plagens peter (206 resultados)

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Trade Paperback. Condición: Used.

Condición: Very Good. First Edition. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Condición: Very Good. Signed. Inscribed signature from the author. Minor wear on the covers, corners, and the edges. Like shelf wear.

Condición: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Soft cover. Condición: Near Fine. 1st Edition. A tiny bit of wear to the upper right corner of the front cover, otherwise spotless and completely free of wear or damage inside and out. Will be backed with cardboard and carefully packed in a sturdy box to ensure safe transit. This issue includes the regular departments plus these feature articles: "The Wild, Wild West: Like the Texas oilmen who were its biggest fans, Western art struck it rich in the 1970s, but went bust in the early '80s. Now, with new, sophisticated buyers coast-to-coast, it's riding high" by Ann E. Berman; "The Crisis in Contemporary: Is the game up? Looking at the current scene, Newsweek Plagens suggests an apocalyptic conclusion is not farfetched" by Peter Plagens; "Pursuing the Absolute: In his passion for antiquities, collector George Ortiz is unstoppable. Says one observor, "He's completely mad." by Jerry Theodorou; and "Whatever Happened to J. Carter Brown? The Olympics, cable TV, a digitalized image archive--the former director is finding that there's life after the National Gallery. But is it art?" by David D'Arcy.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. No additional printings indicated. V13.

Soft cover. Condición: Fair. No Jacket. Sunshine Muse: Contemporary Art on the West Coast. Peter. Plagens. Praeger, 1974. 200p. trade paperback, covers bumped/scuffed, binding split, CLEAN/UNMARKED TEXT--3.00--.

Paperback. Condición: Good. Satisfaction 100% guaranteed.

Trade Paperback. Condición: Fine. First Edition. A fine copy of the first edition in original wraps. 120 pages. Catalogue of the museum's exhibition, October 2000 - January 2001, curated by Guenther. Foreword and acknowledgments by Naomi Vine; includes biographical chronology and selected bibliography.80 Color & 20 b/w Illustrations.

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition; First Printing. As New. ; SIGNED and inscribed by Jon Peterson. ; Numerous full page color plates and text illustrations. With essays by Peter Plagens and Constance Mallinson. ; Tight, clean and crisp. A gently read book in excellent condition now protected in a new Mylar cover. As New. ; 4to; 70 pages; Signed by Artist.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition; First Printing. Fine first edition. Black Herron Press, nd (circa 1999) , no printing statement, no additional printings listed (first editon). Hardback, black boards. Fine in Fine dust jacket. DJ price intact. 315 pages, unmarked. FICTION FIRST NOVEL; A6348 P Fic.

First edition. Oblong softcover. Exhibition catalog for a show that ran October 14, 2000 through January 14, 2001 at Orange Country Museum of Art and then traveled for additional dates. Features a foreword and acknowledgements by Naomi Vine along with essays by Bruce Guenther and Peter Plagens. Includes numerous illustrations, lists of public art commisions, a checklist, biographical information, and a selected bibliography. A clean near fine copy in French style wrappers with a small slight band of sunning to the front panel near the spine.

Soft Cover. Condición: Very Good +. Over 30 Color Illustrations Ilustrador. Clean tight and unmarked, a speck of edgewear at top of spine, 68 bright white pages, contributors include Dave Hickey, Selma Holo, Louis A. Zona, catalogue from an exhibition that occurred Nov 17, 2004-Feb 12, 2005.

