kolbowski silvia (45 resultados)

hardcover. Condición: New.

Soft cover. Condición: Good. 1st Edition. 172 pp. First published in 1987; this copy, Stated: "Second printing 1990". Following Preface by Series Editor, Charles Wright, and a Preface by the Editor, Contents divided into three Parts, each with 2 sections of authors and Discussions afterward: THE CULTURAL PUBLIC SPHERE [1] "The Birth and Death of the Viewer": Thomas Crow, Martha Rosler, Craig Owens; "Discussion"; [2] "Strategies of Public Address: Which Media? Which Publics?": Douglas Crimp, Barbara Kruger, Krzysztof Wodiczko; "Discussion"; 1967/1987 : GENEALOGIES OF ART AND THEORY [1} "Theories of Art after Minimalism and Pop": Michael Fried, Rosalind Krauss, Benjamin H.D. Buchloh; "Discussion"; [2] "Legacies of Critical Practice in the 1980s": Dan Graham, Aimee Rankin, Silvia Kolbowski; "Discussion"; THE POLITICS OF REPRESENTATIONS [1] "Of Other Peoples: Beyond the ' Salvage ' Paradigm": James Clifford, Virginia Dominguez, Silvia Kolbowski; "Discussion"; [2] "Of Bodies and Technologies": Alice Jardine Michel Feher; "Discussion". Teal wrappers with 1 1/8" vertical medium gray strip down right side of front cover; Title lettering in small white letters across upper middle front cover; Editor name lettering in small black letters over teal at lower right front cover; yellow bar at top right front cover with Foundation name letters in black superimposed. While the book itself is solid, previous owner marked up 12 pages with small amount of yellow marker and 17 pp. with orange marker (that is, 29 pp. of 172 pp); previous owner name printed at top right ffep; small foxing speckles on edges; corners essentially square (NO bumps or curls); small scrape to bottom right spine corner paper (spine not impacted): describes much worse than it is, but there you have it. Still a solid artifact for one more than 35 years-old: the way to read a Classic in Art Criticism.

Softcover. Condición: Very Good with no dust jacket. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear, light soiling. Contents: Mulvey, Some thoughts on theoris of fetishism in the context of contemporary culture. Lamoureux, Underlining the legend of the gallery space. Kolbowski, Once more, with feeling.already. Pierre Boulez and John Cage, The Boulez-Cage correspondence: selections. Rouan, Circling around a void. Marin, Picasso: image witing in process. Marin, Narrative theory and Picasso as history painter. ; 9.0" tall; 132 pages.

216 pp.; 26.6 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 8, 1989 - February 18, 1990, with public projects held November 22 - December 31, 1989. Texts by Marvin Heiferman, Lisa Phillips, and John G. Hanhardt. SArtists include Vito Acconci, Dennis Adams, Laurie Anderson, John Baldessari, William Beckley, Gretchen Bender, Wallace Berman, Ashley Bickerton, Dara Birnbaum, Nayland Blake, Barbara Bloom, Troy Brauntuch, Chris Burden, Nancy Burson, David Kramlich, Peter Campus, Sarah Charlesworth, John Clem Clarke, Clegg and Guttmann, Chuck Close, Bruce Conner, Robert Cumming, Fluxus Collective, George Brecht, Alison Knowles, Robert Watts, George Maciunas, Jack Goldstein, Dan Graham, Gran Fury, Hans Haacke, Robert Heinecken, Jenny Holzer, Larry Johnson, Edward Kienholz, Carole Ann Klonarides, Silvia Kolbowski, Jeff Koons, Joseph Kosuth, Barbara Kruger, Annette Lemieux, Les Levine, Sherrie Levine, Roy Lichtenstein, Robert Longo, Frank Majore, Allan McCollum, Matt Mullican, Peter Nagy, Bruce Nauman, Nam June Paik, Richard Prince, Robert Rauschenberg, David Robbins, James Rosenquist, Edward Ruscha, David Salle, Richard Serra, Cindy Sherman, Laurie Simmons, Lorna Simpson, Alexis Smith, Mark Tansey, Bill Viola, Andy Warhol, Oliver Wasow, William Wegman, Tom Wesselmann, and Krzysztof Wodiczko. Includes image world chronology, selected bibliography, films and videotapes in the exhibition, and an exhibition checklist. Very Good / Fine. Light rubbing of cover edges and yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover. 25 x 21,4 cm. White original paperback with illustrated covers. 126 pages with texts and many b/w illustrations (photos / drawings). With bibliography. Clean copy in good condition without marks or names etc. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den Jahresanfang mit unterhaltender Lektüre! - Bei uns finden Sie das richtige Geschenk! -- Wir kaufen Ihre werthaltigen Bücher! Archi.

