vincent debiais (39 resultados)

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Brossura. Condición: new. A cura di Lucherini V., Michalsky T. e Carneva D.Roma, 2023; br., pp. 352, ill., cm 17x24.(I Libri di Viella. Arte). The expression Writing on Tombs used in the title of this book refers to all kind of texts involved in the making of a tomb during the Middle Ages and the Early Modern period: not only the inscriptions engraved in stone or marble, a constituent of the tomb and never an accessory element, but also the documentary, narrative or poetical sources concerning its form and iconography, its spiritual, symbolic, or political meaning, its perception or its "historicization". Along with tombs of great prestige, such as those of Frederick II and Boniface VIII, the papers collected in this volume deal with a huge variety of little-known burials, for patrons belonging to different social status and cultures across many regions of Europe over more than a millennium. The authors analyse how texts contributed to shaping the object-tomb through the reading or the re-reading of medieval textual sources, the function of the epitaphs and their manuscript tradition, the written and material reuse of the past, the epigraphical practices of writing, and the funerary customs in Modern Europe. Libro.

Condición: NEW. Roma: Viella, 2023 9788833138640 Quaderni napoletani di storia dell'arte medievale 7 809 352 p. : ill. col., indice, biografia ; 24 cm. The expression Writing on Tombs used in the title of this book refers to all kind of texts involved in the making of a tomb during the Middle Ages and the Early Modern period: not only the inscriptions engraved in stone or marble, a constituent of the tomb and never an accessory element, but also the documentary, narrative or poetical sources concerning its form and iconography, its spiritual, symbolic, or political meaning, its perception or its "historicization". Along with tombs of great prestige, such as those of Frederick II and Boniface VIII, the papers collected in this volume deal with a huge variety of little-known burials, for patrons belonging to different social status and cultures across many regions of Europe over more than a millennium. The authors analyse how texts contributed to shaping the object-tomb through the reading or the re-reading of medieval textual sources, the function of the epitaphs and their manuscript tradition, the written and material reuse of the past, the epigraphical practices of writing, and the funerary customs in Modern Europe. The expression Writing on Tombs used in the title of this book refers to all kind of texts involved in the making of a tomb during the Middle Ages and the Early Modern period: not only the inscriptions engraved in stone or marble, a constituent of the tomb and never an accessory element, but also the documentary, narrative or poetical sources concerning its form and iconography, its spiritual, symbolic, or political meaning, its perception or its "historicization". Along with tombs of great prestige, such as those of Frederick II and Boniface VIII, the papers collected in this volume deal with a huge variety of little-known burials, for patrons belonging to different social status and cultures across many regions of Europe over more than a millennium. The authors analyse how texts contributed to shaping the object-tomb through the reading or the re-reading of medieval textual sources, the function of the epitaphs and their manuscript tradition, the written and material reuse of the past, the epigraphical practices of writing, and the funerary customs in Modern Europe. Lucherini,Vinni - Michalsky,Tanja - Carnevale,Diego.

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Couverture souple. Condición: Comme neuf. Edition originale. Paris , 2019. 1 Volume/1. -- Comme Neuf -- Broché collé. Format in-8°( 24 x 16 cm ) ( 442 gr ). -------- 272 pages. ****************** "" 4ème de Couverture : "" Les listes constituent une forme d'écriture très présente dans les textes du Moyen Âge, quels que soient leur nature et leur genre. Cette forme syntaxique, graphique et sémantique singulière a été l objet d une enquête collective menée dans le cadre d un projet interdisciplinaire de recherche intitulé « Pouvoir des listes au Moyen Âge » (Polima), qui a bénéficié du soutien de l ANR. Trois volumes collectifs rassemblent les études de cas issus des ateliers organisés dans le cadre de ce programme. Ils explorent les usages sociaux de cette forme d écriture dotée de pouvoirs pragmatiques, poétiques et cognitifs. Ce volume propose une approche matérielle de la liste, qui vise à la saisir dans le rapport que son écriture construit avec le support ainsi qu avec les lieux, démultipliés, de son installation (pages, livres, murs, monuments, reliquaires, objets du quotidien, etc.). Ces singularités documentaires, liées à des procédures ou à des jeux de dénombrement, permettent de rendre compte de l abondance des listes dans les productions écrites du Moyen Âge et d interroger ce que les différentes scènes sociales du Moyen Âge font de cet opérateur matériel et cognitif qui produit savoir et agency. Au cours de cette période, les listes et les formes de pensée qu elles engendrent se transforment sous l effet de l apparition de nouveaux enjeux de dénombrement et de catégorisation. À l arrière-plan des cas étudiés percent ainsi la transformation grégorienne de l Occident, la formation du savoir scolastique et l essor des rationalités pratiques. "" ******************* ref 300A.

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hardcover. Condición: New.

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Hardback. Condición: New. Bilingual.

