vail karole (107 resultados)

Condición: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Very good condition paperback with minimal wear. Contents are clean and bright throughout with no markings.

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Soft cover. Condición: Very Good. Very minor wear; quite a nice copy. The Friends of the Bridgeport Public Library use these funds to promote literacy in the Bridgeport public schools and the community.

Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Art Writing. This is a clean, unmarked copy with a shelf worn dust jacket but otherwise undamaged.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover, 152 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket; 256 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good.

Hardcover. Condición: Good+. Estado de la sobrecubierta: Very Good. Exlibrary with usual library markings. Repaired hinges. ; 151 pages.

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Exhibition catalog. With 220 color and black and white illustrations. First edition. Near fine in a near fine dust jacket.; 256 pages.

Paperback. Condición: Near Fine. 1st. 151 pages, illustrations (some colour), portraits (some colour); 31 cm. Published on the occasion of the exhibition Peggy Guggenheim: A Centennial Celebration held at the Solomon R. Guggenheim Museum, New York, June 12 to September 2, 1998. Near fine. Firm binding, clean inside copy. Age toning. Profusely illustrated. *** "Born into a wealthy New York family, Peggy - whose Uncle Solomon would establish the Solomon R. Guggenheim Foundation - participated in the cultural ferment of life in London and Paris during the 192Os and 193Os. Her friends included many of the most significant avant-garde figures of the era, such as Samuel Beckett and Marcel Duchamp. In London, she ran Guggenheim Jeune, her cutting-edge gallery devoted to contemporary art. During the months surrounding the outbreak of World War II, Peggy accelerated her purchases of abstract and Surrealist art until she was buying virtually one work every day, eventually amassing one of the most important collections of Modern art in private hands. After escaping to New York in the company of Max Ernst, she established the gallery Art of This Century, which from 1942 to 1947 featured her collection as well as the first or early solo exhibitions for such artists as Robert Motherwell, Jackson Pollock, and Mark Rothko. In 1948, Peggy settled permanently in Venice, where her home, the eighteenth-century Palazzo Venier dei Leoni, would become the Peggy Guggenheim Collection after her death in 1979. The collection is now one of the most celebrated for visitors to Venice. Vail's essay provides important new information on the Venice years, during which Peggy kept guest books that record the visits of an astonishing array of international personalities. Pages from these guest books - published here for the first time - include unique drawings by such artists as Marc Chagall, Jean Cocteau, and Saul Weinberg." - Publisher. Size: 4to. Collectible.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 256 pages, illustrations (some colour); 29 cm. Published on the occasion of the exhibition of the same name held at the Solomon R. Guggenheim Museum, New York, May 20 to August 10, 2005; and other venues. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "A talented artist who studied in Munich, Berlin, and Paris, Hilla Rebay embraced the idea of non-representational art as both a style and an aesthetic philosophy. At age 22 she began to exhibit and was introduced to the influential and avant-garde gallery Der Sturm in Berlin, where she was drawn to modern giants such as Marc Chagall, Vasily Kandinsky, and Paul Klee. When Rebay moved to America in 1927, she was commissioned by Solomon R. Guggenheim to paint his portrait, and from that point she began her mission to enlighten him with the art she so fervently supported. Rebay introduced Guggenheim to artists such as Kandinsky, and in 1937, he established the Solomon R. Guggenheim foundation for the magnificent collection he had purchased, based on Rebay's advice. In 1939, he and Rebay started the Museum of Non-objective painting, which, in 1959 opened as today's Guggenheim Museum in New York City. This catalogue, which accompanies the exhibition Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim, shows Rebay not only as a director and curator, but also as a prolific artist--her early abstract watercolors, drawings, abstract and figurative collages, and large-scale non-objective paintings are featured here. Also included are early masterpieces by Rebay's artist colleagues and friends Arp, Bauer, Kandinsky, Richter, and others. Not only a testament to Rebay's artistic and curatorial prowess, this book also gives touching insight into the extraordinary collaboration between her and Solomon R. Guggenheim, which resulted in one of the world's finest collections of early 20th century modernism." - Publisher. *** CONTENTS: Hilla Rebay, 1910s; The path to non-objective art, by Brigitte Salmen; Hilla Rebay's friends and colleagues; Rereading the correspondence: Rebay and Kandinsky, by Vivian Endicott Barnett; Hill Rebay, 1920s-1960s; Rhythmic delight: a quest for non-objectivity, by Karole Vail; Art of tomorrow: the museum of non-objective painting; The art of tomorrow, by Jo-Anne Birnie Danzker; The music of the spheres, by Robert Rosenblum; I will make you world famous, by Roland von Rebay; Hilla Rebay chronology. Size: 4to. Collectible.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Black cloth, lettered in blind. As issued, with note to slight lean original to issue. Pictorial dust jacket shows just a hint of shelf wear, essentially as issued, now in mylar. 1st ed. Catalog to accompany 2005-06 traveling exhibition. Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Condición: Fine. 1st Printing. Edited by Megan Fontanella and Karole P.B. Vail. New York: Guggenheim, (2018). First Printing (stated). 11.25" x 8.25". 160pp. Black cloth back & white paper boards printed in black. Fine condition, no dj as issue. Illustrated in color and b&w with contributions by Valerie J. Fletcher and Catherrine Grenier. ISBN 9780892075386; 11.25 x 8.25 inches; 160 pages.

