pajou augustin (30 resultados)

Mint. Condición: Mint. Quarto in a grey DJ; 431 p.: illus (some color); 29 cm. Neoclassicism (Art) -- France -- Exhibitions. Mint, new in unopened shrink wrap.

No Binding. Condición: Good. Postcard in Good condition, unmailed, with written notes on reverse. Cards are sent in stiff mailers. Postcard.

First edition. 432 pages. Hardcover: H 28.75cm x L 22.75cm. Dark gray dust jacket lightly rubbed. Dark gray cloth with gilt stamped spine lettering. Touch of soiling to fore-edge. Interior leaves are bright and clean. Binding retains some crispness. A near fine copy in a fine dust jacket. Two Forewords, the first by Philippe de Montebello, Director of The Metropolitan Museum of Art with the second by Pierre Rosenberg of the Academie Francaise and President and Director of the Musee du Louvre; 427 illustrations including 61 in full color; Chronology; Literature Cited (bibliography); Index. Excellent monograph on the renowned French neoclassical sculptor Augustin Pajou. Features two essays by Curator James David Draper and Curator Guilhem Scherf and a catalogue of 151 objects with interesting rear sections reviewing Pajou's signatures and providing an annotated critical reputation. Published as the catalog for an exhibition held at the Musee du Louvre in Paris, France from October 20, 1997 to January 19, 1998 and continuing at New York's Metropolitan Museum of Art from February 26 to May 24, 1998. Please note that this book has an approximate shipping weight of 5.5 pounds (2.5 kg) and will require additional postage for any postal class other than domestic Media Mail. {Art-Shelf#2} ISBN 0870998404.

First edition. 432 pages. Hardcover: H 28.75cm x L 22.75cm. Dark gray dust jacket. Dark gray cloth. An as new copy which remains in the publisher's original shrink-wrap. Two Forewords, the first by Philippe de Montebello, Director of The Metropolitan Museum of Art with the second by Pierre Rosenberg of the Academie Francaise and President and Director of the Musee du Louvre; 427 illustrations including 61 in full color; Chronology; Literature Cited (bibliography); Index. Excellent monograph on the renowned French neoclassical sculptor Augustin Pajou. Features two essays by Curator James David Draper and Curator Guilhem Scherf and a catalogue of 151 objects with interesting rear sections reviewing Pajou's signatures and providing an annotated critical reputation. Published as the catalog for an exhibition held at the Musee du Louvre in Paris, France from October 20, 1997 to January 19, 1998 and continuing at New York's Metropolitan Museum of Art from February 26 to May 24, 1998. Please note that this book has an approximate shipping weight of 5.5 pounds (2.5 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 0870998404.

Hardcover. Condición: As New. Remainder mark at page edges. U.S. orders are shipped from Lewiston, NY location.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First edition. Softcover. An exhaustive monograph on Pajou with 427 illustrations including 61 in color. A fine and tight copy in French style wrappers. A very nice copy.

paperback. Condición: Good. minor wear and creasing.

Condición: Very Good. Very Good condition. Very Good dust jacket. Clear wrap added. (scuplture, neoclassicism, exhibition catalogs) A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Tight, clean unread copy. Size: 4to - over 9¾" - 12" tall.

Soft cover. Condición: Very Good. 1st Edition. very good/like new-appears not read-no marks or names-clean covers and text-431 pages with index, sources and chronology of artist's life-color and b/w photos throughout.

Condición: Very good.

Condición: New. Satisfaction Guaranteed or your money back.

Softcover. Condición: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Exhibition catalogue. First edition, 1997. 280x220mm 432 pages with index. 427 illustrations (61 in colour). Cloth. Fine in dustjacket. Still in publishers original shrink-wrap. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with 30 years experience and a real-life bookshop. You may order with confidence.

Condición: New.

Condición: New. Satisfaction Guaranteed or your money back.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condición: New. Weekday Orders Sent from the UK SAME DAY; NEW; 35K+ Amazon orders sent out.

