marina grzinic (96 resultados)

Paperback. Condición: new. Paperback. Belgian colonialism in the Congo. Antisemitism in Austria. Turbo-nationalism in former Yugoslavia. Over the last two centuries, these three historic lines of violence and annihilation (re)enforced a process of oblivion that to this day prevents a processing of the genocides they caused. Today involuntary or performed amnesia again threatens to destroy what has already come to a point of possible coexistence.This catalogue goes back to these traumatic events in history and the recent past, which had such a violent impact on communities and people, states and territories, and confront them with a system of interventions. The scars that remain after atrocities, although hidden and obliterated, are recovered through artistic, scientific, and political reflections.Exhibition details:Weltmuseum WienOctober 8, 2020 - April 3, 2021 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New.

Condición: New.

Paperback. Condición: new. Paperback. Travesti writers, voices, performers, artists, and historians present a collective narrative of survival.Travesti writers, voices, performers, artists, and historians present a collective narrative of survival.Despite its long history, the unique Latin American phenomenon of sexual identity, travesti, has been largely overlooked in Western European discourse. Travesti brings to life systems of knowledge and the attitude of autonomy that occupies a distinct position within the clash of class, gender, and race. The development of long-term forms of ephemerality sheds light on processes of travesti anti-capitalist revolt, as well as the capacity of travesti to exploit and/or migrate themselves in order to make life possible and worth living, and the dynamics of practices and reflections to emerge anew. Despite the necropolitical grip on their lives, the swaying of travesti bodies is both witty and powerful. They themselves have taken detailed steps to find a way to exist and build communities.Drawing together numerous writers, voices, performers, artists, and historians, this book is not merely about travesti, it is travesti.ContributorsPadra Costa, Johan Mijail, R. Marcos Mota, Marina Grzinic and Jovita Pristovsek, Claudia Rodriguez, Juan Pablo Sutherland, Marlene Wayar, Gabriela Wiener, Sergio ZevallosInterviews With Frau Diamanda and Padra Costa, Diego Marchante, Diego Falconi Travez, Iki Yos Pina Narvaez And Francisco Godoy VegaThe second part of the book is a translation of Frau Diamanda/Hector Acuna's book Escenas Catalana. With Forewords by Diego Falconi Travez and Hernan Migoya, and illustrations by Juan Carlos Cajigas "Juka", Cesar "Chechi" Chavez, Jesos Garcia, and Rapha Hu.Copublished by Academy of Fine Arts Vienna Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New.

Condición: New.

Paperback. Condición: New.

Soft cover. Condición: Very Good. Soft cover book in very good condition. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Brand New. 3,000 edition. 176 pages. 8.30x5.70x1.20 inches. In Stock.

Condición: New.

Soft cover. Condición: Very Good. Very good condition, clean, tight, unread textblock. light shelf wear.

Taschenbuch. Condición: Neu. Neuware - While so-called new capitalist global exhibition projects that either include selected Third and Second World artists and their artworks or are organized just for them are developing, so is a subtle system of inclusion and exclusion. These projects demonstrate some important new directions that can be seen not only as conceptual shifts but also as technological ones. Key here is the technique of transfer that provides the means of reproduction. The center (the capitalist First World) establishes hegemonic interpretations of the other worlds. We can detect a dialectical process between the technology of writing and the politics of publishing. Theory and the industry of theoretical writings are precise pyramidal constructions which are carefully safeguarded. Who can publish where and at what time and, moreover, who is positioned to provide the first line of interpretation, are extremely important decisions within the capitalist system. Huge symposia, seminars and panels are organized to support world exhibitions and global cultural projects, circulating the same theoretical personalities and public opinion makers who continually reproduce the capitalist system in theoretical terms. It is perfectly clear that in the field of global contemporary art and culture, we are not dealing with gestures of just exchange and production. We are instead dealing with the delineation of political lines within a certain (public) space, with a codification of this space and a naming of its political subjects. The question is whether, in addition to this process of codification, we also have spaces of resistance.

Softcover, 220 pages, very good condition, first 2 pages dog-eard at lower right corner; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

Condición: Neuf.

