ray braun (24 resultados)

Condición: Very Good. Ray Braun Ilustrador. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condición: Good. Ray Braun Ilustrador. Used book that is in clean, average condition without any missing pages.

Condición: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Soft cover. Condición: Good. The book would appear as used, tanned on top edge, but the pages are unmarked, and the binding firm.

paperback. Condición: Very Good. For the Night is Dark This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condición: Good. Satisfaction 100% guaranteed.

Condición: New.

paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Single Issue Magazine. Condición: Very Good. Cover art by Robert Braun Ilustrador. First Edition, First printing. NY, Renown Publications, 1958 First Edition 128 pages Edited by Cylvia Kleinman with stories by Charles Eric Maine, Ray Bradbury, Marion Zimmer Bradley and others. Cover art by Robert BraunA very good copy with small edge chip to lower edge of the front cover, edge wear, text lightly toned. see Photoswhbx 2.

Hardcover. Condición: USED Very Good. No Jacket. First Edition. Stated first edition. Clean and tight.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. Estado de la sobrecubierta: New. McGrath, Terry (book design); DeSciose, Nicolas (author photograph); Ray Braun Design (illustrations) Ilustrador. 1st Edition. New condition black boards with gold spine lettering contained in a new condition non price-clipped color illustrated dust jacket. Includes Advance Praise for Return of the God Hypothesis; List of Other Books by Stephen C. Meyer; Prologue; Acknowledgments; Notes; Bibliography; Credits and Permissions and Index. Illustrated with black-and-white photographs, drawings, graphs, and diagrams. "Breakthrough Evidence on the Ultimate Mystery of the Universe." - from the rear outer cover. "Meyer's book is a masterclass. It does irreparable damage to atheist rhetoric and shows the God hypothesis offers the best explanation of our finely tuned, information-rich universe." - John C. Walton, Ph.D., DSC, Fellow of the Royal Society of Edinburgh and research professor of chemistry at the University of St. Andrews. "A comprehensive and lucid argument for theism as the best explanation for the scientific evidence. Stephen Meyer has a true gift for conveying complex concepts clearly." - Dr. Robert Kaita, former principal research physicist at the Princeton Plasma Physics Laboratory. "An irrefutable case for God. The logic throughout is compelling and the book almost impossible to put down.a masterpiece." - Dr. Michael Denton, former senior research fellow in biochemistry at the University of Otago and author. "More than 400 pages of straighforward, engrossing prose, close reasoning, intellectual history, and cosmology, all in the interest of asking the most important questions about existence itself. An astonishing achievement." - Peter Robinson, Murdoch Distinguished Policy Fellow at the Hoover Institutions at Stanford University and former White House speechwriter. "When you don't understand the details of living systems, ignorance permits discounting a Creator. But when the details of science are thrust upon you, you're forced to ask: How on Earth - literally - did that happen? Thus, the God hypothesis returns. Stephen Meyer convincingly drives the point home: How could it be this way? Only God!" - James M. Tour, PhD, T.T. and W.F. Chao Professor of Chemistry and professor of nano-engineering at Rice University. "Stephen Meyer is a genuine renaissance person. His work tears down many purported barriers between science, philosophy, and religion. An important book of both breadth and depth." - Dr. Henry F. Schaefer III, Graham Perdue Professor of Chemistry and director of the Center for Computational Quantum Chemistry at University of Georgia. "Beginning in the late nineteenth century, many intellectuals began to insist that scientific knowledge conflicts with traditional theistic belief - that science and belief in God are "at war." Philosopher of science and director of the Center for Science and Culture at Discovery Institute Stephen C. Meyer challenges this view by examining three scientific discoveries with decidedly theistic implications. Building on the case for the intelligent design of life that he developed in Signature in the Cell and Darwin's Doubt, Meyer demonstrates how discoveries in cosmology and physics coupled with those in biology help to establish the identity of the designing intelligence behind life and the universe. Meyer argues that theism - with its affirmation of a transcendent, intelligent, and active creator - best explains the evidence we have concerning biological and cosmological origins. Previously Meyer refrained from attempting to answer questions about "who" might have designed life. Now he provides an evidence-based answer revealing a stunning conclusion: the data support not just the existence of an intelligent designer of some kind - but the existence of a personal God." - from the inner front jacket flap.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

alle Exemplare 8°, 3 x Tb, 2 x Oln, Os, davon 1 Buch mit Goldprägung auf Rücken und Deckel, 5 x Oppbd, Os zum Teil stark randrissig, innen gut, über 1000 g.

Revue trimestrielle. Paris : Le Pavillon (Roger Maria éditeur). Rédacteur en chef : Henri Deluy. Comité de rédaction : Elisabeth Roudinesco, Bernard Vargaftig, Paul Louis Rossi, Charles Dobzynski, Pierre Lartigue, Mitsou Ronat, Jacques Roubaud, Alain Lance, etc. Un volume 13x21cm broché de 80 pages. Bon état. Numéro largement consacré à la poésie de Bertholt Brecht. Fondée au début des années 1950 à Marseille par Gérald Neveu, Action poétique est une des revues de poésie de la seconde moitié du XXème siècle en France qui connut la plus grande longévité. Animée par Henri Deluy, de 1958 jusqu'à sa dernière livraison en 2012 (210 numéros), Action poétique inscrit la poésie dans le champ théorique de la création française : désir de changer le monde, de s?ouvrir à lui, à travers des traductions défricheuses, et d?interroger la langue qui permet de lui donner forme. "Une des plus vastes encyclopédies de la poésie, couvrant tous les âges, tous les pays, de Gilgamesh à la poésie multimédia." (Jean-Yves Lacroix, Catalogue Revues, janvier 2019, p.4). Livres.

