mccollum jonathan (54 resultados)

5 vol. : vol.1: [4] pp. (brochure) ; vol. 2: [unpaginated] (envelope); vol. 3: [1] pp. (order form) ; vol 4: [unpaginated] (return envelope) ; vol. 5: [1] pp. (preview party invitation); 5 vol. : vol.1: 20.3 x 15.2 cm. (brochure) ; vol. 2: 20.8 x 16 cm. (envelope); vol. 3: 14 x 10.6 cm. (order form) ; vol 4: 11.5 x 15.8 cm. (return envelope) ; vol. 5: 10.6 x 14 cm. (preview party invitation); printed envelope; duotone; edition size unknown; unsigned and unnumbered; offset-printed Invitation to benefit exhibition "35 Artists Return to Artists Space," held at Artists Space, New York, December 4 - 24, 1981, and a preview party held December 3, 1981. Includes brochure, printed mailing envelope, preview party invitation card, ticket order form card, and return envelope. Artists include Auste, James Biederman, Jonathan Borofsky, Gary Bower, Troy Brauntuch, Farrell Brickhouse, Gary Burnley, Scott Burton, Cynthia Carlson, Charles Clough, R.M. Fischer, Hermine Ford, Don Gummer, Jack Goldstein, Mel Kendrick, Lois Lane, Tom Lawson, Robert Longo, Allan McCollum, Ree Morton, Matt Mullican, Judy Pfaff, Richard Prince, Judy Rifka, Walter Robinson, David Salle, Thomas Lanigan Schmidt, Barbara Schwartz, Cindy Sherman, Laurie Simmons, Charles Simonds, Jenny Snider, Donald Sultan, Anthony Thompson, and John Torreano. Invitation designed by Tara Collins. Very Good / Fine. Unmailed copy. Light yellowing of main envelope with light bumping of corners. Clean and unmarked.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: New.

Condición: As New. Unread book in perfect condition.

[1] pp.; 11 x 13.8 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard / announcement published in conjunction with show held December 2 - 18, 1995. Artists included Ross Bleckner, Lawrence Carroll, Milton Avery, James Welling, Mark Innerst, Gerhard Richter, Laurie Simmons, Peter Halley, Robert Rauschenberg, David Wojnarowicz, Allan McCollum, Cindy Sherman, Richard Prince, Vik Muniz, Michelangelo Pistoletto, Sal Scarpitta, Jonathan Lasker, Annette Lemieux, Peter Nagy, Robert Longo, Not Vital, Sol LeWitt, Robin Rose, Sandro Chia, and Saint Clair Cemin. Very Good. Mailed copy with mailing marks and light wear.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 372 pages. 9.00x6.00x1.08 inches. In Stock.

Condición: New. In.

371 pp.; 28.5 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held July 29 - October 2, 1988. Curated and with text by Tricia Collins and Richard Milazzo. Artists include Ross Bleckner, James Welling, Kevin Larmon, Sarah Charlesworth, Joel Otterness, Peter Nadin, Peter Nagy, Richard Prince, Gretchen Bender, Allan McCollum, Joseph Nechvatal, Peter Halley, Jeff Koons, Tyler Turkle, Jonathan Lasker, Philip Taaffe, Gary Stephan, Haim Steinbach, David Diao, Jon Kessler, Annette Lemieux, Saint Clair Cemin, Charles Clough, Suzan Etkin, Tishan Hsu, John Dogg, Salvatore Scarpitta, The Starn Twins, Robert Gober, Donald Baechler, Peter Fend, Claudia Hart, Meg Webster, Ford Beckman, Holt Quentel, Nancy Shaver, David Carrino and Lawrence Carroll. Includes a list of illustrations. Texts in English and Swedish. Very Good. Light bumping of corners including 1.1 cm. dog-ear to upper right corner and 1.3 cm. to lower right corner of recto. Light wear to spine. Contents are clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders.

Condición: New.

Paperback. Condición: New. Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that "the term 'historical ethnomusicology' has begun to appear in programs of conferences and in publications" (Nettl 2005, 274), and as recently as 2012 scholars similarly noted "an increasing concern with the writing of musical histories in ethnomusicology" (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are "all ethnomusicologists now" and that "all ethnomusicology is historical" (Stobart, 2008), yet we sense that such arguments-while useful, and theoretically correct-may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography--and the related application of new technologies--impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. v, 250 pages ; 23 cm. Summary:"Armenian Music: A Comprehensive Bibliography and Discography covers Armenian music and its context and culture, making it an indispensable work for ethno-musicologists and others with an interest in the subject. It also includes a discography that examines the spectrum from classical music to pop and folk." "This first inclusive bibliography provides a firm basis for any research on the music itself, the Armenian diaspora, and such related areas as anthropology, cultural history, Sovietology, and West Asian social history."--Jacket.

Same day dispatch. Lovely copy.

Condición: New. In.

Paperback. Condición: Brand New. reprint edition. 411 pages. 9.00x6.00x1.50 inches. In Stock.

Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Near fine in very good edge worn dust jacket.

Condición: New.

Hardback. Condición: New. More than a bibliography, McCollum's work also deals with issues of context and culture that will be of interest to ethnomusicologists working in the area of Armenian music. It also includes a discography that spans from classical music to pop and folk.This is the first full-scale bibliography of Armenian music and is indispensable to all who have a scholarly interest in the subject. It provides a firm basis for musicological work on music from Armenia as well as the Armenian diaspora and is a useful guide for scholars in related areas, such as anthropology, cultural history, Sovietology and West Asian social history.

Condición: New. In.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

63 pp.; 24.5 x 25 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University of North Texas Art Gallery, Denton, Texas, August 29 - September 30, 1988. Traveled to J.B. Speed Art Museum, Louisville, Kentucky, November 7, 1988 - January 2, 1989 ; Alberta College Gallery of Art, Calgary, Alberta, Canada, February 9 - March 9, 1989 ; The Contemporary Arts Center, Cincinnati, Ohio, March 31 - May 6, 1989 ; Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York, October 12 - Novemeber 15, 1989 Santa Fe Community College Art Gallery, Gainesville, Florida, February 4 - March 18, 1990. Text by guest curators Tricia Collins and Richard Milazzo, and Gary Indiana. Artists include Vikky Alexander, John M. Armleder, Gretchen Bender, Ross Bleckner, Saint Clair Cemin, Sarah Charlesworth, David Diao, Robert Gober, Peter Halley, Tishan Hsu, Jeff Koons, Jonathan Lasker, Annette Lemieux, Allan McCollum, Peter Nagy, Joel Otterson, Haim Steinbach, Gary Stephan, Philip Taaffe, Meyer Vaisman, and James Welling. Includes a checklist of the exhibition. Very Good. THIS COPY IS LIBRARY BOUND HARDCOVER. Rubbing of original cover edges. Light discard stamp on page two. Discard / Solomon R. Guggenheim Library discard stamp on page three with ghosting on page four. 2 mm. of soiling to title page. Light yellowing of pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that "the term 'historical ethnomusicology' has begun to appear in programs of conferences and in publications" (Nettl 2005, 274), and as recently as 2012 scholars similarly noted "an increasing concern with the writing of musical histories in ethnomusicology" (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are "all ethnomusicologists now" and that "all ethnomusicology is historical" (Stobart, 2008), yet we sense that such arguments-while useful, and theoretically correct-may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography--and the related application of new technologies--impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.