oliver chanarin (74 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. Condición: Very Good. In very good condition; light foxing to wraps and outside edges of book; interior clean; binding tight; spine non-creased. Text in English and Spanish. Non-paginated. 5.5 x 9 in. Inv. AM005.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. First edition. Fine paperback. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The third issue of the magazine Trolley (Autumn 2004/Issue 3), published by Trolley, the art and photography book publishing house. It's part catalogue of upcoming releases with an essay devoted to each book and many images reproduced and part original material. This issue includes work by Adam Broomberg & Oliver Chanarin, Tom Stoddart, Amanda Tetrault, Nina Berman, and others, as well as a portfolio of the best rejected advertisements from around the world and a portfolio of official portraits of world leaders. Introduction and text by Thomas Rees. Sewn signatures, glued open spine, as issued; 68 pages; color and b&w illustrations throughout; 6.25 x 9.75 inches.

Paperback. First edition, first printing. Fine paperback with a touch of rubbing at one tip and a short writing indent. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The Winter 2006 issue of the photography magazine Aperture, #185, with articles and portfolios including: Alexandra Boulat on women's lives in the Middle East; graffiti in Sulaymaniyah, Iraq, by Adam Broomberg & Oliver Chanarin; polaroids by Patti Smith; aerial photographs of Anatolia by Marilyn Bridges; Jessica Dimmock's documentary work on heroin addicts; portfolios by Gail Albert Halaban and Eirik Johnson; Cindy Sherman, Thomas Demand, Avedon, and much more. 88 pages; color and b&w illustrations throughout; 9.25 x 11.25 inches.

Paperback. Condición: Very Good. A comfortable copy of this poignant, moving photographic (with some text) portraits from post-apartheid South Africa. Plain Spine. No edition stated. The wraps are a touch edge worn. Internally the pages are clean and complete. The text is legible. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Hardcover without dustjacket as issued, 240 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Brand New. 01 edition. 64 pages. German language. 11.14x8.86x0.55 inches. In Stock.

Softcover. Condición: Very Good. No Jacket. First Edition. Complete. A comfortable copy of this poignant, moving photographic (with some text) portraits from post-apartheid South Africa. The covers some wear and rubbing. They are secure and sure. The contents are placid and mild-mannered. They are clean, clear, bright, contented, companionable. Tightly bound. fk. r*01/11/2023. [AK]. Our orders are shipped using tracked courier delivery services.

Softcover. Condición: Good. First Edition. shelf wear on the wraps. book is internally clean and soundly bound. [SK]. Our orders are shipped using tracked courier delivery services.

Softcover. Condición: Fine. First Edition. Fine 1st ed Trolley paperback, illustrated, first printing. Quantity Available: 1. Shipped Weight: 1. Category: Photography; ISBN: 1904563317. ISBN/EAN: 9781904563310. The book is available to view in-person at our Cambridge hub. The photos provided are of the actual book for sale, further condition-specific photos may be arranged upon request. Inventory No: 094847.

First edition. Softcover. A collection of color photographs by Adam Broomberg and Oliver Chanarin taken in South Africa ten years after the end of apartheid. A very near fine copy in wrappers.

Condición: new.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Very good.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condición: Near Fine. 1st Edition. First edition. Softcover. Exhibition Catalogue. Small 4to.134pp. Illustrated. Text by David Evans, Christopher Bucklow, Gerry Badger and Ian Jeffrey. Near Fine with wraparound band with Broomberg and Chanarin image.

Condición: New. 64.

Hardcover. Condición: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.

Hardcover. Condición: Very Good. Occasional marks. Slight staining to spine gutters.

Hardcover. Condición: New. Shipped from the UK within 2 business days of order being placed.

Condición: New. 64.

Hardcover. Condición: New. 1st Edition. Mack, London. 2015. Hardcover. First edition. Book condition: new. Very fine copy signed by Broomberg and Chanarin at the Baltimore Museum of Art, May 15, 2016. Ships to United States only. Signed by Author(s).