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft Cover. Condición: Fine. This is a fine softcover copy with no wear at all. Completely clean. This small catalog was prepared to accompany the exhibition/installation at the Centre for Contemporary Art, Ujazdowski Castle from March 10 to April 212, 2007. Illustrated in color. 5" high X 7" wide, about 35 pages. This catalog will be securely wrapped and shipped with tracking.

Condición: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDMinor wear to extremities else good. Mary Kelly: Desiring Images/Imaging Desire; Alice Jardine: At the Threshold: Feminists and Modernity; Jane Warrack: Untitled; Connie Hatch; The Desublimation of Romance; Jean-Francois Lyotard: Somr of the things at stake in Woman's Struggles, etc etc*.

Paperback. Condición: Very Good. . . . . 8vo, paperback. Vg condition. Covers and contents clean, no marking or writing. Binding square and tight. 126 pp., illus. 20th, Architecture, Century, Design, European, History, Modern, Urban, 0847803805.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Soft cover. Condición: Very Good. Published conversation between noted artists Silvia Kolbowski and Walid Raad. No interior marks. Some slight soiling to front wrap near spine, one discoloration to spine. Excellent reference copy.

Softcover staple bound exhibition catalog, 24 pages, good condition, pen writing on corners of front cover; no internal marks.

Printed Wrappers. Condición: Very Good. First Edition. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The MoMA Expansion: A Conversation with Terence Riley - Hal Foster, Denis Hollier, Silvia Kolbowski and Rosalind Krauss; Cezanne: Words and Deeds - Yve-Alain Bois; Arche-tectures: Matisse and the End of (Art) History - Alastair Wright; Figures of the Pseudorevolution - Brigid Doherty; In the Laboratory of Constructivism: Karl Ioganson's Cold Structures - Maria Gough; and Mondrian, Hegel, Boogie - Harry Cooper. A handsome example showing some slight wear to the covers along with a slight dent to the crown of the spine. It has been priced accordingly. Journal.

Printed Wrappers. Condición: Very Good. First Edition. 124pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Death of Paper: A Radio Play - Denis Hollier; Formless: A User's Guide, Excerpts To Introduce a User's Guide - Yve-Alain Bois; A User's Guide to Entropy - Yve-Alain Bois and Rosalind Krauss; Informe without Conclusion - Rosalind Krauss; Obscene, Abject, Traumatic - Hal Foster. A handsome example. Journal.

Printed Wrappers. Condición: Fine. First Edition. 148pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Round Table: Independence in the Cinema - Stuart Klawans, Annette Michelson, Richard Pena, James Schamus and Malcolm Turvey; Hantai, Villegle and the Dialectics of Painting's Dispersal - Benjamin H. D. Buchloh; Play-tactics of the Internationale Situationiste - Libero Andreotti; Performance, Video and the Rhetoric of Presence - Anne M. Wagner; Los Angeles Photographs 1976-78 - James Welling; From Clementina to Kasebier: The Photographic Attainment of the 'Lady Amateur' - Carol Armstrong; The Estates General of the Documentary Film - Annette Michelson. A most handsome example. Journal.

