rasch bodo (57 resultados)

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread copy in mint condition.

Condición: New.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 3rd Edition. This is a fine hardcover 3rd edition copy in a fine DJ, black spine.

Condición: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condición: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardback. Condición: New. 2019 Edition "Primeval architecture is an architecture of necessity. Nothing is there to excess, no matter whether stone, clay, reeds or wood, animal skins or hair are used. It is minimal. It can be very beautiful even amidst poverty and is good in the ethical sense. Good architecture seems to be more important than beautiful architecture. Beautiful architecture is not necessarily good. Only buildings that are at the same time ethically good and aesthetically beautiful are worth preserving. We have too many buildings that have become useless and yet we still need new buildings, from pole to pole, in the cold and in the heat. Mans present areas of settlement are the new ecological system in which technology is indispensable, even in hot and cold areas. . Our age requires buildings that are lighter, more energy-saving, more mobile and more adaptable, in brief more natural, without disregarding the need for safety and security. This logically leads to the further development of light constructions, to the building of tents, shells, awnings and air-supported membranes. It also leads to a new mobility and changeability. A new understanding of nature is forming under one aspect of high performance form (also called classical form), which unites aesthetic and ethical viewpoints. Tomorrows architecture will again be minimal architecture, an architecture of the self-education and self-optimization processes suggested by human beings." (Frei Otto and Bodo Rasch in their foreword of this book) In 1992 the Bavarian branch of the Deutscher Werkbund awarded its first prize to Frei Otto, undoubtedly the most successful and many-sided protagonist of modern light construction, and with it a request to nominate a meritorious person to whom the prize could be passed on, and to design a joint exhibition with that person. Frei Otto chose his pupil Bodo Rasch, who had realized Ottos theories particularly in other cultures. The publication produced on this occasion provides information about scientific fundamentals and the working methods the two architects developed from these, which are characterized by "finding" not by "making". This is supposed to produce buildings that could not be more beautiful and can scarcely be improved in terms of materials and loadbearing capacity.

Hardback. Condición: New. 2019 Edition "Primeval architecture is an architecture of necessity. Nothing is there to excess, no matter whether stone, clay, reeds or wood, animal skins or hair are used. It is minimal. It can be very beautiful even amidst poverty and is good in the ethical sense. Good architecture seems to be more important than beautiful architecture. Beautiful architecture is not necessarily good. Only buildings that are at the same time ethically good and aesthetically beautiful are worth preserving. We have too many buildings that have become useless and yet we still need new buildings, from pole to pole, in the cold and in the heat. Mans present areas of settlement are the new ecological system in which technology is indispensable, even in hot and cold areas. . Our age requires buildings that are lighter, more energy-saving, more mobile and more adaptable, in brief more natural, without disregarding the need for safety and security. This logically leads to the further development of light constructions, to the building of tents, shells, awnings and air-supported membranes. It also leads to a new mobility and changeability. A new understanding of nature is forming under one aspect of high performance form (also called classical form), which unites aesthetic and ethical viewpoints. Tomorrows architecture will again be minimal architecture, an architecture of the self-education and self-optimization processes suggested by human beings." (Frei Otto and Bodo Rasch in their foreword of this book) In 1992 the Bavarian branch of the Deutscher Werkbund awarded its first prize to Frei Otto, undoubtedly the most successful and many-sided protagonist of modern light construction, and with it a request to nominate a meritorious person to whom the prize could be passed on, and to design a joint exhibition with that person. Frei Otto chose his pupil Bodo Rasch, who had realized Ottos theories particularly in other cultures. The publication produced on this occasion provides information about scientific fundamentals and the working methods the two architects developed from these, which are characterized by "finding" not by "making". This is supposed to produce buildings that could not be more beautiful and can scarcely be improved in terms of materials and loadbearing capacity.

