lennard debra (33 resultados)

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condición: New.

Hardcover. Condición: Fine. Estado de la sobrecubierta: No Dust Jacket. No dust jacket. ; Buff cloth boards. Color illustrations. Due to size, ships within US only and only by media rate mail. ; Small 4to 9" - 11" tall; 159 pp.

Condición: As New. Unread book in perfect condition.

Hardcover. First Edition; First Printing. Linen cloth boards. Fine in fine wraparound band/dust jacket, in mylar cover.

Condición: New.

Hardback. Condición: New. Bowling's transition to abstraction, seen against the backdrop of 1960s-'70s debates on abstract art and the Black Arts movement"Modernism belonged to me also." So resolved the British Guiana-born artist Frank Bowling in 1966, when he moved from his temporary home base of London to New York City, keen to make his mark on modern painting. This volume surveys for the first time the transformative years that Bowling spent in the US from 1966 through 1975, a chapter of extraordinary productivity and artistic growth that would greatly shape his thinking and practice.Bowling's relocation to New York brought him into contact with an art scene in flux, with abstract painting on the rise and vigorous debates unfolding around Black cultural identity and artistic practice. Bowling participated in this scene in broad and deep ways, from his unique vantage point as an emigre twice over: exhibiting widely, writing for art magazines, engaging peers in dialogue and, in 1969, organizing 5+1, an exhibition of five leading African American abstract artists plus himself. During these years, his own work explored the tension between representational imagery and fields of color, ultimately moving toward full abstraction.Frank Bowling's Americas assembles more than 30 paintings-many rarely seen-from this critical period, and places them in the context of both Bowling's own artistic trajectory and the New York art scene at a time of aesthetic and racial reckoning. Offering magnificent reproductions of these vibrant, multifaceted works, accompanied by curatorial essays and statements by contemporary artists, this book invites new understanding of an artist whose work has remained always in motion.Born in British Guiana in 1934, Frank Bowling arrived in London in 1953, graduating from the Royal College of Art in 1962. By the early 1960s, he was recognized as an original force in London's art scene. After moving to New York in 1966, Bowling shifted away from figurative imagery. He returned to London in 1975 but continued to spend significant periods in New York. Bowling was awarded a knighthood in 2020. He is the subject of a BBC documentary, Frank Bowling's Abstract World.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Cloth. Condición: New. Estado de la sobrecubierta: Fine Condition. 160 pages with 85 illustrations in color. Still in shrink-wrap. Edited with text by Reto Thüring, Akili Tommasino, and Debra Lennard. Published on the occasion of the exhibition from The Museum of Fine Arts, Boston, MA October 22, 2022-April 9, 2023. Book.

Hardback. Condición: New. Bowling's transition to abstraction, seen against the backdrop of 1960s-'70s debates on abstract art and the Black Arts movement"Modernism belonged to me also." So resolved the British Guiana-born artist Frank Bowling in 1966, when he moved from his temporary home base of London to New York City, keen to make his mark on modern painting. This volume surveys for the first time the transformative years that Bowling spent in the US from 1966 through 1975, a chapter of extraordinary productivity and artistic growth that would greatly shape his thinking and practice.Bowling's relocation to New York brought him into contact with an art scene in flux, with abstract painting on the rise and vigorous debates unfolding around Black cultural identity and artistic practice. Bowling participated in this scene in broad and deep ways, from his unique vantage point as an emigre twice over: exhibiting widely, writing for art magazines, engaging peers in dialogue and, in 1969, organizing 5+1, an exhibition of five leading African American abstract artists plus himself. During these years, his own work explored the tension between representational imagery and fields of color, ultimately moving toward full abstraction.Frank Bowling's Americas assembles more than 30 paintings-many rarely seen-from this critical period, and places them in the context of both Bowling's own artistic trajectory and the New York art scene at a time of aesthetic and racial reckoning. Offering magnificent reproductions of these vibrant, multifaceted works, accompanied by curatorial essays and statements by contemporary artists, this book invites new understanding of an artist whose work has remained always in motion.Born in British Guiana in 1934, Frank Bowling arrived in London in 1953, graduating from the Royal College of Art in 1962. By the early 1960s, he was recognized as an original force in London's art scene. After moving to New York in 1966, Bowling shifted away from figurative imagery. He returned to London in 1975 but continued to spend significant periods in New York. Bowling was awarded a knighthood in 2020. He is the subject of a BBC documentary, Frank Bowling's Abstract World.

hardcover. Condición: New. **1st Edition** **HARDBACK** MFA 2022.

Condición: New. In.

Condición: NEW.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New.