Wrappers. Condición: Bueno. 1st ed. 18.5x23.5. 148pp. Wrappers. Good. Round Table: Independence in the Cinema - Stuart Klawans, Annette Michelson, Richard Pena, James Schamus and Malcolm Turvey; Hantai, Villegle and the Dialectics of Painting's Dispersal - Benjamin H. D. Buchloh; Play-tactics of the Internationale Situationiste - Libero Andreotti; Performance, Video and the Rhetoric of Presence - Anne M. Wagner; Los Angeles Photographs 1976-78 - James Welling; From Clementina to Kasebier: The Photographic Attainment of the 'Lady Amateur' - Carol Armstrong; The Estates General of the Documentary Film - Annette Michelson. English.

Softcover, 112 pages, very good condition except moderate rubbing to covers, no internal marks. Foreign shipping may be extra.

Softcover, 88 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Trade Paperback. Condición: Used - Good. small inscription to previous owner in black ink on the first page.

8°, kartoniert. Condición: Gut. 176 S. zahlreiche Abbildungen, guter bis sehr guter Zustand Sprache: Englisch Gewicht in Gramm: 378.

Printed Wrappers. Condición: Very Good. First Edition. 137pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include; The City as Dreamworld and Catastrophe - Susan Buck-Morss; Recasting the Public Sphere - Peter Uwe Hohendahl; Not Reconciled - Judith Barry; The Haunted Museum: Institutional Critique and Publicity - Frazer Ward; The Will to Motorization: Cinema, Highways, and Modernity - Edward Dimendberg. A handsome copy showing just a bit of light handling and the remnants of its bar code sticker on the front cover. It has been priced accordingly. Journal.

Soft cover. Condición: Very Good. Slight crease/bump to top corner at spine. Minor rubbing to card edges.

paperback. Condición: Acceptable. has some water damage. softcover book, has some heavy wear to cover and book edges.

paperback. Condición: Very Good. Gently read, if at all. No markings.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hardbound in dust jacket.

Paperback. Condición: As New. A.R.T. ; NY, 2006. Thin paperback. First edition. A fine copy in French wraps. 8vo[octavo or approx. 5 x 8], 73pp., black and white illustrations. We pack securely and ship daily w/delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

Printed Wrappers. Condición: Near Fine. First Edition. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Excerpts from The Dutch Group Portrait - Alois Riegl; Postscript: Alois Riegl in the Presence of The Nightwatch - Benjamin Binstock; Haptical Cinema - Antonia Lant; Facturing Femininity: Manet's Before the Mirror - Carol Armstrong; Picasso's Endgame - Leo Steinberg; Dada by the Numbers - John Miller; Pater Nauman - Pamela M. Lee; Just Being Doesn't Amount to Anything (Some Themes in Bruce Nauman's Work) - Isabelle Graw. A most handsome example. Journal.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

47 pp.; 20.3 x 22.8 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The New Museum of Contemporary Art, New York, December 8 - February 10, 1985 with Feature and Short films shown at Joseph Papps Public Theatre, January 25 - February 3, 1985. Traveled to The Renaissance Society at the University of Chicago, Illinois, March 3 - April 7, 1985 and the Institute of Contemporary Arts, London, July 19 - September 1, 1985. Guest curated by Kate Linker with Jane Weinstock as guest curator of Film and Video. Artists include Max Almy, Ray Barrie, Judith Barry, Raymond Bellour, Dara Birnbaum, Victor Burgin, Theresa Hak Kyung Cha, Cecilia Condit, Jean-Luc Godard, Hans Haacke, Mary Kelly, Silvia Kolbowski, Barbara Kruger, Sherrie Levine, Yve Lomax, Stuart Marshall, Martha Rosler, Philippe Venault, Jeff Wall, and Marie Yates. Preface by Marcia Tucker. Texts by Craig Owens, Jacqueline Rose, Peter Wollen, and Jane Weinstock. Includes exhibition checklist. Very Good. Light rubbing of cover edges and corners. Contents clean and unmarked.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.