Paperback. Condición: Brand New. 228 pages. 9.25x6.75x0.67 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware -Belgian colonialism in the Congo. Anti-Semitism in Austria. Turbo-nationalism in former Yugoslavia. Over the last two centuries, these three historic lines of violence and annihilation (re)enforced a process of oblivion that to this day prevents a processing of the genocides they caused. Today, involuntary or performed amnesia again threatens to destroy what has already come to a point of possible coexistence. This exhibition catalogue goes back to these traumatic events in history and the recent past, which had such a violent impact on communities and people, states and territories, and confront them with a system of interventions. The scars that remain after atrocities, although hidden and obliterated, are recovered through artistic, scientific, and political reflections.Participating artists Valerie Wolf Gang Nicolas Pommier Joëlle Sambi Nzeba Adela Jusic Lana Cmajcanin Bojan Djordjev Sinisa Ilic Dani Gal Monique Mbeka Phoba Anja Salomonowitz Martin Krenn Arye Wachsmuth Elisabeth Bakambamba Tambwe 204 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -Belgian colonialism in the Congo. Anti-Semitism in Austria. Turbo-nationalism in former Yugoslavia. Over the last two centuries, these three historic lines of violence and annihilation (re)enforced a process of oblivion that to this day prevents a processing of the genocides they caused. Today, involuntary or performed amnesia again threatens to destroy what has already come to a point of possible coexistence. This exhibition catalogue goes back to these traumatic events in history and the recent past, which had such a violent impact on communities and people, states and territories, and confront them with a system of interventions. The scars that remain after atrocities, although hidden and obliterated, are recovered through artistic, scientific, and political reflections.Participating artists Valerie Wolf Gang Nicolas Pommier Joëlle Sambi Nzeba Adela Jusic Lana Cmajcanin Bojan Djordjev Sinisa Ilic Dani Gal Monique Mbeka Phoba Anja Salomonowitz Martin Krenn Arye Wachsmuth Elisabeth Bakambamba Tambwe 204 pp. Englisch.

Soft cover. Condición: New. No Jacket. 1st Edition. Book softcover First English Edition illustrated pp220. Condition New.

OPbd. / Hardcover mit CD. 127 S. Gebundene Ausgabe.Transparente Schutzhülle + CD SEHR GUTER ZUSTAND. Size: 22 x 17 Cm. 600 Gr.

Condición: New.

Paperback. Condición: new. Paperback. Travesti writers, voices, performers, artists, and historians present a collective narrative of survival.Travesti writers, voices, performers, artists, and historians present a collective narrative of survival.Despite its long history, the unique Latin American phenomenon of sexual identity, travesti, has been largely overlooked in Western European discourse. Travesti brings to life systems of knowledge and the attitude of autonomy that occupies a distinct position within the clash of class, gender, and race. The development of long-term forms of ephemerality sheds light on processes of travesti anti-capitalist revolt, as well as the capacity of travesti to exploit and/or migrate themselves in order to make life possible and worth living, and the dynamics of practices and reflections to emerge anew. Despite the necropolitical grip on their lives, the swaying of travesti bodies is both witty and powerful. They themselves have taken detailed steps to find a way to exist and build communities.Drawing together numerous writers, voices, performers, artists, and historians, this book is not merely about travesti, it is travesti.ContributorsPadra Costa, Johan Mijail, R. Marcos Mota, Marina Grzinic and Jovita Pristovsek, Claudia Rodriguez, Juan Pablo Sutherland, Marlene Wayar, Gabriela Wiener, Sergio ZevallosInterviews With Frau Diamanda and Padra Costa, Diego Marchante, Diego Falconi Travez, Iki Yos Pina Narvaez And Francisco Godoy VegaThe second part of the book is a translation of Frau Diamanda/Hector Acuna's book Escenas Catalana. With Forewords by Diego Falconi Travez and Hernan Migoya, and illustrations by Juan Carlos Cajigas "Juka", Cesar "Chechi" Chavez, Jesos Garcia, and Rapha Hu.Copublished by Academy of Fine Arts Vienna Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: New.

Condición: New. In.

Paperback. Condición: New. This book articulates a contemporary, globalized world as one in which radical disparities in distribution of wealth are being reproduced as the basis for depoliticized social, institutional, and ideological discourses. At its center is a reorientation of global capitalism from the management of life towards making a surplus value from death. This change is presented as a reorientation of biopolitics (bio meaning life) to necropolitics (necro meaning death). Therefore in the book we work with processes of change, of a historicization of biopolitics and its turn into necropolitics that leads to a theoretical trajectory from M. Foucault to A. Mbembe and beyond. This book interprets the sustained perception of existence of dichotomy between these provisional extremes as a trademark of apolitical and/or post-political logics on which contemporary institutional, political, and social discourses tend to be structured upon. More, contrary to the majority of approaches that insists on a profound dichotomy between democracy and totalitarianism, between poverty and free market, and between democracy and capitalism, this book does not interpret these relations as dichotomous, but as mutually fulfilling. The book elaborates, in the context of articulation of these logics, contemporary, imperial racism (racialization) as an ideology of capitalism and states that the First World's monopoly on definition of modernity has its basis in contemporary reorganization of colonialism.In the book, the authors trace a forensic methodology of global capitalism with which life, art, culture, economy, and the political are becoming part of a detailed system of scrutiny presented and framed in relation to criminal or civil law. Criminalization of each and every segment of our life is working hand in hand with a depoliticization of social conflicts and pacification of the relation between those who rules and those who are ruled. The outcome is a differentiation of every single concept that must from now bear the adjectives of the necropolitical or forensic; therefore we can talk about forensic images, art, projects, and necropolitical life, democracy, citizenship. This will change radically the perspectives of an emancipative project of politics (if it is any possible to be named as such) for the future.

