schmelling michael (77 resultados)

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Michael Schmelling photos Ilustrador. 1st Edition. 2400 shelf. Larger pictorial bds, upper front corner lightly nicked. No names, clean text. No dust jacket. "Deluxe doggy dirt" and scores of other nutty novelties. With many color photos. Handsomely done! 128 p. Book.

Trade Paperback. Condición: Used.

Hardcover. First edition, 2002, first printing. Fine clothbound hardcover with a hint of soiling; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. An intimate portrait of a single, white middle-aged man, James Holloway, a Texas native and union projectionist. "The photographs, taken in El Paso, constitute a documentary of contemporary American life." Photographs by Michael Schmelling. 48 pages; 24 color plates; 10.25 x 9 inches.

Condición: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.

Hardcover. Condición: Fine. 1st Edition. Due to the weight, size and/or rarity of this book, we will request an additional $4(domestic) to $24 (international) for shipping from you the buyer based on actual shipping costs, after your order is placed through this platform. This will not slow down your shipping time. Thank you for understanding.

Hardcover with dustjacket, 224 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Very good. Hardcover. First Edition. Very good hardback bound in publisher's photo illustrated orange cloth and issued without a jacket. Signed by Schmelling on the copyright page.

Hardcover. SIGNED. First edition, first printing. Fine hardcover in a Near Fine dust jacket with one tiny tear at the crown and a hint of shelf wear. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A documentary look at the artists, the fans, and the musical vitality of Atlanta, a dominant center of contemporary hip-hop. The book appeared on a number of "Best Photography Books of 2010" lists. Photographs by Michael Schmelling; text by Kelefa Sanneh; interviews conducted by Will Welch. SIGNED BY SCHMELLING on the title page; no inscription. 224 pages; 160 color and b&w illustrations; 9 x 10.25 inches. LAID-IN is an illustrated gallery exhibition announcement card for a NYC show of this work shortly after publication. Due to size and weight, international and expedited shipping will be more than quoted.

Hardcover. Condición: Very Good. No Jacket. 1st Edition Limited Edition.

Magazine. First edition. Fine magazine with a hint of handling and a tiny chip to the spine. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The Fall 2005 Living issue of the Sunday New York Times Style Magazine, with: a pictorial of timeless kitchen tools photographed by Victor Schrager; a portfolio of portraits photographed by Robert Maxwell; Guy Trebay on dish collectors with photos by Michael Schmelling; a pictorial look at high-end table dressings photographed by Raymond Meier; Christine Mulke explores the culinary rules of Portland, Maine and Oregon, with photographs by Philip Heying; Oliver Schwaner-Albright explores Sicilians use of blood oranges in cooking, with photos by Mitchell Feinberg; the British designer Alice Temperley shares her National Apple Day family traditions, text by Maura Egan and photos by Katherine Wolkoff; the Lurtons may be Bordeux's last great dynasty, by Frank J. Prial and photos by Jeremy Murch; Daniel Patterson on the end of Alice Waters's hegemony in San Francisco; Eero Saarinen; paper towels instead of napkins?; vin santo; cream cheese in Spain; cocktails with bitters; three styles of gelato; making mayo from scratch; and much more. Perfect-bound magazine; 138 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condición: As New. 1st Edition. 1st Printing. Signed. 48 pages. Published in 2002. Retrospective collection of color photographs, presented as an Artist Book. One of the cult art photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Michael Schmelling: Oversize-volume format. Orange cloth boards with white titles embossed on the cover and spine and dazzling photographic cutout of the subject, as issued. Photographs by Michael Schmelling. Brief Epigraph by James Holloway, who gets to have the last word. Printed on pristine-white, thick coated stock paper in Korea to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Presents Michael Schmelling's "Shut Up Truth". Being photographs of a regular guy, James Holloway, a middle-aged bachelor and projectionist living in El Paso, Texas, befriended by the photojournalist. "A document of Michael Schmelling's friendship with James Holloway, a Texas native and union projectionist. The project began in 1996, when Schmelling met Holloway at a film screening while on assignment in Texas for Associated Press. An unflinching and intimate portrait of a single, white middle-aged man. The photographs, taken in El Paso, constitute a documentary of contemporary American life. Michael Schmelling lives in New York City and is a regular contributor to The New York Times Magazine, New York Magazine, The Fader, and Details" (Publisher's blurb). Deliberately mundane and matter-of-fact, the collection enjoys a cult following as a photography book in the same vein as Stephen Shore and Joel Sternfeld, and in the way it evokes American life, the un-celebrated kind, in this case, that of a "lowly" - in our view, which says a lot about us - worker. Who is typically viewed and presented by mass media as lonely (being single) and unworthy of a photographer's, or anyone else's attention. The book asks, "Who deserves to be photographed and to be looked at by us?". An absolute "must-have" title for Michael Schmelling collectors. This copy is very boldly and beautifully signed in black ink-pen on the title page by Michael Schmelling. It is signed directly on the page itself, not on a tipped-in page. This title is a cult art photography title. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online have serious flaws. This is surely an accessible and lovely alternative. A rare signed copy thus. Lavishly illustrated with color plates. One of the most brilliant photographers of our time. A fine copy. ISBN 0970165633. Signed by Author.