Paperback. Condición: New. Print on Demand. This book presents an inventory of antique and modern sculptures by prominent 18th-century French artists, compiled in 1792 by Augustin Pajou. Housed in the Salle des Antiques at the Louvre, these works played a crucial role in the development of French neoclassical sculpture, reflecting the era's revival of classical motifs and subjects. Pajou's inventory provides valuable insights into the artistic landscape of pre-Revolutionary France, offering a glimpse into the tastes and aesthetics of the time. The book examines the evolution of sculptural commissions, from royal patronage to the rise of public monuments, highlighting the increasing prominence of celebrated figures from history and mythology as subjects for artistic representation. Furthermore, this inventory sheds light on the transition from the Baroque style to the more restrained and elegant forms of Neoclassicism, as seen in the works of artists such as Houdon, Pigalle, and Pajou himself. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condición: Neu. Deux Musées de Sculpture Française À l'Époque de la Révolution, Inventaire de la Salle Des Antiques | Augustin Pajou | Taschenbuch | Kartoniert / Broschiert | Französisch | 2017 | Hachette Livre - BNF | EAN 9782014513813 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

SOFTCOVER. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Large 4to. in printed stiff card covers, with colour printed dust jacket, 110pp on glossy art paper, numerous illustrations in text, etc. Text in French . [CONDITION: A well preserved AS NEW unmarked copy in an AS NEW complete Dust Jacket ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Cloth. Condición: Fine. Estado de la sobrecubierta: Fine. METROPOLITAN MUSEUM OF ART, THIS BOOK IS IN ITS ORINGINAL SHRINK WRAP PACKAGE. Size: 4to - over 9¾" - 12" tall. Hardcover.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1907 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 32 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French.

Proverbs and Good Words Put Into Action Complete With Sixty-Six Fine Hand Colored Lithographs PIGAL, Edme-Jean (1798-1873). ARAGO, Jacques (1790-1855). PAJOU, Augustin (1800-1878). [Proverbes et Bons Mots Mis en Action, d'après les Moeurs Populaires; Composés et Lithographiés par MM. Pigal, Pajou et J.s Arago, avec Texte explicatif rédigé par J.s Arago]. Paris: Chez Noël et Dauty, 1822-24. First and only edition. Large folio (13 3/8 x 10 inches; 340 x 254 mm.). Sixty-six fine hand colored plates lithographed by Langlumé, each with a printed leaf of explanation by Jacques Arago. Many plates with light foxing and or staining, the most noticeable being on plate 51. Plates 56 & 58 with erroneous numbers changed in early ink; Plates 57 & 59 with erroneous numbers changed in pencil. Light foxing and or staining to text leaves. Still a wonderful copy of this very rare and amusing book - the contemporary coloring of the plates quite superb. Bound ca. 1840 in full brown pebble-grain morocco over boards, smooth spine ruled and lettered in gilt, marbled end-papers. Excessively rare with just three copies located in libraries and institutions worldwide (all with sixty-six plates) This exceptionally rare and beautiful book of sixty-six hand colored caricatures depicting French proverbs is complete as issued. It was published in fascicules (parts), each with six hand colored plates and apparently was intended to run to twelve fascicules, but it was discontinued after the eleventh part. The amusing proverbs include "Un peu d'aide fait grand bien."