Hard cover. Condición: Very good. Estado de la sobrecubierta: Very good. Published on the occasion of the exhibition "Peggy Guggenheim: A Centennial Celebration" at the Solomon R. Guggenheim Museum from June 12 to September 2, 1998. Jacket is lightly worn along edges. Top edge of jacket is lightly sunned. Inside pages are slightly yellowed along edges, but otherwise clean and unmarked.

Softcover. Condición: VG. Duotone illus. wraps; 151 pp.; Profusely illustrated with color and bw figures. Accompanied the exhibition of the same name. "Born into a wealthy New York family, Peggy - whose Uncle Solomon would establish the Solomon R. Guggenheim Foundation - participated in the cultural ferment of life in London and Paris during the 192Os and 193Os. Her friends included many of the most significant avant-garde figures of the era, such as Samuel Beckett and Marcel Duchamp. In London, she ran Guggenheim Jeune, her cutting-edge gallery devoted to contemporary art. During the months surrounding the outbreak of World War II, Peggy accelerated her purchases of abstract and Surrealist art until she was buying virtually one work every day, eventually amassing one of the most important collections of Modern art in private hands. After escaping to New York in the company of Max Ernst, she established the gallery Art of This Century, which from 1942 to 1947 featured her collection as well as the first or early solo exhibitions for such artists as Robert Motherwell, Jackson Pollock, and Mark Rothko." "In 1948, Peggy settled permanently in Venice, where her home, the eighteenth-century Palazzo Venier dei Leoni, would become the Peggy Guggenheim Collection after her death in 1979. The collection is now one of the most celebrated for visitors to Venice. Vail's essay provides important new information on the Venice years, during which Peggy kept guest books that record the visits of an astonishing array of international personalities. Pages from these guest books - published here for the first time - include unique drawings by such artists as Marc Chagall, Jean Cocteau, and Saul Weinberg."--Jacket.

Magazine. The February - May 2008 issue of the Guggenheim Museums' periodical Guggenheim Guide with articles on exhibitions including: Cai Guo-Qiang, February 22 - May 28, 2008, with an illustrated essay by Alexandra Munroe; Karl Nierendorf and The Guggenheim, January 26 - May 4, 2008, with a short piece by Karole Vail and Megan Fontanella; introduction; and a map of the museum. Staple-bound, self-wrappers; 8 pages; color illustrations throughout; 9 x 11.25 inches. Condition: Fine magazine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Published along with exhibition from June 12-September 2, 1998. Page edges starting to yellow, but overall a bright, tidy copy in tight binding. Dust jacket top edge slightly curling. Used - Very Good. VG hardback in VG dust jacket.

Hardcover with dustjacket, 152 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Used - Very Good. This elegant volume celebrates the 100th anniversary of Peggy Guggenheim's birth in 1898. Guggenheim's granddaughter Karole Vail provides an intimate biographical account of the collector's extraordinary life from her privileged upbringing through her friendships with such avant-garde figures as Samuel Beckett and Marcel Duchamp. Before World War II, she ran the Guggenheim Jeune gallery in London; there, she quickly accumulated a superb collection of Surrealist and abstract art. In 1942, she escaped to New York with Max Ernst and opened the landmark Art of This Century gallery, where she exhibited her collection and works by such emerging artists as Jackson Pollock. Guggenheim finally settled in Venice in the 18th-century palazzo that became the Peggy Guggenheim Collection after her death. Her guestbooks, pages from which are published here for the first time, reveal an astounding array of visitors, and drawings by Jean Arp, Marc Chagall, and Alberto Giacometti, among others. Celebrating the 100th anniversary of Peggy Guggenheim's birth, her granddaughter Karole Vail provides an intimate biographical account of the collector's life, covering her privileged upbringing, her collections of Surrealist and abstract art, and her part in founding, with Max Ernst, the landmark Art of the Century gallery in New York. 125 illustrations, 81 in color. Open copy, very clean, very little wear/scuffing.

Paperback. Condición: Very Good+. Paperback. 158 pp. Color & B&W photos. Exhibition catalog. ; 4to; 158 pages.

Hardcover without dustjacket as issued, 160 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Fine condition. Mapplethorpe, Robert (photos by) Ilustrador. First Edition. New York: Guggenheim Museum Publications, 2004. A beautiful copy in Fine condition. NO creases. NOT a library discard. NO owner's name or bookplate. Sharp corners. Square and tight. Pages are crisp, clean and unmarked. Profusely illustrated with magnificent Mapplethorpe photographs. Robert Mapplethorpe and the Classical Tradition. Exhibition Catalog. Includes 3 essays by the authors listed above. Checklist of the Catalogue. Glossary. Selected bibliography. Oversize Softcover. 10" wide by 11" tall. This large heavy book will require extra postage for Priority and International shipments, but only the standard charge for media mail. . First Edition. Oversize Softcover. Fine condition. Illus. by Mapplethorpe, Robert (photos by). 231pp. Great Packaging, Fast Shipping.