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Hardcover. Condición: new. Hardcover. This collection of essays is a return to words of the Middle Ages in and of themselves, uniting philologists, historians, epigraphers, palaeographers, and art historians. It probes the intellectual, technical, and aesthetic principles that underpin their use and social function in medieval graphical practices, from epigraphy and inscriptions, to poetics, 'mots', and 'paroles'. By analysing the material and symbolic properties of a particular medium; the conditions in which texts become signs; and scribal expertise, the contributors address questions that initially seem simple yet which define the very foundations of medieval written culture. What is a word? What are its components? How does it appear in a given medium? What is the relationship between word and text, word and letter, word and medium, word and reader? In a Middle Ages forever torn between economic and extravagant language, this volume traces the status of the medieval word from ontology to usage, encompassing its visual, acoustic, linguistic, and extralinguistic forms. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Brossura. Condición: new. A cura di Lucherini V. e Squillante M.Roma, 2020; br., pp. 236, ill., cm 17,5x25.(I Libri di Viella. Arte). Con l'espressione «memoria post mortem» si intende alludere a una serie di processi, letterariamente, storiograficamente e artisticamente documentati, volti alla fabbricazione della memoria di un individuo, al fine di garantirgli una forma di sopravvivenza alla morte, più o meno duratura, o addirittura perenne. Gli studiosi che hanno partecipato a questo libro, decisi a confrontarsi al di là delle barriere disciplinari che ancora si ergono alte nelle istituzioni universitarie, hanno accettato di indagare, con i propri strumenti specialistici e in un contesto aperto al confronto, le molteplici forme di costruzione memoriale (logoi, erga, scripta, monumenta, imagines) attestate in Europa e nel Mediterraneo su un arco cronologico che dalla Grecia arcaica giunge alla Napoli angioina, passando per Roma e l'Impero carolingio. Libro.

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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condición: Brand New. 164 pages. French language. 10.94x8.50x0.47 inches. In Stock.

Condición: New. 2020. Hardcover. . . . . .

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Hardback. Condición: New. Bilingual.

Condición: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Couverture souple. Condición: Comme neuf. Edition originale. Paris 2025. 1 Volume/1. -- Comme Neuf -- Broché. Format 24 x 17 cm. ------ 360 pages. ******************* Présentation éditeur : "" L'abstraction picturale au Moyen Âge : une réflexion novatrice qui propose une puissante approche transversale de l'art médiéval, sous un concept d'abstraction totalement repensé au contact intime des images finement analysées. Les conceptions médiévales de l'image judéo-chrétienne se fondent sur les imperfections du processus de représentation. Les opérations de perception et de cognition peinent à appréhender l'irreprésentable à travers les moyens dont elles disposent, qu'ils soient mimétiques ou au contraire apophatiques, poour dire ce qui ne peut être représenté. Cependant, une autre modalité de représentation, l'abstraction, s'est développé au sein de cette tension, entre le IXe et le XVe siècle dans le monde occidental, à la recherche elle aussi d'une vérité par-delà les sens. C'est à l'analyse de cette méthode que cet ouvrage est consacré. Il souhaite identifier au sein des images médiévales l'empreinte du processus intellectuel de l'abstraction telle qu'elle a été définie dans le cadre de la pensée médiévale, et plus précisément par la théologie dans son exploration des moyens d'accéder à la connaissance de Dieu. L'abstraction médiévale ne se déploie pas dans le visuel en réaction à la figuration ; elle est au contraire le moteur de la figuration, elle accentue les effets de la représentation, elle est ce qui institue l'image en tant qu'image. Elle est le témoignage d'une pensée visuelle qui s'affranchit de la mimésis au profit d'une poétique de l'écart ; sans traumatisme, sans violence, sans la nécessité d'une rupture révolutionnaire dans les moyens de l'art, mais en pleine cohérence avec une pensée du monde complexe, fine et qui met à mal les équivalences fragiles entre ce que l'on voit et ce que l'on sait. "" *********************** ref.

Condición: New. Elina Gertsman is Professor of Medieval Art and Archbishop Paul J. Hallinan Professor in Catholic Studies II at Case Western Reserve University. She is the author of The Dance of Death in the Middle Ages: Image, Text, Performance (2010), Worlds.

Hardcover. Condición: new. Hardcover. This collection of essays is a return to words of the Middle Ages in and of themselves, uniting philologists, historians, epigraphers, palaeographers, and art historians. It probes the intellectual, technical, and aesthetic principles that underpin their use and social function in medieval graphical practices, from epigraphy and inscriptions, to poetics, 'mots', and 'paroles'. By analysing the material and symbolic properties of a particular medium; the conditions in which texts become signs; and scribal expertise, the contributors address questions that initially seem simple yet which define the very foundations of medieval written culture. What is a word? What are its components? How does it appear in a given medium? What is the relationship between word and text, word and letter, word and medium, word and reader? In a Middle Ages forever torn between economic and extravagant language, this volume traces the status of the medieval word from ontology to usage, encompassing its visual, acoustic, linguistic, and extralinguistic forms. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.