Hardcover. Condición: Near Fine. First Edition. [PHOTOGRAPHY]. Eds. Jason Nocito (b.1972), Michael Schmelling. "Pud III." New York: Dashwood Books. Printed by the Fox Company in Milwaukee, WI, 2015. First edition. English language. Hardcover in blue cloth boards with silver lettering. Photobook with full-color photography. 11 1/4 x 9 3/4 inches. 20 oz. 48 pp. Shelf-wear. Rubbing on lettering. Text clean. Near Fine. No ISBN. No ASIN. OCLC: 934727530. "'Pud III' is the last book in a trilogy conceived and photographed by Jason Nocito, designed by Camilla Venturini of Ordinary Books, and published by Dashwood. Originally released at the LAABF in January 2014 Pud I consisted of a series of sixteen photographs of New York City street debris and puddles interspersed with images from a road trip across the US all shot on an 8 x 10 view-camera recording extremely high detail. The final book produced in an identical trim size and cover design, in alternate colors, uses the debris and puddles as its main subject once again but this time juxtaposed with studio and darkroom images. Asking more questions than are being resolved, the Pud series has evolved as an exercise in conceptualizing, editing, and design, even the practice of bookmaking itself.".

Hardcover. First edition. NEW hardcover in dust jacket in the publisher's shrink wrap. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Images of the contestants in the USA National Memory Championships, 2007 and 2008, interspersed with images of the American landscape: "Building a book of short, interrelated stories, Schmelling has combined these images of mnemonists with a series of similar, overlapping narratives: neutral interiors, teenagers in an algorithmic code competition, entrepreneurs, a Hollywood actor, prisoners, and English language students dressed up as historical figures coalesce into a larger narrative about cognition, memory and information." Photographs by Michael Schmelling. 224 pages; 200 color plates; 8 x 10.5 inches.

