nocenti annie (34 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.

Soft cover. Condición: Very Good. No Jacket. 1st Edition.

1st printing. Eclectic sampling of gonzo journalism, satire, pyschedelic tales, inside scoops, dope stories, candid interviews, celebrity opionion, and original fiction. Mint copy of PB 1st printing. 6 x 9, 476 pp. New, remaineder mark on lower edge. Trade Paperback in red illus wraps.

Condición: New.

Condición: Good. Hardcover without dust jacket. Ex-Library book with appropriate stamps, stickers and markings. Bumping noted to top corners with mild wear noted to head and tail of spine. Some rubbing noted to covers. Pages clean and bright. Comics.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Like New. First Paperback Edition. Publisher: Nation Books, New York, 2004.FINE in illustrated/pictorial wraps, as issued. First Softcover Edition, First Printing. Remainder marked, otherwise as new.

Hard Cover. Condición: New. No Jacket. New Graphic Novel.

Soft Cover. Condición: Very Good. First Edition. xiv, 476pp. Or card. Light edge wear. Collection of writings from High Times magazine including contributions from Andy Warhol, Bob Marley, William S Burroughs, Terry Southern, Debbie Harry, Peter Tosh, Hunter S Thompson, Johnny Rotten and may others. Size: 8vo.

Soft cover. First edition. Full number line. Important reference work. Very scarce in this condition. Fine copy. 470 pps.

Paperback. Condición: Brand New. 250 pages. 9.75x6.25x0.50 inches. In Stock.

Condición: New.

First edition SIGNED. Special tribute to film maverick Sam Fuller. Close to fine and bright magazine style. Profusely illustrated. Also includes screenplay for "Slam" and "Weeds". Tipped in personal letter to the poet Janine Pommy Vega from the editor, Annie Nocenti. An appreciation piece by J. Hoberman.

Condición: As New. Unread book in perfect condition.

Periodical. Condición: Near Fine. Illustrated by David Byrne (cover); various illustrators Ilustrador. (Vol. 5, No. 4). [nice clean copy with just minor wear to extremities]. A "horror vs. terror" theme issue, with a keynote article on that subject, followed by three related screenplays: ROSEMARY'S BABY (by Roman Polanski), AMERICAN PSYCHO (by Mary Harron & Guinevere Turner) and THE SIXTH SENSE (by M. Night Shyamalan), plus the usual interviews with all the screenwriters (and sidebar comments by novelist Ira Levin on ROSEMARY'S BABY). Other articles: "Writing for Digital," by Jerome Poynton; "Stanley Kauffmann: Critic on Fire," by Paul Smart; "Curtain Up, and Action! The Elusive Art of Stage-to-Film," by Al McKee. There is also a script for a short film, FIVE FEET HIGH AND RISING, by Peter Sollett. The editor's note indicates the magazine was trying out a "new look"; unfortunately, this doesn't seem to have delayed its fold-up. (This may, in fact, have been the final issue.).

Periodical. Condición: Very Good+. Illustrated by Zelda Bean (cover); various illustrators Ilustrador. (Vol. 5, No. 3). [bright clean copy, slight bump at upper right corner, slight bumping/dog-earing at top of spine]. A special "comedy issue," including a keynote essay, "What's So Funny?" by Raymond Durgnat. The three feature-film screenplays printed herein (each accompanied by an interview with its screenwriter) are: BEING JOHN MALKOVICH (by Charlie Kaufman); BOWFINGER (by Steve Martin); and MIDNIGHT RUN (by George Gallo). There are also two scripts for short films, the Oscar-winning LIEBERMAN IN LOVE (by Polly Platt) and SCRIPT DOCTOR (by Adam, Jordan and Scott Fields), plus an inteview with filmmaker Robert Downey (Sr., not Jr.). On the non-comedy front, there is also a feature essay by Lee Server, "Behind the Shadows: Film Noir's Dark Roots," which "explores the political and social landscape that spawned a cynical, clandestine film style.".

Periodical. Condición: Near Fine. Illustrated by various illustrators Ilustrador. (Vol. 4, No. 3). [nice clean fresh copy, with just a few traces of handling wear here and there]. About half of this issue is devoted to Fuller. In addition to the screenplays for PICKUP ON SOUTH STREET and SHOCK CORRIDOR (both published for the first time), there is a keynote essay on the writer/director by J. Hoberman, excerpts from various interviews with Fuller, and, most fabulously, reproductions of pages from his war journals, which contain numerous cartoons which are just as punchy and his films, and just as vivid as he was in real life. Essential for the Fuller fan, and a terrific companion piece to his posthumously-published memoir "A Third Face." Oh, yes, there are a couple of other screenplays in the issue, too: "Slam" (credited to five writers, and which the editor claims was "a film Fuller would have enjoyed"; there is also supplementary interview material with the filmmakers and actors) and "Weeds," winner of the WGA's Student Screenplay Competition. NOISBN.

Periodical. Condición: Near Fine. Illustrated by various illustrators Ilustrador. (Vol. 5, No. 2). [nice clean copy, no significant wear apart from a diagonal crease at the upper right corner of the front cover]. A "theme" issue of sorts, with two of the three complete screenplays -- ELECTION (by Alexander Payne and Jim Taylor) and REBEL WITHOUT A CAUSE (by Stewart Stern) -- providing a cross-generational justification for the "Dangerous Teens" heading at the top of the front cover; additionally, the Keynote Essay, by Molly Haskell, is called "Teen Power." The third script, while not teen-themed, is "dangerous" in a different way: THE BIRDS by Evan Hunter. All scripts, as usual with this publication, are accompanied by interviews with their writers, and there are several other features of interest in this issue: an article by Donald Spoto, "Love, Dreams & Hitchcock," addressing the question of whether or not Alfred Hitchcock was a romantic; an article by Millard Kaufman about the hubbub surrounding the presentation of an honorary Oscar to Elia Kazan; a discussion of Philip Glass's film scores, by Michael Rohatyn. Rounding out the issue are two short film scripts: GOFER, by Joe Hamersky, and FISH BELLY WHITE, by Michael Burke.

Periodical. Condición: Near Fine. Illustrated by various illustrators Ilustrador. (Vol. 4, No. 4). [nice clean copy, virtually as new with just a tiny bit of wear along spine, faint diagonal crease at bottom corner of front cover]. Complete screenplays in this issue: THE LAST PICTURE SHOW (by Larry McMurtry and Peter Bogdanovich, including an essay by the former and an interview with the latter); LIVING OUT LOUD (by Richard LaGravenese, also interviewed); and GODS AND MONSTERS (by Bill Condon, also with interview). There are also articles on screenwriting in "pre-Code Hollywood" (by Lee Server), and on the work of production designer Tony Walton. The Keynote Essay is "Movie Prison" by Warren Leight, and there are also three short-film scripts: THE LUNCH DATE (Adam Davidson); THE SECRET CINEMA (Paul Bartel; this being the script for his original 1966 film, not the later made-for-TV remake); and JIM & WANDA (Tod Lippy).