(A little help does a lot of good); "Honni soit qui mal y pense." (Evil be to him that thinks evil); "L'occasion sait le larron." (Opportunity makes the thief); "Battons le ser tandis qu'il est chaud." (Strike while the iron is hot); "Ventre assamé n' a pas d'oreilles." (A hungry stomach has no ears); "Pierre qui roule n'amasse pas mousse." (A rolling stone gathers no moss); "Tout ce qui reluit n'est pas or." (All that glitters is not gold);"Tôt ou tard la vérité se découvre." (Sooner or later the truth is discovered); "Il vaut mieux tard que jamais." (It is better late than never); and "Mari sourd et Femme aveugle sont toujours bon ménage." (A deaf husband and a blind wife are always a happy couple). "Pigal produced an album illustrating proverbs which is not listed in standard reference books. Precedent for this subject had been set by Breugel in the sixteenth century, but Goya's Disparates were not published until 1964. The French proverbs represented in the exhibition are by and large close to similar sayings in English, and the pictures are self-explanatory."(Beatrice Farwell. The Charged Image, French Lithographic Caricature 1816-1848, pp.132-135 and full-page color illustration La nuit, tous chats sont gris on p. 34). "Like the caricatures in La Charge, Arago's prints were both thematically and stylistically similar to the caricatures published in Philipon's newspapers. This is hardly surprising since Arago, like his brothers Étienne [who was the owner of the Théâtre du Vaudeville and the foremost republican militant in the theatrical world] and Francois, was a committed republican and one of Philipon's friends. He had in fact contributed to La Caricature in 1833; it is hardly surprising that he used Philipon's arsenal of anti-Louis-Philippe imagery in his work for the legitimists" (David S. Kerr. Caricature and French Political Culture 1830-1848, pp. 176-177). We can locate just three copies in Libraries and Institutions worldwide: 1. (BNF) Bibliotheque Nationale de France, 2. Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek, 3. (BVB) Bibliotheksverbund Bayern No complete copies have appeared at auction over the past one hundred years. The plates: 1.Un peu d'aide fait grand bien.A little help does a lot of good (Pigal) 2. Nécessité n' a pas de lois. Necessity has no law (Pajou) 3. A l'impossible nul n'est tenu. No one is bound to do impossibilities (Arago) 4.Celui qui s'attend à l'écuelle d'autrui a souvent mal dîné. He who expects from another man's bowl often dines poorly (Pajou) 5. Bien embarrassé qui tient la queue de la poële.He has enough to do who hold the handle of the frying-pan (Arago) 6. Honni soit qui mal y pense. Evil be to him that thinks evil (Pigal) 7. La Moitié du monde se moque de l'autre. One half of the world laughs at the other half (Pajou) 8. Il faut gratter les gens par où il leur démange. Scratch people where they itch (Pajou) 9. Qui se ressemble s'assemble. Birds of a feather flock together (Pigal) 10. Il ne faut jeter le manche après la cognée. One should not throw in the towel (Pajou) 11. Le deux sont la paire. The perfect pair (Pigal) 12. Sandis! Si je le tenais! Sandis! If I had him (Pajou) 13. A beau mentir qui vient de loin. He who comes from afar may lie boldly (Arago) 14. A bon vin point d'enseigne. Good wine needs no sign (Pigal) 15. 99 Moutons et un Champenois sont 100 bétes. 99 sheep and one shepherd are 100 beasts (Arago) 16. Selon les gens l'encens. Like saint like incense (Pajou) 17. Tel maître tel valet. Like master, like man (Pigal) 18. L'occasion sait le larron. Opportunity makes the thief (Arago) 19. Battons le ser tandis qu'il est chaud. Strike while the iron is hot (unsigned) 20. Il, n'y a si méchant pot qui ne trouve son couvercle. There is no pot so bad that it doesn't have a lid (Pajou) 21. La propreté est une demi-vertu. Cleanliness is half a virtue (Arago) 22. Chacun son métier. Let everyone mind his own business (unsigned) 23. On prend son bien où on le trouve. A man takes his own wherever he finds it (Pajou) 24. Les hommes se prennent par la douceur. The men have their soft spots (Arago) 25. Petit-à-petit l'oiseau sait son nid. Little by little the birds builds its nest (Arago) 26. On ne court pas deux lièvres à-la-fois. One cannot have two hares at the same time (Arago) 27. Ventre assamé n' a pas d'oreilles. A hungry stomach has no ears (Arago) 28. Qu.

