marchi andrea (265 resultados)

Hardcover. Condición: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority!

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Size: 9.75"x12.5", 47pp., colour plates. As new, clean, tight & bright condition / published without dust jacket.

Hardcover. Condición: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 4to, cloth, dustwrapper, 166pp., illustrated throughout. First edition. VG+/VG+: clean, bright, sound book in a bright, clean and whole dustwrapper. Extra postage may be asked.

Hardcover. Maroon cloth over boards, with color figure affixed to front cover; Gilt titling at spine and front cover; 47 pp.; 34 color plates. Text is in English and Italian. De Marchi shares extensive information about this hitherto unknown work, "Saint Dominic," by Maso di Banco in the 14th century, complete with close-up detailed views of the painting. VG (Some light scuffing to cloth; Internally like new).

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 166 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "This book centres around a Madonna that Andrea G. De Marchi suggests may be by the hand of the young Giotto and datable between the Madonna of San Giorgio all Costa and the Padua frescoes. The painting, which has been totally overlooked by scholars and even by dedicated photograph collections, is presented to specialists along with several discoveries about Gothic and Early Renaissance art. The book includes virtual reconstructions of a large, early Giottesque crucifix by the Master of San Martino alla Palma and of a birth tray. All this, and more, is presented in relation to the various stages of the rediscovery of the Italian Primitives, anticipating the first signs of the rediscovery during the Savonarolian period without, however, embracing ideologically preconceived notions." - Publisher. Size: 4to. Collectible.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condición: Good. No Jacket. hardback, 4to, grey cloth lettered gilt, col'd pictorial inlay depiction of Christ to upper board, the very tip of bottom corner of upper board is damp stained and rubbed and this has penetrated to front blank tip but no further & o/w the volume in very good order, col'd & b&w plates.

Hardcover. Condición: Like New. Estado de la sobrecubierta: Like New. First Edition. First Edition, First Printing. Published by Antichita Alberto Di Castro/Centro Di, 2013. Quarto. Book is like new. Dust jacket is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: Fine Condition. 168 pages 80 illustrations 68 in color. Book.

Softcover. 424 pp. Studia Patavina: Rivista di Scienze Religiose. Numero 1: Anno LVII - 2010 - gennaio-aprile. Softcover. Good condition; color fading on spine, on top, left and right edges of front, and on extreme top of rear.

Hardcover. Condición: VG+. Navy blue cloth. Color illustrated DJ. 167 pp. Color and BW illustrations. Exhibition of 21 works by dealers Moretti Fine Art, Andrew Butterfield Fine Art, and Lisa De Carlo. Very detailed annotations.

hardcover. Condición: Very Good. No jacket, but possible issued without. Very mild shelfwear. I note every flaw I find, so buy with confidence.

Hardcover. Estado de la sobrecubierta: Very good. 167 pp. Catalogue of the exhibition under the same title. Very good condition; a few touches of wear on covers.

Paperback. Condición: New.

Condición: Neuf.

Condición: NUOVO. Firenze, Mandragora cm.21x22,5, pp.circa 400 con 9032 figg.a colori. brossura legatura all'olandese, dorso tondo. Dopo il successo dell'edizione 2021, torna Artgram l'agenda letteraria curata dal professor Andrea De Marchi, ordinario di Storia dell'arte medioevale e coordinatore del Dottorato regionale in storia delle arti e dello spettacolo all'Università di Firenze. 365 testi, che prendono le mosse sempre dal celebre social network, a corredo di una ricca e variegata serie di illustrazioni di opere d'arte, ambienti, musei, panorami che accompagnano il lettore/fruitore in un esercizio critico fatto di visività e ragionamento. In questo volume, infatti, come in generale nei suoi post su Instagram, De Marchi ha volutamente mescolato osservazioni molto generali con altre assai specialistiche con l'intento di rivolgersi in modi specifici a pubblici diversi facendo però far parlare sempre prima l'opera, senza mai sovrapporsi. E proprio a un linguaggio dell'arte ci richiama lo studioso nella sua presentazione, nella quale "denuncia" come vi sia una retorica della storia dell'arte per lo più slegata dalla capacità di decifrare il linguaggio artistico e la sua storia e che si affida, invece, solo all'aspetto emozionale.