tapa blanda. Condición: Bien. Civilización, progreso y cultura.(008) Revista de Occidente. Madrid. 1995. 20 cm. Encuadernación en tapa blanda de editorial ilustrada. (=3552869=) JX41.

Paperback. Condición: new. Paperback. Travesti writers, voices, performers, artists, and historians present a collective narrative of survival.Travesti writers, voices, performers, artists, and historians present a collective narrative of survival.Despite its long history, the unique Latin American phenomenon of sexual identity, travesti, has been largely overlooked in Western European discourse. Travesti brings to life systems of knowledge and the attitude of autonomy that occupies a distinct position within the clash of class, gender, and race. The development of long-term forms of ephemerality sheds light on processes of travesti anti-capitalist revolt, as well as the capacity of travesti to exploit and/or migrate themselves in order to make life possible and worth living, and the dynamics of practices and reflections to emerge anew. Despite the necropolitical grip on their lives, the swaying of travesti bodies is both witty and powerful. They themselves have taken detailed steps to find a way to exist and build communities.Drawing together numerous writers, voices, performers, artists, and historians, this book is not merely about travesti, it is travesti.ContributorsPadra Costa, Johan Mijail, R. Marcos Mota, Marina Grzinic and Jovita Pristovsek, Claudia Rodriguez, Juan Pablo Sutherland, Marlene Wayar, Gabriela Wiener, Sergio ZevallosInterviews With Frau Diamanda and Padra Costa, Diego Marchante, Diego Falconi Travez, Iki Yos Pina Narvaez And Francisco Godoy VegaThe second part of the book is a translation of Frau Diamanda/Hector Acuna's book Escenas Catalana. With Forewords by Diego Falconi Travez and Hernan Migoya, and illustrations by Juan Carlos Cajigas "Juka", Cesar "Chechi" Chavez, Jesos Garcia, and Rapha Hu.Copublished by Academy of Fine Arts Vienna Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. This book articulates a contemporary, globalized world as one in which radical disparities in distribution of wealth are being reproduced as the basis for depoliticized social, institutional, and ideological discourses. At its center is a reorientation of global capitalism from the management of life towards making a surplus value from death. This change is presented as a reorientation of biopolitics (bio meaning life) to necropolitics (necro meaning death). Therefore in the book we work with processes of change, of a historicization of biopolitics and its turn into necropolitics that leads to a theoretical trajectory from M. Foucault to A. Mbembe and beyond. This book interprets the sustained perception of existence of dichotomy between these provisional extremes as a trademark of apolitical and/or post-political logics on which contemporary institutional, political, and social discourses tend to be structured upon. More, contrary to the majority of approaches that insists on a profound dichotomy between democracy and totalitarianism, between poverty and free market, and between democracy and capitalism, this book does not interpret these relations as dichotomous, but as mutually fulfilling. The book elaborates, in the context of articulation of these logics, contemporary, imperial racism (racialization) as an ideology of capitalism and states that the First Worlds monopoly on definition of modernity has its basis in contemporary reorganization of colonialism.In the book, the authors trace a forensic methodology of global capitalism with which life, art, culture, economy, and the political are becoming part of a detailed system of scrutiny presented and framed in relation to criminal or civil law. Criminalization of each and every segment of our life is working hand in hand with a depoliticization of social conflicts and pacification of the relation between those who rules and those who are ruled. The outcome is a differentiation of every single concept that must from now bear the adjectives of the necropolitical or forensic; therefore we can talk about forensic images, art, projects, and necropolitical life, democracy, citizenship. This will change radically the perspectives of an emancipative project of politics (if it is any possible to be named as such) for the future. The book argues that necropolitics are a dominant, yet obscene, form of politics that sustains contemporary racism (racialization) as a primal ideology of global capitalism and connects globalization and its modernist narratives directly with colonialism. The book is important. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: As New. Unread book in perfect condition.