nils buttner anne (18 resultados)

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Paperback. Condición: New. Justyna Koeke transforms children's fantasies into wearable sculptures, morphs fashion shows into performances. As a child the artist, together with her sisters, painted her heroes "princesses and saints" which she now translates into reality as a collection of vibrantly colourful outfits full of whimsical detail. These tailored fantasies are brought to life on the bodies of ladies of advanced years. The publication presents the entire project: from the child-like naive drawings, via photographs of the dressed-up models before the sterile backdrop of their retirement home, to fun-loving fashion shows - an equally humorous and critical approach to the correlation of childhood dreams and the reality of getting older, in which the unsolved issues of an increasingly ageing society invariably resonate. The art project, which fluctuates between sculpture, performance and allusions to the fashion world, was presented, among other places, at the Alternative Berlin Fashion Week. Text in English and German.

Condición: New.

Condición: New. In.

Condición: New.

Condición: As New. Unread book in perfect condition.

Taschenbuch. Condición: Neu. Justyna Koeke - Prinzessinnen und Heilige/Princesses and Saints | Engl/dt | Nils/Eismann, Sonja/Söll, Änne u a Büttner | Taschenbuch | 152 S. | Deutsch | 2016 | Arnoldsche Verlagsanstalt | EAN 9783897904804 | Verantwortliche Person für die EU: arnoldsche Art Publishers, Olgastr. 137, 70180 Stuttgart, art[at]arnoldsche[dot]com | Anbieter: preigu.

Paperback. Condición: New. Justyna Koeke transforms children's fantasies into wearable sculptures, morphs fashion shows into performances. As a child the artist, together with her sisters, painted her heroes "princesses and saints" which she now translates into reality as a collection of vibrantly colourful outfits full of whimsical detail. These tailored fantasies are brought to life on the bodies of ladies of advanced years. The publication presents the entire project: from the child-like naive drawings, via photographs of the dressed-up models before the sterile backdrop of their retirement home, to fun-loving fashion shows - an equally humorous and critical approach to the correlation of childhood dreams and the reality of getting older, in which the unsolved issues of an increasingly ageing society invariably resonate. The art project, which fluctuates between sculpture, performance and allusions to the fashion world, was presented, among other places, at the Alternative Berlin Fashion Week. Text in English and German.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New.

Condición: New.

Rilegato. Condición: nuovo. Estado de la sobrecubierta: nuovo. Book Series Corpus Rubenianum Ludwig Burchard, vol. 27.2 About this series Add to Wishlist Works in Collaboration Frans Snijders and Other Masters Anne T. Woollett, Nils Büttner, Elizabeth McGrath, Alexandra N. Bauer Pages: 290 p. Size:175 x 260 mm Illustrations:65 b/w, 42 col. Language(s):English Publication Year:2025 Buy print version ? 180,00 EXCL. VAT RETAIL PRICE ISBN: 978-1-915487-58-2 Hardback Available The present volume is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. Subject(s) Baroque & Rococo painting BIO Anne T. Woollett is Curator of Paintings, J. Paul Getty Museum, Los Angeles, CA, USA; Nils Büttner is Professor of Art History at the State Academy of Art and Design in Stuttgart; Elizabeth McGrath is Professor Emerita of Art History and Honorary Fellow of the Warburg Institute, University of London; Alexandra Nina Engel is Curator of German, Dutch and Flemish Paintings, Stiftung Preussische Schlösser und Gärten Berlin-Brandenburg (SPSG), Potsdam, Germany. Summary Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens's studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter's death in 1640. Similarly productive was the collaboration between Rubens and the still life and animal painter Frans Snijders. It began shortly after Rubens's return to Antwerp and is reflected in various large-format works for the courts of Brussels and Madrid [?], but also in smaller 'cabinet' paintings, some of which were executed by members of the respective workshops of the two masters. The collaboration soon extended to the studio of the animal painter Paul de Vos, whose sister Margriete had married Snijders in 1611. One such joint painting was still in Rubens's possession at the time of his death and was listed in the 1640 catalogue of the works for sale from the artist's estate. This document also reveals that, among the paintings by other masters that he owned, Rubens possessed a surprisingly large quantity by the Dutch landscape and genre painter Cornelis Saftleven. Rubens had worked with Saftleven during his stay in Antwerp at the beginning of the 1630s, and evidently appreciated his talent, even if this collaboration can be represented only by a single painting. The present is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. It thus contributes not only to the documentation of Rubens's oeuvre, but also to the understanding of workshop practices and the lives and social networks of painters in the city of Antwerp.

Hardback. Condición: New.

Condición: Sehr gut. Nr. 311 von 350 Exemplaren. Diese Publikation erschien begleitend zur geichnamigen Ausstellung im Klingspor Museum Offenbach vom 10. März bis 5. Mai 2023. *Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 700.

23 x 16.5 cm. Gebunden. 335S. Illustriert. Es wurden 350 Exemplare gedruckt. Dieses Exemplar trägt die Nummer 184. Sehr gut erhalten. 860g.

Rilegato. Condición: nuovo. Pages: 290 p.Illustrations:65 b/w, 42 col. Language(s):English. Publication Year:2025. ISBN: 978-1-915487-58-2. Brepols. Hardback - Summary Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens's studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter's death in 1640. Similarly productive was the collaboration between Rubens and the still life and animal painter Frans Snijders. It began shortly after Rubens's return to Antwerp and is reflected in various large-format works for the courts of Brussels and Madrid [?], but also in smaller 'cabinet' paintings, some of which were executed by members of the respective workshops of the two masters. The collaboration soon extended to the studio of the animal painter Paul de Vos, whose sister Margriete had married Snijders in 1611. One such joint painting was still in Rubens's possession at the time of his death and was listed in the 1640 catalogue of the works for sale from the artist's estate. This document also reveals that, among the paintings by other masters that he owned, Rubens possessed a surprisingly large quantity by the Dutch landscape and genre painter Cornelis Saftleven. Rubens had worked with Saftleven during his stay in Antwerp at the beginning of the 1630s, and evidently appreciated his talent, even if this collaboration can be represented only by a single painting. The present is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. It thus contributes not only to the documentation of Rubens's oeuvre, but also to the understanding of workshop practices and the lives and social networks of painters in the city of Antwerp. TABLE OF CONTENTS Preface and Acknowledgments Catalogue Raisonné Rubens and Snijders: An Enduring Alliance Rubens and Paul de Vos Rubens and Cornelis Saftleven Appendix: Documents Relating to The Recognition of Philopoemen (No. 1) Figures Bibliography Indexes I: Collections II: Subjects III: Other Works by Rubens Mentioned in the Text IV: Names and Places.