Proverbs and Good Words Put Into Action Complete With Sixty-Six Fine Hand Colored Lithographs PIGAL, Edme-Jean (1798-1873). ARAGO, Jacques (1790-1855). PAJOU, Augustin (1800-1878). Proverbes et Bons Mots Mis en Action, d'après les Moeurs Populaires; Composés et Lithographiés par MM. Pigal, Pajou et J.s Arago, avec Texte explicatif rédigé par J.s Arago Paris: Chez Noel et Dauty, 1823. First and only edition. Large folio (14 x 10 1/4 inches; 355 x 260 mm.). Sixty-six fine hand colored plates lithographed by Langlumé, each with a printed leaf of explanation by Jacques Arago. Bound ca. 1840 in quarter green calf over mottled boards, smooth spine ruled and lettered in gilt, marbled end-papers. Some intermittent foxing to a few plates. A fine example complete with the text leaves. Excessively rare with just three copies located in libraries and institutions worldwide. This exceptionally rare and beautiful book of sixty-six hand colored caricatures depicting French proverbs is complete as issued. It was published in fascicules (parts), each with six hand colored plates and apparently was intended to run to twelve fascicules, but it was discontinued after the eleventh part. The amusing proverbs include "Un peu d'aide fait grand bien."(A little help does a lot of good); "Honni soit qui mal y pense." (Evil be to him that thinks evil); "L'occasion sait le larron." (Opportunity makes the thief); "Battons le ser tandis qu'il est chaud." (Strike while the iron is hot); "Ventre assamé n' a pas d'oreilles." (A hungry stomach has no ears); "Pierre qui roule n'amasse pas mousse." (A rolling stone gathers no moss); "Tout ce qui reluit n'est pas or." (All that glitters is not gold);"Tôt ou tard la vérité se découvre." (Sooner or later the truth is discovered); "Il vaut mieux tard que jamais." (It is better late than never); and "Mari sourd et Femme aveugle sont toujours bon ménage." (A deaf husband and a blind wife are always a happy couple). "Pigal produced an album illustrating proverbs which is not listed in standard reference books. Precedent for this subject had been set by Breugel in the sixteenth century, but Goya's Disparates were not published until 1964. The French proverbs represented in the exhibition are by and large close to similar sayings in English, and the pictures are self-explanatory."(Beatrice Farwell. The Charged Image, French Lithographic Caricature 1816-1848, pp.132-135 and full-page color illustration La nuit, tous chats sont gris on p. 34). "Like the caricatures in La Charge, Arago's prints were both thematically and stylistically similar to the caricatures published in Philipon's newspapers. This is hardly surprising since Arago, like his brothers Étienne [who was the owner of the Théâtre du Vaudeville and the foremost republican militant in the theatrical world] and Francois, was a committed republican and one of Philipon's friends. He had in fact contributed to La Caricature in 1833; it is hardly surprising that he used Philipon's arsenal of anti-Louis-Philippe imagery in his work for the legitimists" (David S. Kerr. Caricature and French Political Culture 1830-1848, pp. 176-177). We can locate just three copies in Libraries and Institutions worldwide: 1. (BNF) Bibliotheque Nationale de France, 2. Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek, 3. (BVB) Bibliotheksverbund Bayern Hiler, p. 377; Lipperheide, 3677; Not in Bobins, Colas or Ray. The plates: 1.Un peu d'aide fait grand bien.A little help does a lot of good (Pigal) 2. Nécessité n' a pas de lois. Necessity has no law (Pajou) 3. A l'impossible nul n'est tenu. No one is bound to do impossibilities (Arago) 4.Celui qui s'attend à l'écuelle d'autrui a souvent mal dîné. He who expects from another man's bowl often dines poorly (Pajou) 5. Bien embarrassé qui tient la queue de la poële.He has enough to do who hold the handle of the frying-pan (Arago) 6. Honni soit qui mal y pense. Evil be to him that thinks evil (Pigal) 7. La Moitié du monde se moque de l'autre. One half of the world laughs at the other half (Pajou) 8. Il faut gratter les gens par où il leur démange. Scratch people where they itch (Pajou) 9. Qui se ressemble s'assemble. Birds of a feather flock together (Pigal) 10. Il ne faut jeter le manche après la cognée. One should not throw in the towel (Pajou) 11. Le deux sont la paire. The perfect pair (Pigal) 12. Sandis! Si je le tenais! Sandis! If I had him (Pajou) 13. A beau mentir qui vient de loin. He who comes from afar may lie boldly (Arago) 14. A bon vin point d'enseigne. Good wine needs no sign (Pigal) 15. 99 Moutons et un Champenois sont 100 bétes. 99 sheep and one shepherd are 100 beasts (Arago) 16. Selon les gens l'encens. Like saint like incense (Pajou) 17. Tel maître tel valet. Like master, like man (Pigal) 18. L'occasion sait le larron. Opportunity makes the thief (Arago) 19. Battons le ser tandis qu'il est chaud. Strike while the iron is hot (unsigned) 20. Il, n'y a si méchant pot qui ne trouve son couvercle. There is no pot so bad that it doesn't have a lid (Pajou) 21. La propreté est une demi-vertu. Cleanliness is half a virtue (Arago) 22. Chacun son métier. Let everyone mind his own business (unsigned) 23. On prend son bien où on le trouve. A man takes his own wherever he finds it (Pajou) 24. Les hommes se prennent par la douceur. The men have their soft spots (Arago) 25. Petit-à-petit l'oiseau sait son nid. Little by little the birds builds its nest (Arago) 26. On ne court pas deux lièvres à-la-fois. One cannot have two hares at the same time (Arago) 27. Ventre assamé n' a pas d'oreilles. A hungry stomach has no ears (Arago) 28. Qui a bu, boira. He who has drunk will drink (Arago) 29. Tel qui rit vendredi, dimanche pleurera. He that laughs on Friday may cry on Sunday(Arago) 30. Qui trop embrasse mal étreint. He who grasps too much does not hold firmly(Arago) 31. Pierre qui roule n'amasse pas mousse. A rolling stone gathers no moss (Pigal) 32. Qui.