesman's habit of adding images of the latest stock at the beginning of each season, keeping some in, and taking some out, creating a melange of prints and produce. Even with the variety on display in this album, and its stated locale of Toppenish, Washington, all of the plates here were printed by Rochester firms: Rochester Lithographing and Printing Co.; Stecher Lithography; Christy Inc; M. Brunswick and Co.; and others, were all headquartered in the "Flower City," which held a grip on the industry: "From the 1850s, as Rochester became an important center of nursery gardening, another local industry grew up to provide illustrations of fruit, flowers, shrubs, and trees, selections of which were used as catalogues by travelling 'tree peddlers' who sold plants from the nurseries they represented to farmers and gardeners in the territories they visited." [Oak Spring Pomona] Biodiversity Heritage Library, "Revolutionizing the Garden Industry with Art: Part One." Dewey, The Tree Agents' Private Guide, pp. 12-18. Kabelac, "Nineteenth-Century Rochester Fruit and Flower Plates," University of Rochester Library Bulletin, Vol. 35, pp. 93-114. Lepore, "What We Learn from Leafing Through Seed Catalogues," The New Yorker, 3.13.23. Raphael, Oak Spring Pomona 64, 65. Ravenswaay, "Drawn and Colored from Nature," Antiques, March 1983, pp. 594-599; A Nineteenth-Century Garden, p. 20. Reese, Stamped with a National Character 72.