Revue trimestrielle. Ivry-sur-Seine, rédacteur en chef : Henri Deluy. Comité de rédaction : Olivier Cadiot, Emmanuel Hocquard, Bernard Vargaftig, Charles Dobzynski, Pierre Lartigue, Jacques Roubaud, Lionel Ray, Alain Lance, etc. Un volume 13x21cm broché de 98 pages. Bon état. Fondée au début des années 1950 à Marseille par Gérald Neveu, Action poétique est une des revues de poésie de la seconde moitié du XXème siècle en France qui connut la plus grande longévité. Animée par Henri Deluy, de 1958 jusqu'à sa dernière livraison en 2012 (210 numéros), Action poétique inscrit la poésie dans le champ théorique de la création française : désir de changer le monde, de s?ouvrir à lui, à travers des traductions défricheuses, et d?interroger la langue qui permet de lui donner forme. "Une des plus vastes encyclopédies de la poésie, couvrant tous les âges, tous les pays, de Gilgamesh à la poésie multimédia." (Jean-Yves Lacroix, Catalogue Revues, janvier 2019, p.4). Livres.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Near Fine. Braun, Adam; Lesser, Ron Ilustrador. First Edition Thus, Limited, Signed. First edition thus, hardcover, signed by Garton, Braun & Lesser, and marked as no. 17/300 on the limitation page, the book has slight bowing to the boards, and some faint rubbing to the cloth. Overall, a solid, tight, Very Good+ copy in a Near Fine dust jacket, which is wrapped in Mylar.

First Centipede Press edition. Limited edition. Signed by the author and the artists. Original black cloth with silver titles to the spine and red foil blood droplet designs to the upper board, in the Adam Braun illustrated dustwrapper. With a double-page-spread colour frontispiece by Ron Lesser. A fine copy, the binding square and tight, the contents clean throughout and without previous owners' stamps or inscriptions. Complete with the very near fine, lightly rubbed dustwrapper that is without fading, loss or tears. Issued in a limited edition of 300 copies, this example is numbered 275 and is signed by Ray Garton, Adam Braun and Ron Lesser on the title page. A vampire novel set in the underbelly of New York City. 'Live Girls' was first published in 1987 by Pocket Books. It is issued here with a new introduction by the author and two short stories, 'Hair of the Dog' and 'Devon', the latter of which is published here for the first time. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

3. Lanzac par Souillac, (1940), Numéro XXII , (quatrième année) , de la revue '' Le Point, revue artistique et littéraire, petit in-4°, 25 x 19 cm, 48 pp, agrafé, couverture imprimée d'origine. Avec des textes de Gabriel Chevalier - Marcel Ray - George Besson - Marius Mermillon.

Leipzig, Johann Ambrosius Barth, 1897. No wrappers. In "Annalen der Physik und Chemie, Neue Folge", Bd. 60, No 3. Pp. 401-576, textillustr. and 2 folded plates. (the entire issue offered, "Heft 3"). Braun's paper: pp. 552-559 a. 6 textillustrations (showing the Braun tube and its operations). Clean and fine. First printing of this groundbreaking paper being the first description of the principles governing the "BRAUN TUBE", which moves the elctron beams of alternating voltage, the principle on which ALL TELEVISON TUBES operate. - Braun shared the Nobel Prize for 1909 with Marconi "in recognition of their contributions to the development of wireless telegraphy"."Cold cathode tube with side anode, annular diaphragm to control spot size, and built-in fluorescent screen. Beam deflection by one external coil with the trace viewed indirectly in a rotating mirror, or by two coils at right angles for direct viewing. Excitation by hand-drive influence machine (friction generator) or by an induction coil. This "indicator tube", which enabled Braun to demonstrate how a variety of periodic and transient electrical phenomena could be visually examined, is the ancestor of electric oscilloscopes, televison picture tubes, and other electron-beam display devices."( Shiers & Shiers "Early Televison. A Bibliography to 1940", No. 263)."The first oscilloscope, or Braun tube, was introduced in 1897. In order to study high-frequency alternating currents Braun used the alternating voltageto move the electron beam within the cathode tube. The trace on the face of the cathode tube represented the amplitude and frequency of the alternating-current voltage. He then produced a graph of this trace by use of a rotating mirror. The Braun tube was a valuable laboratory instrument, and modifications of it are a basic devise in electronic testing and research. The principle of the Braun tube, moving a electron beam by means of alternating voltage, is the principle on which all televison operate."(DSB II, pp. 427-428).In 1909 he shared the Nobel Prize for physics with Guglielmo Marconi for their development of wireless telegraphy.