Soft cover. Condición: Very Good. Published to accompany the exhibition Mantegna & Bellini, the National Gallery, London 1 October 2018 to 27 January 2019; Mantegna und Bellini, Meister der Renaissance, Gemäldegalerie, Staatliche Museen zu Berlin 1 March to 30 June 2019. Contents: A tale of two artists and two cities: Mantegna, Bellini; Padua, Venice / Caroline Campbell -- Mantegna/Belllini: invention versus poetry / Andrea de Marchi -- 'Bellini stands higher . than Mantegna' / Neville Rowley -- Mantegna and Bellini: contrasting approaches to technique / Jill Dunkerton and Babette Hartwieg -- Drawing conclusions: the graphic work of Mantegna and Bellini / Sarah Vowles and Dagmar Korbacher -- Catalogue. 303 pages : illustrations (chiefly color), maps, genealogical table ; 29 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Hardcover. Condición: As New in Original Wraps. Estado de la sobrecubierta: As New. 1st Edition. Brand new large hardback still in its publisher's shrink-wraps. Thus; offered For Sale- AS NEW. Stored in yet, a second layer of sealed plastic protection and mailed (bubble-wrapped) in a cardboard box. We ship daily from Roswell, Ga. Serving satisfied customers since 1999.

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. This is an about very good hardcover copy with a very good gold dust wrapper and also an opaque printed vellum wrapper, the vellum has a few chips at the corner of the lower edge. Completely clean. This catalog was prepared to accompany the exhibition which premiered in Milan in November 1998 then traveled to New York Sperone Westwater from January 23 to February 13, 1999. Text in Italian and English. The exhibition brought together gold paintings by Lucio Fontana with a selection of gold background paintings from Italy's 14th and 15th centuries. Essays by Andrea de Marchi, Alberto Fiz, Paolo Campiglio, and Flaminio Gualdoni. Illustrated in color and black & white. 12" high X 8" wide122 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and shipped with tracking.

Condición: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Condición: NUOVO. Firenze, Mandragora cm.21x22,5, pp.384 con 1032 figg.a colori. brossura legatura all'olandese, dorso tondo. un'agenda per il nuovo anno ma al contempo molto di più: 365 commenti a una selezione di opere dipinti, sculture, mosaici ma anche disegni e architetture , che ci guidano nella scoperta e nella lettura dell'arte. Non solo però l'arte delle grandi mostre ma soprattutto quella del territorio, e non solo le opere nella loro interezza ma soprattutto in sapienti dettagli e straordinari confronti che consentono di ricostruire una trama preziosa di intrecci e contaminazioni. E non manca una denuncia delle dolorose situazioni di abbandono del nostro patrimonio artistico di cui troppo poco si parla. De Marchi si rivolge così sia a un pubblico di specialisti sia di non addetti ai lavori, e lo fa con un linguaggio asciutto e puntuale e soprattutto scientifico , capace di suscitare curiosità e riflessione.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Large-format hardcover volume, measuring approximately 9" x 11.75", is new, with dust jacket, still in shrinkwrap. 166 pages. "This book centres around a Madonna that Andrea G. De Marchi suggests may be by the hand of the young Giotto and datable between the Madonna of San Giorgio all Costa and the Padua frescoes. The painting, which has been totally overlooked by scholars and even by dedicated photograph collections, is presented to specialists along with several discoveries about Gothic and Early Renaissance art. The book includes virtual reconstructions of a large, early Giottesque crucifix by the Master of San Martino alla Palma and of a birth tray. All this, and more, is presented in relation to the various stages of the rediscovery of the Italian Primitives, anticipating the first signs of the rediscovery during the Savonarolian period without, however, embracing ideologically preconceived notions.".

Hardcover. Condición: Like New. First Edition. First Edition, First Printing. Published by Compagnia Di Belle Arti Edition, 1999. Quarto. Hardcover. Book is like new. Dust jacket is like new with small nick to front cover top edge.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Condición: NEW.

Hardcover. Condición: Very Good. Some light wear to extremities of plastic opaque dust jacket, largely at head of spine. One tear to upper edge of rear panel. No interior marks, book has slight shelfwear to extremities.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Almost as new.

Rilegato in Tela. Condición: new. English Text.Firenze, 2013; clothbound, pp. 168, 80 b/w ill., 40 col. ill., cm 21x28. Il libro presenta nuove e poco note scoperte, riunite da una sola proprietà, su cui spicca la proposta attributiva di un precoce testo giottesco (1295-1305). Si ricostruiscono anche, idealmente, complessi antichi come un grande Crocifisso fiorentino smembrato, di pochi anni successivo. A ciò si aggiungono interessanti ritrovamenti della cosiddetta pittura italiana primitiva, ossia di opere medievali e del Rinascimento fino a Raffaello: Spinello Aretino, Lorenzo Monaco, Masaccio e Sodoma sono solo alcuni dei nomi coinvolti. In chiusura, una ricca serie di disegni di W.Y. Ottley e di altri artisti, che svolsero un ruolo di rilievo nella riscoperta ottocentesca dei primitivi e nell'avvio della storia dell'arte modernamente intesa. Libro.