Hardcover. Condición: Used - Very Good. Roger Kuntz was one of only a handful of artists in Los Angeles who achieved national recognition in the early 1960s. A Southern Californian painter and sculptor, known for his abstract expressionism and realism, he helped draw attention to regional works of Abstract Expressionism and affirmed Southern California as a center with a stable artistic tradition. Kuntzâs appreciation of, and skills with, the formal beauties and nuances of abstraction lent the same kind of sentiment to his paintings of people doing everyday things as the near-perfect prose Richard Yates got into his Kuntz-era novel and now Oscar award winning movie, Revolutionary Road. His best known works include âThe Freeway Series,â a collection of paintings depicting realistic aspects of ramps, roads, and overpasses in Orange County California as it was being transformed from rural agricultural land into the built up suburbs of Los Angeles. This book has been published to coincide with the Kuntz Exhibition at the Laguna Art Museum and features an essay by curator Susan M. Anderson, an introduction by Peter Plagens, and several never before seen photographs of Kuntzâs life and art. Very nice clean, tight copy free of any marks.

Hardcover. Condición: Book fine, Dust jacket fine. 1st. Bound in the publisher's original black cloth with the spine stamped in silver. Author's first novel.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condición: Very Good Ex-Library. Estado de la sobrecubierta: Very Good Ex-library jacket. 1st Edition. Catalog number on the spine of the dust jacket. Library info on the back free end sheet and title page. Shipped from the Calico Cat Bookshop, a brick and mortar bookshop established in 1975. Size: Octavo. Book.

Condición: Very Good. 24 pp., softcover, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Condición: Fine. First Edition. Fine in original wrappers. 7 pages. Laid into this copy is a stapled two-page press release on the exhibition on the Smithsonian letterhead. Exhibition catalog.

Wraps. Condición: Very Good. Oblong 8vo, 111 pp., color illus. throughout. Masami Teraoka cover; Plagens on Why I Left L.A.; Betsky on Frank Gehry; David Hockney interview; Marks on Billy Al Bengston; Sandback on Teraoka; etc. Wrappers a bit rubbed and edgeworn, corners lightly bumped.

Paperback. Condición: Good. Edward Ruscha Ilustrador. Softcover. Good binding and cover. Shelf wear. Some stains to cover and end pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 120 pages, illustrations (some colour); 26 cm. Published on the occasion of the exhibition of the same name originated by the Orange County Museum of Art, Newport Beach, California, and on view from October 14, 2000 through January 14, 2001. Firm binding, clean inside copy. Stated First Edition. Dust jacket protected in a mylar cover. *** "This book gives a survey of artist Tony DeLap's journey through minimalism, from his self-contained box paintings of the 1960s, to the illusionary installations of the 1970's, and on into the coolly elegant, dimensional, monochrome paintings of the present." - Publisher. Size: 4to. Collectible.

Wrappers. Condición: Near Fine. 320 pp., 530 illustrations 166 in color. Minor wear to the edges, otherwise fine.

Softcover, 60 pages; good condition; light rubbing to covers; pen underlinings to 7 pages. Foreign shipping may be extra.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.99.

softcover. Condición: very good. Edward Ruscha Ilustrador. First edition. Soft cover. Pictorial covers. 181pp. Exhibition catalogue organized by the San Francisco Museum of Art.

Soft cover. Condición: Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Contributions by Jay Belloli, Linda Centell, Michelle Deziel, Suzanne Muchnic, Peter Plagens and Jeff von der Schmidt. Includes biographies on the artists, a chronology and an index. 144 pp., with numerous four-color and black-and-white plates. 8-1/2 x 10 inches. Published on the occasion of an exhibition at the Armory Center for the Arts and traveling to other venues. Fine. Features work by 114 artists working in all types of media.

80 pages. Paperback: H 28.75cm x L 24.25cm. Cream colored paper covers lightly rubbed with minimal soiling; slight sunning to spine. Touch of foxing to text block's top edge. Interior pages are clean. Binding is firm. With articles regarding and/or by Colin L. Westerbeck, Jr., Tod Papageorge, William Garnett, Peter Plagens, Jan Groover, Ben Lifson, Laurie Anderson, Cecil Beaton, Jed Perl, Man Ray [Emmanuel Radnitzky], and Tristan Tzara.

Paperback. Condición: Very Good. First Edition. First edition from 2000. Paper softcover and binding are very good with minimal wear. Pages are clean and unmarked. 120 pages. LO.