Magazine. The November 20, 2005, issue of the Sunday New York Times Magazine, with: part 10 of the graphic novel Building Stories by Chris Ware; chapter 10 of Comfort to the Enemy by Elmore Leonard; a fashion pictorial photographed by Peggy Sirota; Marc Jacobs on Hollywood and fashion; a tour of the home and possessions of Bill T. Jones photographed by Michael Schmelling; the rise of the gifted child industry by Ann Hulbert with a cover photograph by Loretta Lux; an interview with Jean Baudrillard; David Rieff on Evo Morales, the Bolivian Indian running for president, and the cult of Che Guevara with photographs by Kathryn Cook; a profile of Lynne Truss by Deborah Solomon and a portrait by Jillian Lochner; Samuel Alito; and much more. Staple-bound magazine; 130 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine magazine with very light signs of handling/storage. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Pamphlet. This is not a book. A large sheet of newsprint with a grid of 15 b&w images on each side and information about the 2009 release of The Plan by Michael Schmelling. It has printed on the margin "Press Test/Proof 10.2008." It was presumably distributed as a promotional item in advance of publication. 30 x 22.5 inches. Condition: Near Fine, folded as presumably issued; there are some holes where the grips grabbed the paper to feed it through the press. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. Condición: As New. BLIND SPOT Issue 35 photos by Jason Evans, Hans-Peter Feldmann, Jason Fulford, Ron Jude, Hee Jin Kang, Rinko Kawauchi, David La Spina and Michael Schmelling. Brief text by Carlo McCormick. Unpaginated, paper with stiff cover. Like new condition.

Paperback. Condición: Fine. First Edition, First Printing. Large octavo. 8 x 11 in. Unpaginated. Profusely illustrated with color reproductions of photographs. Fine pictorial blue wrappers. Signed by Schmelling on title page.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New.

Condición: New.

Magazine. First edition. Fine magazine. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The October 31, 2004, issue of the Sunday New York Times Magazine with: religion in the workplace by Russell Shorto with photographs by Alec Soth; a profile of Tom Wolfe by Charles McGrath with a portrait by Richard Burbridge; a tour of home and possessions of Mark Morris, the choreographer and dance impresario, with an interview by Edward Lewine and photographed by Michael Schmelling; Jessica Roger, 21, killed herself in the "box" at the Bedford Hills Correctional Facility by Mary Beth Pfeiffer; fall accessories photographed by Ilan Rubin; an interview with novelist Christine Schutt; a pictorial on Dosa, the company started by Christina Kim, photographed by Lisa Eisner; and much more. Staple-bound magazine; 72 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.

Condición: As New. Unread book in perfect condition.

Buch. Condición: Neu. Neuware -In Dreams. Scenes from the Archive adds to our understanding of Dennis Hopper's personal vision as an artist by tracing the threads of Hopper's life through photography, and connecting his roles as an actor, husband, father, and photographer. In Dreams eschews Hopper's iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper's photographic output was especially concentrated in the '60s, a period in which his film career had cooled off. During these years Hopper's primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him 'the tourist.' While In Dreams, which references Roy Orbison's song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper's peripatetic life and his everyday use of the camera. Hopper was very much an insider - at ease with celebrities and artists of his day - but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it's this unique duality that allowed Hopper to view the world in his unique way. 132 pp. Englisch.

Buch. Condición: Neu. Neuware -In Dreams. Scenes from the Archive adds to our understanding of Dennis Hopper's personal vision as an artist by tracing the threads of Hopper's life through photography, and connecting his roles as an actor, husband, father, and photographer. In Dreams eschews Hopper's iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper's photographic output was especially concentrated in the '60s, a period in which his film career had cooled off. During these years Hopper's primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him 'the tourist.' While In Dreams, which references Roy Orbison's song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper's peripatetic life and his everyday use of the camera. Hopper was very much an insider - at ease with celebrities and artists of his day - but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it's this unique duality that allowed Hopper to view the world in his unique way. 132 pp. Englisch.

Hardcover. Condición: Very Good.

Buch. Condición: Neu. Neuware -In Dreams. Scenes from the Archive adds to our understanding of Dennis Hopper's personal vision as an artist by tracing the threads of Hopper's life through photography, and connecting his roles as an actor, husband, father, and photographer. In Dreams eschews Hopper's iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper's photographic output was especially concentrated in the '60s, a period in which his film career had cooled off. During these years Hopper's primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him 'the tourist.' While In Dreams, which references Roy Orbison's song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper's peripatetic life and his everyday use of the camera. Hopper was very much an insider - at ease with celebrities and artists of his day - but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it's this unique duality that allowed Hopper to view the world in his unique way.