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Publicado por Kontakt-kultura, 2024
Librería: Ruslania, Helsinki, Finlandia
Manuscrito
Condición: new. Language: Russian. Shipped worldwide WITHOUT CHARGING OF POSTAGE COSTS! (Economy class).
Publicado por Kontakt-kultura, 2024
Librería: Ruslania, Helsinki, Finlandia
Arte / Grabado / Póster
Condición: new. Language: Russian. V.Majakovskij. A.Rodchenko Moskva, 1923, Reprintnoe izdanie 45 kh 60 sm.
Publicado por Corvina Kiado, Budapest, 1979
ISBN 10: 9631307794ISBN 13: 9789631307795
Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de America
Libro
Hardcover. 268 pages. Monograph on this important Russian artist. Features text in German by German Karginow. Includes some color and numerous black and white illustrations. A near fine copy with some minor wear in a close to near fine dust jacket with some sunning to and along the spine.
Publicado por Mazzotta, 1992
ISBN 10: 8820210525ISBN 13: 9788820210526
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Softcover, 168 pages; in Italian; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Publicado por T F Editores, 2017
ISBN 10: 849244178XISBN 13: 9788492441785
Librería: La Casa de los Libros, Castellgali, BARCE, España
Libro
Condición: Usado.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 20,53
Librería: L'Estampe Originale ABAA/ILAB-LILA, Saratoga, CA, Estados Unidos de America
Munich., Prestel-Verlag., 1991. 4to. In fine condition.
Publicado por Statni nakladatelstvi krasne literatury a umeni, Prague, 1964
Librería: RARE PAPER INC, Brooklyn, NY, Estados Unidos de America
Publisher's wrappers. 15.5 x 17.5 cm. 102 pages: illustrations. Text in Czech. Alexander Rodchenko, a trailblazer of Russian Constructivism, is celebrated for revolutionizing art and sculpture with his innovative use of materials and his pioneering approach to form and space. This book delves into Rodchenko's creative odyssey, exploring his profound influence on modern art and his enduring legacy as a sculptor and artist whose works challenged and transcended the boundaries of his time.
Publicado por New York: Museum of Modern Art, 1998
ISBN 10: 0870700634ISBN 13: 9780870700637
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Hardcover with dustjacket, 336 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
Publicado por Knickerbocker Press, 1996
ISBN 10: 1577150023ISBN 13: 9781577150022
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Oversize hardcover with dustjacket, 344 pages, in English, French and German; very good condition; spine slightly shaken; light rubbing and edgewear to dj; no internal marks. Foreign shipping may be extra for this book.
Publicado por Madrid 2009, 2009
Librería: Dedalus-Libros, Madrid, MAD, España
Sin paginar 40 x 16,5 cm Textos en Español e Inglés. Encuadernación editorial en tela con estampaciones en las cubiertas anterior y posterior. Sobrecubierta de acetato impreso. Estado de conservación: Muy bien.
Publicado por Published by State Art Publishers, Soviet Union, moscow, leningrad, 1939
Librería: Westsider Rare & Used Books Inc., New York, NY, Estados Unidos de America
Hardcover - as published. Condición: Good++.
Publicado por Irina Novosilzov, (tr.), 1900
ISBN 10: 8489860955ISBN 13: 9788489860957
Librería: Iridium_Books, DH, SE, España
Libro
Condición: Muy Bueno / Very Good.
Año de publicación: 1929
Librería: Sanctuary Books, A.B.A.A., New York, NY, Estados Unidos de America
Original o primera edición
Paperback. Condición: Near Fine. First Edition. 24 mo. pp. 46 pp. 13 x 9 cm. Original publisher's wraps. Designed by Rodchenko, with additional illustrations of Rodchenko's stage designs within text. A collection of essays following the production of the play Inga, which was help in the Theater of The Revolution in 1929. Includes essays are by the playwright (Anatoly Glebov), the director (Max Tereshkovich), and the designer (Alexander Rodchenko). Each contributor uses the play as a point of departure, before pursuing an independent topic. Glebov discusses the new role of women in Socialist society; Rodchenko, furniture and clothin for the new era (the play is largely set in a communal apartment). Also included is an essay on Constructivist design by Elena Eichengolz. Rare.
Publicado por Ð"Ð¾Ñ Ñ Ð Ð°Ñ Ñ Ñ Ð ÐµÐ½Ð½Ð¾Ðµ Ð Ð Ð Ð°Ñ ÐµÐ»Ñ Ñ Ñ Ð Ð¾ Ð Ð Ð¾Ð±Ñ Ð°Ð Ð Ñ ÐµÐ»Ñ Ð½Ñ Ñ Ð Ñ ÐºÑ Ñ Ñ Ñ Ð (The State Publishing House of Graphic Arts), MÐ¾Ñ ÐºÐ Ð° (Moscow), 1935
Librería: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, Estados Unidos de America
Original o primera edición
Softcover. Condición: f to vg. First edition. Folio (16 1/2 x 11 3/4"). Unpaginated. Original illustrated wrappers, with red and black lettering on front cover. "USSR in Construction" was a stunning photographic propaganda magazine published in the Soviet Union from 1930 to 1941, and briefly in 1949. It was published in Russian, French, English, German, with a Spanish-language edition added in 1938. The magazine's self-proclaimed aim was to "reflect in photography the whole scope and variety of the construction work now going on the USSR." It was conceived and designed to be an important foreign relations tool and to portray a positive image of the developments occurring in the Soviet Union to the rest of the world. "USSR in Construction" informed readers abroad of the rapid construction and industrialization taking place within the Soviet Union and depicted the nation as a leading industrial power. From a design perspective, the magazine was a fascinating example of early 20th-century photomontage, with its recurrent use of inserts, and spectacular fold-out pages. The method of printing used for the printing was rotogravure, a type of intaglio printing process, in order to create extremely high quality duotone images (in blue, green, salmon, and olive). With this striking Russian-language issue of "USSR in Construction" dedicated to the "brave Soviet paratroopers," renown Soviet artist Aleksander Rodchenko* and his wife Varvara Stepanova introduced a circular design as the basis for their page layout, thus allowing them to accomodate a variety of scenes from the parachutists' everyday activities as well as Communist political messages. This issue is complete with the parachute fold-out, and the origami-folded centerfold depicting Stalin surrounded by half a circle, which in turn is superimposed over a triangle-shaped image of clouds with numerous parachutists floating down. Discoloration and minor foxing along upper margin of covers. Moderate creasing along spine. Tiny closed tears along fore-edge of back cover, with previous owner's inscription (in Russian) on upper margin. Tip of corners slightly creased throughout (not affecting text or images). Text in Russian. Wrappers in overall fair, interior in good+ to very good, parachute fold-out and origami-folded centerfold in very good condition. *Aleksander Mikhailovich Rodchenko (1891-1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles - usually high above or down below - to shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." (From Wikipedia).