Orig.-Karton. 62 S. mit Abb. Einb. etw. lichtverf. u. fl. - Gutes Exemplar. Sprache: Deutsch.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1st Edition. Jacket has moderate wear and a tiny (5mm) tear to top rear corner. A 'Received' label to ffep (institutional?). A crease to ffep and a date to half-title page. Some minor marks to preliminaries, otherwise internally clean. Binding tight. 240pp Primeval architecture is an architecture of necessity. Nothing is there to excess, no matter whether stone, clay, reeds or wood, animal skins or hair are used. It is minimal. It can be very beautiful even amidst poverty and is good in the ethical sense. Good architecture seems to be more important than beautiful architecture. Beautiful architecture is not necessarily good. Only buildings that are at the same time ethically good and aesthetically beautiful are worth preserving. We have too many buildings that have become useless and yet we still need new buildings, from pole to pole, in the cold and in the heat. Mans present areas of settlement are the new ecological system in which technology is indispensable, even in hot and cold areas. . Our age requires buildings that are lighter, more energy-saving, more mobile and more adaptable, in brief more natural, without disregarding the need for safety and security. This logically leads to the further development of light constructions, to the building of tents, shells, awnings and air-supported membranes. It also leads to a new mobility and changeability. A new understanding of nature is forming under one aspect of high performance form (also called classical form), which unites aesthetic and ethical viewpoints. Tomorrows architecture will again be minimal architecture, an architecture of the self-education and self-optimization processes suggested by human beings." (Frei Otto and Bodo Rasch in their foreword of this book) In 1992 the Bavarian branch of the Deutscher Werkbund awarded its first prize to Frei Otto, undoubtedly the most successful and many-sided protagonist of modern light construction, and with it a request to nominate a meritorious person to whom the prize could be passed on, and to design a joint exhibition with that person. Frei Otto chose his pupil Bodo Rasch, who had realized Ottos theories particularly in other cultures. The publication produced on this occasion provides information about scientific fundamentals and the working methods the two architects developed from these, which are characterized by "finding" not by "making". This is supposed to produce buildings that could not be more beautiful and can scarcely be improved in terms of materials and loadbearing capacity. Size: 220mm x 240mm. Book.

Condición: Very Good. Very Good in a Good dust jacket; Hardcover; 2001 printing; Dust jacket is moderately shelfworn and edgeworn with one edge-scuff, but is overall good and intact, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Light wear to the boards; Unblemished textblock edges; Small sticker to the last endpaper, otherwise the endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium-Large Format (Quatro, 9.75" - 10.75" tall); 2.4 lbs; Black dust jacket with title in white lettering; 1996, Edition Axel Menges Publishing; 240 pages; "Finding Form: Towards an Architecture of the Minimal," by Frei Otto & Bodo Rasch.

Condición: As New. Unread copy in mint condition.

Hardcover. First edition, thus, 1996. Near Fine hardcover with a stiff clear plastic front cover and linen-bound rear board and spine with only light scratching to the plastic, otherwise fine. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A facsimile reprint of a 1930 design journal which became influential in the field of commercial art and design. Twenty-five revolutionary designers were asked by the editors to contribute work and a statement, among them Lazlo Moholy-Nagy, El Lissitzky, Kurt Schwitters, Jan Tschichold, John Heartfield, Werner Graff, Hans Richter, Karl Teige, and Piet Zwart. Edited by Heinz Rasch & Bodo Rasch. 111 pages; b&w and 2-color illustrations throughout; 8.5 x 10.25 inches. Text in German.

Condición: New. Brand New.

Inhalt: Überregionales Großstadtwachstum / Stuttgart und seine Entwicklungsachsen / Park + Ride System in der Region Stuttgart / Untersuchte Bebauungsstrukturen / Konstruktionssysteme / Großrelais-Projekte. - Die Stadtbeispiele: Leinfelden, Stuttgart-Vaihingen, Stuttgart-Westbahnhof, Ludwigsburg.

Condición: New. Primeval architecture is an architecture of necessity.Nothing is there to excess, no matter whetherstone, clay, reeds or wood, animal skins orhair are used. It is minimal. It can be very beautifuleven amidst poverty and is good in t.

Hardback. Condición: New. 2019 Edition "Primeval architecture is an architecture of necessity. Nothing is there to excess, no matter whether stone, clay, reeds or wood, animal skins or hair are used. It is minimal. It can be very beautiful even amidst poverty and is good in the ethical sense. Good architecture seems to be more important than beautiful architecture. Beautiful architecture is not necessarily good. Only buildings that are at the same time ethically good and aesthetically beautiful are worth preserving. We have too many buildings that have become useless and yet we still need new buildings, from pole to pole, in the cold and in the heat. Mans present areas of settlement are the new ecological system in which technology is indispensable, even in hot and cold areas. . Our age requires buildings that are lighter, more energy-saving, more mobile and more adaptable, in brief more natural, without disregarding the need for safety and security. This logically leads to the further development of light constructions, to the building of tents, shells, awnings and air-supported membranes. It also leads to a new mobility and changeability. A new understanding of nature is forming under one aspect of high performance form (also called classical form), which unites aesthetic and ethical viewpoints. Tomorrows architecture will again be minimal architecture, an architecture of the self-education and self-optimization processes suggested by human beings." (Frei Otto and Bodo Rasch in their foreword of this book) In 1992 the Bavarian branch of the Deutscher Werkbund awarded its first prize to Frei Otto, undoubtedly the most successful and many-sided protagonist of modern light construction, and with it a request to nominate a meritorious person to whom the prize could be passed on, and to design a joint exhibition with that person. Frei Otto chose his pupil Bodo Rasch, who had realized Ottos theories particularly in other cultures. The publication produced on this occasion provides information about scientific fundamentals and the working methods the two architects developed from these, which are characterized by "finding" not by "making". This is supposed to produce buildings that could not be more beautiful and can scarcely be improved in terms of materials and loadbearing capacity.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Brand New. 240 pages. 10.00x9.00x0.75 inches. In Stock.

