sauer christel (101 resultados)

Soft cover. Condición: Near Fine. 1st Edition. Parallel text in English and German. [12] p., fully illustrated with color photographs of Merz's work. Oversize [b 215].

Quality Paperback. Condición: Near Fine. First Edition. 118pp. Text in French, German, and English. Very minimal rubbing to covers, otherwise excellent. Spine tight, text clean. Etat de Neuf. Texte en francais, anglais, et allemagne. Book.

Quality Paperback. Condición: Near Fine. First Edition. 118pp. Text in French, German, and English. Very minimal rubbing to covers, otherwise excellent. Spine tight, text clean. Etat de Neuf. Texte en francais, anglais, et allemagne. Book.

Softcover, 238 pages; in English and Spanish; very good condition; lamination just starting to peel from lower right corner of front cover; 2-inch scrape across pages 33-40; no other internal marks. Foreign shipping may be extra.

Oversized Paperback. Condición: Good. Texts in French, German and English.

Condición: New. Text in German & English, 75 pp., Paperback, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Condición: Fine. Qto., 16 pages, colour illustrated. A Fine copy. The text is in both English and German.

Hardcover without dustjacket as issued, 240 pages; in English, French and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Fine. Qto., 56 pages, illustrated. The text is in English, French and German. A Fine copy.

hardcover. Condición: Very Good. Neue Kunst Buecher; Schaffhausen, 1994. Text in French and English. Hardcover. A Very Good, illustrated boards, binding sturdy and intact, trace handling/scuffing to boards, bit of rubbing along board and spine edges, bumped bottom spine edge, mild waving to pages along top and bottom page edges, a hint of sunning to page margins, without Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 239pp., color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

Softcover, 126 pages, in English; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

219 S. : überwiegend Ill. (z.T. farb.) ; 27 cm . Orig.-Kart. (gut erhalten).

Paperback. Condición: Very Good. 1st Edition. Qto., 83 pages, illustrated with large colour plates. The text is in both English and Dutch. There is an art gallery ink stamp on the final end paper. A Very Good copy.

Softcover. Condición: Gut bis sehr gut. Ohne Schutzumschlag. 1. Auflage. with many b/w-illustrations.

Softcover. Condición: Sehr gut. 1. Auflage. Z/B : 21 x 27,5 cm, 126 Seiten/pages with 52 color illustrations. - On July 27, 2006, the important American Minimalist painter, Robert Ryman, and curator Urs Raussmüller conducted a public conversation in Edinburgh, discussing in detail the qualities that define Ryman's works and distinguish them from other paintings. The conversations took place in the garden next to Inverleith House--the eighteenth-century estate that now houses an innovative program of temporary exhibitions run by the Royal Botanic Garden--and touched on issues that rarely surface in the discourse on painting, from the feelings that a painting can engender to what the viewers can gain from the contemplation of an artwork. With generous photo documentation of Ryman's exhibition at Inverleith House, as well as the garden talk and other unguarded moments, this book-length conversation is essential fare for all fans of Ryman's work and working philosophy.

1. Aufl. Sprache: Englisch - / - Publikation zu einer atmosphärisch dichten Ryman-Ausstellung in Inverleith House, die Rymans Gemälde buchstäblich in einem neuen Licht präsentierte. Innen- und Aussenraum mit dem Botanischen Garten verbinden sich zu einem umfassenden Erlebnis, das neue Erkenntnisse eröffnet und sich in lebendigen Gesprächen mit Ryman, Raussmüller und Paul Nesbitt überträgt. Mit ausführlichen Werkbeschreibungen und vielen anregenden Abbildungen. - Aus Wikipedia: Ryman studierte 1948 am Polytechnic Institute" in Cookeville, Tennessee und 1949 Musik am George Peabody College" in Nashville. Von 1950 bis 1952 diente er bei der US Army als Saxophonist. Hiernach siedelte er nach New York und absolvierte eine Ausbildung zum Jazz-Musiker. Während seiner Tätigkeit als Aufseher im Museum of Modern Art in New York in den Jahren von 1953 bis 1960 lernte er zahlreiche Künstler kennen. Die Werke von Paul Cézanne, Pablo Picasso und Henri Matisse beeindruckten ihn besonders. Daraufhin gab er 1954 die Musik zugunsten der Malerei auf. Nach einigen malerischen Versuchen im Kontext des Abstrakten Expressionismus, bei denen er Zahlen, Buchstaben oder andere Schriftzeichen mit lyrisch abstrakten Farbzonen verband, reduzierte er Anfang der 60er Jahre die Farbskala auf Weiß und konzentrierte sich auf Variationen verschiedener Farbaufträge und Maltechniken auf der Bildfläche. Ryman begann nun ebenfalls, seine Leinwände ohne Keilrahmen direkt auf der Wand zu befestigen. Seit Mitte der 60er Jahre entwickelte er eine Vielfalt an weißen Leinwänden, die sich alleine durch den verschiedenen Farbauftrag, Duktus, Flächendifferenzierungen unterscheiden. Seine Malerei verweist auf sich selbst und wird damit zum Gegenstand der Kunst an sich. Ryman gilt als Vertreter der Analytischen Malerei. Sein Lebenswerk besteht in vielfältiger Auseinandersetzung mit der Farbe Weiß und ist von internationalem Rang. (Sehr gut erhalten - vermutlich ungelesen / in very good condition) Sprache: Englisch Gewicht in Gramm: 1300 KlappBroschur-Umschlag / Softcover.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

