sloan blanding (8 resultados)

Paperback. Condición: Very Good+. First Edition. B&W Figures & Plates; 8vo 8" - 9" tall; 53 pages; Summer 1918. Sheldon Cheney; Theatre Arts. Volume II, No. 3: Paperbound in pictorial title lettered wraps with three hole side threaded binding, as issued. Sound, bright and neat. Superficial rubbing and wear to corner edges. Penned note of Volume and No top edge of cover. Several b&w figures and plates. Uncommon, especially so in condition. VG+.

Paperback. Softground etching (5 1/2" x 3 7/8"). Dated '35 Title written in black ink in Sloan's hand and SIGNED by him beneath the etching; signed and dated in the plate. Fine condition. While the title of the plate indicates the mission bells are located at the San Juan Capistrano mission, the image is that of the bells at the San Antonio de Pala mission. Born in Corsicana, TX, Sloan studied at the Chicago Academy of Fine Arts. While there he shared a studio with B. J. O. Nordfeldt and became interested in color etching through his friendship with George Senseney. He then studied in New York City where he designed stage sets for the theater and from the mid-1920s to the early 1930s, he worked in his studio and puppet theater in San Francisco. Following that and with a few years spent in other cities, Sloan spent the remainder of his life in Los Angeles where he continued as a designer of stage sets and was given charge of the WPA Federal Theater. Member: Chicago Society of Etchers. Works held: Brooklyn Museum; Museum of NM; de Young Museum.

Hardcover. Condición: Very Good. No Jacket. Limited Edition. Number 23 of 1000 copies with a lengthy inscription and signature by co-author David Arlen on limitation page. Stylishly illustrated with woodcuts by Blanding Sloan. Quarto in pictorial, paper-covered boards and bound together with a black ribbon. Condition: very slight wear to binding; some toning to several pages; else, this copy is in very good+ condition. 146 pages. Inscribed by Author(s).

Hardcover. Condición: Good +. Sloan, Blanding Ilustrador. First edition. Quarto (10-1/2" x 8"). 146 (2)pp. Original punch-tied, pictorial orange boards. Illustrated title page. Illustrated with 7 striking full-page woodcuts on colored stock as well as 10 full-page b/w text woodcuts by Blanding Sloan. Edition limited to 1000 numbered copies (this is #6), inscribed and signed on the limitation leaf by David Arlen to his parents. One of the woodcuts on colored stock has been separated at inner margin but is still present. Edges of boards a bit shelf-worn A novel about black entertainers in the South. An outspoken proponent for the positive treatment of black performers, Muse (1889-1979) fought demeaning stereotypes for most his career. Ironically, he was a staunch supporter of the controversial black-oriented TV series The Amos 'n Andy Show (1951). He insisted that, despite the standard caricatures of the title players, the series allowed black actors to portray white-collar roles such as doctors, bankers, judges, and professors, generally not done in white-oriented series. Clarence Muse was one of the first African American actors to star in a major motion picture. He appeared in more than 150 movies and wrote the script to the musical film adaptation of Way Down South with Langston Hughes.

Hardcover. Condición: Fair. Blanding Sloan Ilustrador. 1st ed. Woodcut illustrations (including 7 on colored paper) by Blanding Sloan, 146p. Original pictorial boards, punch-tied with black ribbon. 27 cm. Cover edges rubbed. Minor cover soil and wear. Tears along inner lower edge of first 20+ leaves which will probably contain to split and became completely detached -- some repairs with adhesive archival paper tape are visible but seems to have failed to stop the splitting of this rather brittle pages. One early illustration on orange papaer and a text leaf [39-40] are already detached. Copy No. 964 of an edition with a stated limitation of 1000 copies (although we have had copies with numbers greater than 1000). INSCRIBED by on limitation page by Muse ("Sept. 21, 1930 To Mr. Eddie Sutherland. Troupers, good old sincere troupers here. You'll know them. I do hope they relax you after a day a [sic] Concentration in your exacting progession. Artist I salute you. Clarence Muse"). Muse, an African American actor and entertainer, wrote this book with David Arlen about whom we know little. This book is a fictional account about an African American vaudeville troupe. [James] Blanding Sloan was a white American artist, filmmaker and puppeteer -- some of his work was strongly anti-war and anti-nuclear.As to Eddie Sutherland, he was an American film actor (1916-1924) and director (50 or more films between 1925 and 1956 including "One Night in the Tropics," the first Abbott & Costello film). Sutherland appears to have signed the first interior page. We don't know if Muse appeared, credited or uncredited, in any films directed by Sutherland.

First Edition. Very good copy in the original punch-tied, cloth-backed pictorial boards. Spine bands and panel edges somewhat rubbed and dust-toned as with age. Remains uncommonly well-preserved overall; tight, bright, clean and strong. Scans on request. ; 145 pages; Description: 145, [1] p. , 1 l. Incl. Illus. , plates (2 col. ) col. Plates. 27 cm. Subjects: African Americans --Social life and customs. Limited to 1000 copies, SIGNED by THE AUTHOR and with a lengthy inscription to Earl C. Kenton. 1 Kg. Item is Shipped from Ireland or US locations.

First Edition. Very good copy in the original punch-tied, cloth-backed pictorial boards. Spine bands and panel edges somewhat rubbed and dust-toned as with age. Remains uncommonly well-preserved overall; tight, bright, clean and strong. Scans on request. ; 145 pages; Description: 145, [1] p. , 1 l. Incl. Illus. , plates (2 col. ) col. Plates. 27 cm. Subjects: African Americans --Social life and customs. Limited to 1000 copies, SIGNED by THE AUTHOR and with a lengthy inscription to Earl C. Kenton. 1 Kg. Item is Shipped from Ireland or US locations.

Unknown. Softground etching (4 7/8" x 5"). Title written in pencil in Sloan's hand and SIGNED by him beneath the etching. Fine condition. A nice image of a simple farmhouse with trees. Born in Corsicana, TX, Sloan studied at the Chicago Academy of Fine Arts. While there he shared a studio with B. J. O. Nordfeldt and became interested in color etching through his friendship with George Senseney. He then studied in New York City where he designed stage sets for the theater and from the mid-1920s to the early 1930s, he worked in his studio and puppet theater in San Francisco. Following that and with a few years spent in other cities, Sloan spent the remainder of his life in Los Angeles where he continued as a designer of stage sets and was given charge of the WPA Federal Theater. Member: Chicago Society of Etchers. Works held: Brooklyn Museum; Museum of NM; de Young Museum.