Condición: New. Frei Paul Otto, geboren 1925, war ein deutscher Architekt. Er entwarf das legendaere Dach des Muenchner Olympiastadions. Posthum wurde er mit dem Pritzker Preis geehrt. Frei Otto verstarb im Maerz 2015. Die Urarchitektur ist eine Architektur der Notwendigk.

Soft cover. Condición: As New. Estado de la sobrecubierta: Very Good. 2nd Edition. Book as pamphlet as new. Paper case in very good condition; faint soiling; light to moderate rubbing top and bottom of case spine and points of light rubbing elsewhere along edges; faint damp stain top of spine reverse side; small soil spot top edge of interior fold. Facsimile edition. 57 numbered pages (book). Staple-bound Vitra Design Museum pamphlet supplement contains ten unnumbered pages. 9 5/8 x 6 7/8 in.

Buch. Condición: Neu. Frei Otto, Bodo Rasch: Finding Form | Towards an Architecture of the Minimal, Catalogue to the Exhibition Munich 1992 | Frei/Rasch, Bodo/Pfafferodt, Gerd et al Otto | Buch | 240 S. | Englisch | 2018 | Edition Axel Menges | EAN 9783930698660 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu.

Buch. Condición: Neu. Gestalt finden | Auf dem Weg zu einer Baukunst des Minimalen | Otto/Rasch, Bodo Frei | Buch | 240 S. | Deutsch | 1995 | Edition Axel Menges | EAN 9783930698653 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu.

Hardback. Condición: New. 2019 Edition "Primeval architecture is an architecture of necessity. Nothing is there to excess, no matter whether stone, clay, reeds or wood, animal skins or hair are used. It is minimal. It can be very beautiful even amidst poverty and is good in the ethical sense. Good architecture seems to be more important than beautiful architecture. Beautiful architecture is not necessarily good. Only buildings that are at the same time ethically good and aesthetically beautiful are worth preserving. We have too many buildings that have become useless and yet we still need new buildings, from pole to pole, in the cold and in the heat. Mans present areas of settlement are the new ecological system in which technology is indispensable, even in hot and cold areas. . Our age requires buildings that are lighter, more energy-saving, more mobile and more adaptable, in brief more natural, without disregarding the need for safety and security. This logically leads to the further development of light constructions, to the building of tents, shells, awnings and air-supported membranes. It also leads to a new mobility and changeability. A new understanding of nature is forming under one aspect of high performance form (also called classical form), which unites aesthetic and ethical viewpoints. Tomorrows architecture will again be minimal architecture, an architecture of the self-education and self-optimization processes suggested by human beings." (Frei Otto and Bodo Rasch in their foreword of this book) In 1992 the Bavarian branch of the Deutscher Werkbund awarded its first prize to Frei Otto, undoubtedly the most successful and many-sided protagonist of modern light construction, and with it a request to nominate a meritorious person to whom the prize could be passed on, and to design a joint exhibition with that person. Frei Otto chose his pupil Bodo Rasch, who had realized Ottos theories particularly in other cultures. The publication produced on this occasion provides information about scientific fundamentals and the working methods the two architects developed from these, which are characterized by "finding" not by "making". This is supposed to produce buildings that could not be more beautiful and can scarcely be improved in terms of materials and loadbearing capacity.

Hardcover. Condición: Near Fine. Interior like new. Pages clean and unmarked with no rips or creases. Text in German. Binding tight. Dark blue cloth on rear board and spine is clean and sturdy; front board is clear plastic, which is clean and sturdy with light scratching. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. Photos available upon request. International shipping may be extra due to weight.

hardcover. Condición: Good. Ex-library book with usual stamps and stickers. A bright and attractive copy with no internal markings. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

239, (1) S. Orig.-Leinenband mit ill. Orig.-Umschlag. - Umschlag etwas gerändert und am Rücken leicht verfärbt. Ansonsten sehr gut erhaltenes Exemplar. Innen absolut sauber. - Publikation zur Ausstellung in der Villa Stuck, München, anläßlich der Preisverleihung des Deutschen Werkbundes Bayern 1992 an Frei Otto und Bodo Rasch.

Hardcover. Condición: As New. Leichte Abnutzungen.