wrolstad merald (31 resultados)

Wrappers (Paperbound). Condición: Very Good. First Edition. Previous owner's name in pencil on front cover, two small spots on back cover, else Very Good. Includes articles on the alphabet, Quipu as a visible language, and an orthographic way of writing English prosody.

Wrappers (Paperbound). Condición: Very Good. First Edition. Very Good. Includes articles on what comes after the book, some replies to a George Steiner address, and the origins of polyphonic music as a visible language.

Wrappers (Paperbound). Condición: Very Good. First Edition. Previous owner's last name in pencil on back cover, Very Good. Includes articles on linguistic features of scribal spacing, automated reading of the printed page, vocalism in silent reading, and durability of 15th-century type.

Wrappers (Paperbound). Condición: Very Good. First Edition. Previous owner's last name in pencil on contents page, Very Good. Includes articles on typography and the visual concrete poem, a proposal for a diagrammatic language for design, and the orthographic practices of Elias Molee.

Wrappers (Paperbound). Condición: Very Good. First Edition. Very Good. Includes articles on the typographic element in cubism, the changing responsibilities of the typographic designer, and a program for developing visual symbols.

Softcover. Condición: Fine. Pp. [33]-67, [1], 8vo, illustrated, stapled self wrapper. This issue largely devoted to Wrolstad's article on effective typographic design. With numerous side-by-side layout variations. Fine copy; spine fold lightly toned.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Good. First Edition. This is a fine, unmarked, hardcover copy of volume 1, in a mylar protected DJ, gray spine. Proceedings of the conference held at the Institute for Perception Research, IPO, Eindhoven, Netherlands, Sep. 1977. MEDIA SHIPPING ONLY.

Soft Cover. Condición: Very Good. Merald E. Wrolstad (Design) Ilustrador. 111 pp. Vol. LIX, No. 4, April 1972 issue only! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers.

Softcover. Cleveland, paperback, Near Fine, pages 308- 402, (dp 11/03); E4347 T6T.

Softcover. Condición: Sehr gut. S. (1) 99-192 S. mit Abbildungen; Original-Karton; Gr.8°. Sehr gutes Exemplar.

Softcover. Condición: Sehr gut. S. (1) 195-288 S. mit Abbildungen; Original-Karton; Gr.8°. Sehr gutes Exemplar.

Softcover. Condición: Sehr gut. S. (1) 291-383 S. mit Abbildungen; Original-Karton; Gr.8°. Sehr gutes Exemplar.

Softcover. Condición: Sehr gut. 92 (4) S. mit Abbildungen; Original-Karton; Gr.8°. Sehr gutes Exemplar.

Hardcover. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. Hardcover in good condition. No jacket. Ex-library. Several marks and scores on boards. Spine ends are slightly worn and bumped. Library stamps on stained page block, half-title page and a few further points. Library labels on spine foot, FEP and front pastedown. Contents are clear. AM. Ex-Library.

Soft cover. Condición: Near Fine. 1st Edition. First Edition, 1968. 84 pages. Book measures 6 x 9 inches. Includes five essays and book reviews at the end of the text. Cover design by Jack Stauffacher. Near Fine in wrappers showing only faint rubbing. A clean copy.

Paperback. Condición: Very Good. VG, light shelfwear.

Condición: Fine. Cleveland 1973. Volume VII, Number 4, Autumn 1973. Octavo, pp.284-376, illustrations, wraps (cover photograph of New York City graffiti by Marshall Swerman ). Fine.

Softcover. Condición: Good. Clean unmarked copy. Paper wraps are yellowed and have some scuffs and stray marks. Features an article by Rudolf Arnheim. Cover design by Jack Stauffacher.

Softcover. Condición: Good. Paper wraps have yellowed significantly on the edges and spine. clean copy with no notes or underlining. Cover design is by Jack Stauffacher of Greenwood Press.

Softcover. Condición: good. Paper wraps are a little soiled and have some foxing. Spine is slightly slanted to the left. Text is free of any marks or notes. Includes articles by Hermann Zapf and Ernest Hoch.

Soft cover. Condición: Very Good. 8vo, soft cover, illustrated, 64 p. In very good condition. K1.

Soft cover. Condición: Near Fine. 6" x 9" Cream wrappers. 90 pp. Illustrated. A few scuffs to covers. About fine.

Cloth. Condición: Good. Estado de la sobrecubierta: Good. Type: Book Small label inside cover, some chipping, tearing and slight loss to d/j edges.

Paperback. Condición: Near fine. First edition. Articles: 'After the Book?', 'From Mistress to Master: The Origins of Polyphonic Music as a Visible Language', 'Visual Language in the Old English "Caedmonian Genesis"'. Illustrated. Spine sunned.

Paperback. Condición: Near fine. First edition. Articles: 'Have We Bitten Off More Than We Can Chew?', 'Greek Letterforms on the Parthian Drachms', 'The Language of Capitalization in Shakespeare's First Folio', 'Visible Language: An Experimental Course', 'The Discrimination of Three Types of Graphic Stimuli'. Illustrated. Spine lightly sunned.

Paperback. Condición: Very good+. First edition. Articles: 'The Origin of the Sexagesimal System: The Interaction of Language and Writing', 'The Development of Visual Poetry in France', 'The Development of World Perception and Problem Solving Strategies', 'The Work of Bruce Rogers', 'Bibliography in Script and Language', 'Homage to Alberto Tallone. Illustrated. Some very light creasing to covers.

Condición: Very Good. - Cover edges and corners a little rubbed and creased - Book ow/ solid, clean and bright - xvii/616 pages.

95, (1) S. Orig.-Broschur. - Rücken etwas verfärbt und mit Lesespur. Ansonsten gut erhaltenes Exemplar. Innen sauber.

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condición: Fine. Handprinted by Merald Wrolstad, former student of Carroll Collman of the Prairie Press, and later founder of the journal "Visible Language." Wrapped in beautiful, folded, heavy illustrated paper stamped with quotation marks in blue and red. Contains ten broadsides, each measuring 4 x 6 inches, printed with a quotation and graphic design in color. Quotations by: Tennyson, Emerson, Thoreau, Nietzsche, Epictetus, Henry Van Dyke, Stevenson, Raymond Loewy, Pater, Addison, and Conrad.