First edition. Softcover. 83 pages. Exhibition catalog for a show that ran October 8, 1989 through January 28, 1990. Text in English and Dutch. Features essays by Christel Raussmuller-Sauer and Franz W. Kaiser. Includes numerous color illustrations, checklist, list of previous exhibitions and a selected bibliography. A clean very near fine copy in French style wrappers and with laid in errata slip. A nicely printed catalog.

First edition. Softcover. Exhibition catalog for a show that ran June 15 through August 10, 1980. Features a foreword by Urs Raussmuller and an essay by Christel Sauer in English and German. Includes numerous black and white illustrations, biographical information, bibliography, and a checklist. A very good plus copy in wrappers that have some toning and some other minor wear. Internally a clean copy.

Gr. 8 ° Broschur; 77 Seiten; die Abb. In Duotone Gut, der Einband mit Gebrauchsspuren (siehe Foto),im Inneren frisch 600 gr.

Gr. 8 ° Broschur; 77 Seiten; die Abb. In Duotone Gut, der Einband mit Gebrauchsspuren (siehe Foto),im Inneren frisch 600 gr.

Gr.-8° (27 cm) kartoniert. 219 Seiten mit zahlreichen Illustrationen. Texte deutsch / englisch.Gutes und sauberes Exemplar. Sprache: Deutsch Gewicht in Gramm: 800.

Softcover, 82 pages; in English and German; very good condition, light rubbing to covers; previous owner's stamp on 4 pages; no other internal marks. Includes: A. R. Penck, Lothar Baumgarten, Mario Merz, Wolfgang Laib, Brice Marden, Hanne Darboven, Gilberto Zorio and others. Foreign shipping may be extra.

Softcover. Quarto; VG-/softcover; white spine with black text; exterior to covers show very slight wear with very light tone to edges; good binding; text block clean; profusely illustrated; pp 287; texts in German, French and English; arts - Modern. NOTE: Shelved in Locked Annex Area, Netdesk Column QA (ND-QA). 1366053. FP New Rockville Stock.

Softcover, 84 pages, text in English and Dutch; very good condition except light edgewear to covers; gallery stamps on first page; no other internal marks. Foreign shipping may be extra.

Gr.-8°, hardcover. Condición: Sehr gut. 239 Seiten Buch ist in einem sehr guten Zustand, Text in deutscher, englischer und französischer Sprache. MIG-12-06A Sprache: Deutsch Gewicht in Gramm: 450.

30,5 x 24,5 cm ; Pp. ; Condición: Gut. 239 S. ; Großformatige Hardcoverausgabe, Text in deutscher, englischer und französischer Sprache, 239 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. pw48 ISBN: 3906352072.

Softcover. White glued wraps with black lettering. 95 pp. Color illustrations. Text in German, French, and English. Catalogue of an exhibition in Germany from October 15, 1992- October 31, 1992 and in New York from December 12, 1992- January 2, 1993. VG- light age toning and edge wear to covers. bottom corner of text-block/pgs has a minor crimp.

Softcover, 96 pages; in German with a little English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Gut. 219 S.: überwiegend Illustrationen u. Fotos (z.T. farb.); 27 cm, Guter Zustand. Bibl.-Ex. mit den üblichen Eintragungen. Sprache: Deutsch Gewicht in Gramm: 950.