hardcover. Condición: Perfetto (Mint). Prima edizione (First Edition). Fotografie in bianco e nero. Testo tratto da una conversazione tra Eyal Weizman e gli artisti Adam Broomberg & Oliver Chanarin svoltasi nel settembre 2015 . Cm 21,5x17. pp. 240. . Perfetto (Mint). . Prima edizione (First Edition). . La serie di ritratti in questo libro, che include Yekaterina Samutsevich delle Pussy Riot e molti altri abitanti di Mosca, è stata creata da una macchina: un sistema di riconoscimento facciale sviluppato di recente a Mosca per la pubblica sicurezza e il controllo delle frontiere.Il risultato è più simile ad una maschera digitale che ad una fotografia; un facsimile tridimensionale del volto che può essere facilmente ruotato e attentamente esaminato. Ciò che è significativo di questa fotocamera è che è stata progettata per fare ritratti senza la collaborazione del soggetto: quattro lenti operano in tandem per generare un'immagine completa frontale del volto, anche se il soggetto stesso non sa di essere fotografato. Il sistema è stato progettato per il riconoscimento facciale in aree affollate come le stazioni della metropolitana, le stazioni ferroviarie, gli stadi, le sale da concerto o altre aree pubbliche, ma anche per fotografare persone che normalmente opporrebbero resistenza. Infatti qualsiasi soggetto incontri questo tipo di fotocamera è reso passivo, perché a prescindere dalla direzione in cui guarda, il volto è sempre reso frontalmente, spogliato di ombre, make-up, travestimento e addirittura espressione.Cooptando questo dispositivo, Broomberg e Chanarin hanno costruito la propria personale tassonomia di ritratti nella Russia contemporanea. Facendo eco al lavoro di August Sander, Broomberg e Chanarin hanno realizzato una serie di ritratti legati alle professioni. Ma i loro ritratti sono realizzati con questa nuova tecnologia, con poca o nessuna interazione umana. Sono a bassa risoluzione e frammentati. Il successo di queste immagini è determinato da quanto questa macchina riesce ad identificare il suo soggetto: le caratteristiche del naso, degli occhi, del mento e di come questi tre elementi si intersecano. Tuttavia essi non possono che essere ritratti di individui che lottano per una coesistenza civile con i poteri dello Stato. Book.

Soft cover. Condición: As New. 1st Edition. SIGNED, design by Stephen Male, 406 gr, 20 x 16 cm. Signed by Author(s).

Paperback. Condición: Near fine in wraps. First Edition. 22 x 27cm 134pp near fine exhibition catalogue featuring black and white plus colour reproductions plus texts.

Condición: Very Good. First edition, first printing. 22 x 31cm. Powder blue paper boards with white lettering to spine and upper board. Spine ends bruised, soiling to gutters. Else, clean and tight, photographs bright. In VG original DJ (in clear protective cover) - two small closed tears, creasing to bottom edge. With an introduction by Val Williams.

SOFTCOVER. Condición: New. 1st Edition. 1st printing of this iteration in softcover. Extra Large 4to. in stiff card covers, variously paginated (approx 200pp) on stiff paper, illustrated in colour and some b/w throughout . [CONDITION: NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Soft cover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. RM/Fundacion Jumex Arte Contemporaneo, Mexico. 2014. Soft cover. First edition. Book condition: new. Very fine copy signed and dated by Broomberg and Chanarin at the Baltimore Museum of Art, May 15, 2016. Ships to United States only. Signed by Author(s).

hardcover. Condición: Nuovo (New). Prima edizione (First Edition). Testo e 112 fotografie a colori di Oliver Frank Chanarin  . Cm 25x20. pp. 240. . Nuovo (New). . Prima edizione (First Edition). . La pratica di Oliver Frank Chanarin si spinge da tempo oltre i limiti del mezzo fotografico per interrogare le dinamiche di potere e visibilità e sfidare l'etica della fotografia documentaria. Dopo lo scioglimento del ventennale sodalizio creativo Broomberg & Chanarin, il primo progetto solista dell'artista ritorna a un punto di origine: utilizzare la macchina fotografica e l'incontro fotografico per parlare, penetrare e criticare la nostra esperienza vissuta.Chanarin si trova spesso ai margini: dai club fetish di periferia ai finti inseguitori di ambulanze, o dai gruppi di teatro amatoriale nelle sale delle chiese agli attivisti di genere che protestano nelle strade. In un paese frammentato dalla polarizzazione politica, dall'isolamento pandemico e dall'utilizzo come arma della politica identitaria, Chanarin tenta di conciliare l'eccentricità della britannicità con il bisogno urgente di nuove forme di rappresentanza.A Perfect Sentence attraversa il confine tra disciplina e caso e le immagini candide di Chanarin - a volte scomode e inquietanti, altrove bucolicamente britanniche - si accumulano e si coagulano, come spesse fette di pane tostato imburrato. Book.