Hardcover. Condición: new. Hardcover. Bowling's transition to abstraction, seen against the backdrop of 1960s70s debates on abstract art and the Black Arts movementModernism belonged to me also. So resolved the British Guianaborn artist Frank Bowling in 1966, when he moved from his temporary home base of London to New York City, keen to make his mark on modern painting. This volume surveys for the first time the transformative years that Bowling spent in the US from 1966 through 1975, a chapter of extraordinary productivity and artistic growth that would greatly shape his thinking and practice.Bowlings relocation to New York brought him into contact with an art scene in flux, with abstract painting on the rise and vigorous debates unfolding around Black cultural identity and artistic practice. Bowling participated in this scene in broad and deep ways, from his unique vantage point as an emigre twice over: exhibiting widely, writing for art magazines, engaging peers in dialogue and, in 1969, organizing 5+1, an exhibition of five leading African American abstract artists plus himself. During these years, his own work explored the tension between representational imagery and fields of color, ultimately moving toward full abstraction.Frank Bowlings Americas assembles more than 30 paintingsmany rarely seenfrom this critical period, and places them in the context of both Bowlings own artistic trajectory and the New York art scene at a time of aesthetic and racial reckoning. Offering magnificent reproductions of these vibrant, multifaceted works, accompanied by curatorial essays and statements by contemporary artists, this book invites new understanding of an artist whose work has remained always in motion.Born in British Guiana in 1934, Frank Bowling arrived in London in 1953, graduating from the Royal College of Art in 1962. By the early 1960s, he was recognized as an original force in Londons art scene. After moving to New York in 1966, Bowling shifted away from figurative imagery. He returned to London in 1975 but continued to spend significant periods in New York. Bowling was awarded a knighthood in 2020. He is the subject of a BBC documentary, Frank Bowling's Abstract World. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Condición: New. 2022. Hardcover. . . . . .

Condición: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Softcover. Condición: Near Fine. First Edition. [ART HISTORY]. Debra Lennard. "Notes On Solidarity: Tricontinentalism in Print, Sept 10 - Nov 2, 2019 (Exhibitions and Programs)." New York: James Gallery at the Graduate Center of the City University of New York, 2019. First edition. English language. Stapled zine exhibition pamphlet with paper wrappers. Text and black white illustrations. 8.5 x 5.5 in. 22 x 14 cm. 3 oz. 44 pp. Some use and wear evident, especially on back wrapper. Text clean. Intact. Near Fine. No ISBN. ASIN: B07ZG9P6KJ."Notes on Solidarity explores the Cold War-era political movement Tricontinentalism, and the role of printed materials within in. Inquiring into the relation of print culture to political feeling, the exhibition presents international graphic producation from the 1960s and the 1970s with Trincontinental solidarity as a theme. This booklet accompanies the exhibition and is intended to provide a record of its display. The booklet begins with an essay addressing the role of printed materials within Tricontinentalism as a movement. Shorter texts addressing the exhibition's individual sections follow. These texts are presented together with plans of each sections's layout within the James Gallery.".

Condición: NEW.

Hardback. Condición: New. Bowling's transition to abstraction, seen against the backdrop of 1960s-'70s debates on abstract art and the Black Arts movement"Modernism belonged to me also." So resolved the British Guiana-born artist Frank Bowling in 1966, when he moved from his temporary home base of London to New York City, keen to make his mark on modern painting. This volume surveys for the first time the transformative years that Bowling spent in the US from 1966 through 1975, a chapter of extraordinary productivity and artistic growth that would greatly shape his thinking and practice.Bowling's relocation to New York brought him into contact with an art scene in flux, with abstract painting on the rise and vigorous debates unfolding around Black cultural identity and artistic practice. Bowling participated in this scene in broad and deep ways, from his unique vantage point as an emigre twice over: exhibiting widely, writing for art magazines, engaging peers in dialogue and, in 1969, organizing 5+1, an exhibition of five leading African American abstract artists plus himself. During these years, his own work explored the tension between representational imagery and fields of color, ultimately moving toward full abstraction.Frank Bowling's Americas assembles more than 30 paintings-many rarely seen-from this critical period, and places them in the context of both Bowling's own artistic trajectory and the New York art scene at a time of aesthetic and racial reckoning. Offering magnificent reproductions of these vibrant, multifaceted works, accompanied by curatorial essays and statements by contemporary artists, this book invites new understanding of an artist whose work has remained always in motion.Born in British Guiana in 1934, Frank Bowling arrived in London in 1953, graduating from the Royal College of Art in 1962. By the early 1960s, he was recognized as an original force in London's art scene. After moving to New York in 1966, Bowling shifted away from figurative imagery. He returned to London in 1975 but continued to spend significant periods in New York. Bowling was awarded a knighthood in 2020. He is the subject of a BBC documentary, Frank Bowling's Abstract World.

Condición: New. KlappentextBowling s transition to abstraction, seen against the backdrop of 1960s- 70s debates on abstract art and the Black Arts movement Modernism belonged to me also. So resolved the British Guiana-born ar.

Buch. Condición: Neu. Neuware - Bowling's transition to abstraction, seen against the backdrop of 1960s-'70s debates on abstract art and the Black Arts movement.