klochko deborah (99 resultados)

48 S. mit Fotografien, kartoniert, englischer Text, EA., 4° guter Zustand. Bücher.

Hard Cover. Condición: Book good. Estado de la sobrecubierta: Jacket. 120 pp. Index of photographers. The Polaroid collection.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Good. Original green cloth, dust jacket, illustrated with numerous (full page) colour photographs and some in b/w, 4to.

1. edition. Absolut neuwertig!!!!!!!!!!!!!!!!!!!!!!!!!!! Siehe Photo. Überwiegend Abbildungen. 19, 191 Seiten. OriginalGanzleinen, Schutzumschlag.

OKart., 160 Seiten mit zahlr. Foto-Abb. im Text u. auf Tafeln, 4° (24 x 29 cm), tadellos, sehr schöner Zustand. Book Language/s: English, Spanish.

Condición: Good. Used book that is in clean, average condition without any missing pages.

Hardback. Condición: As New. Whaley, Jo [photo.] Ilustrador. As new hardback copy. 128pp. Size: 8vo - over 7¾" - 9¾" tall. Book.

Condición: Good. Good condition. Very Good dust jacket. In protective mylar cover. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st Edition. 1st edition hardback, 2006. Square format. Pictorial dustjacket fine. Pale embossed boards VG. Pages very lightly foxed at the top edge, internally very clean & tight. No inscriptions. Well illustrated. 208 pages. Apologies for the cropped images, this book is larger than the plate on our scanner.

Condición: Gut. Auflage: 1.,. 192 Seiten guter, sauberer Zustand Sprache: Deutsch Gewicht in Gramm: 1283 23,1 x 2,5 x 28,4 cm, Gebundene Ausgabe.

Hard cover. Condición: Very good. No jacket. Excellent Condition. Spine and bottom cover edges are sunned, but legibility is not impacted. Inside is clean and unmarked.

Brossura. Condición: ottimo. prima edizione. "The early years of the 20th-century were a time of trmendous change and growth for Japan, which was reflected in the photography that emerged at the time. By the end of the 19th-century, a new generation of photographers was emerging, many of whom studied in a system that was integrating Western ideas into Japanese culture. As Japan made the transition into an industrialized economy, artists began to establish themselves in the international arena. The pre-war modern photography movement in Japan flourished with a rich exchange of ideas and information as aritsts studied in Europe and international artistic developments were explored through exhibitions and publications in Japan. "Modern Photography in Japan: 1915-1940"will present over 80 images, many of which have never been seen before in the United States, by 35 photographers whose work evolved from a pictorialist tradition to the beginning of a modernist aesthetic. Essay by Ryuichi Kaneko. Foreword by Norihiko Matsumoto. Introduction by Deborah Klochko." Text: Matsumoto Norihiko, Kaneko Ryuichi. cm 21,5x25,5; pp. 136; 82 COL; paperback, as new.

4° quer (25,5x27 cm); OLn. m. farbig illustr. OU; 120 S. m. zahlr. ganzs. Abb.; Umschlag berieben und bestoßen, kleiner Einriss am Kapital, innen sehr sauber. Text auf englisch.

Hardcover. Condición: Fine. First Edition. Quarto. A fine copy - as new, still sealed in the original shrink wrap.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hard cover. Condición: Very good. Estado de la sobrecubierta: Very good. Jacket edges are slightly worn. Spine is tight. Back cover is lightly stained, but legibility is not impacted. Inside is clean and unmarked.

Ownership Signature of Roger Cardinal on endpaper, Near Fine in publishers decorated boards. 1st edition. Illustrated throughout.The first survey of outsider photography This is the first survey of an electrifying subset of outsider art - outsider photography. Presented here is the work of seventeen artists, almost all self-taught, who use photography or photographic elements in their work. This is work of not just untrained or isolated artists, but those propelled by the extremes of disposition or circumstance. The dissemination of images of this art made by those set apart for various reasons from "normal" social behaviours - the mentally ill, prisoners, and eccentrics - infiltrated the art world in the early 1920s, and has long incorporated photography. Employing collage (affixing photos or reproductions to a background); photocollage (photographs cut and pasted together to form a new whole); and tableaux (works based on manipulation and staging), the artists here present work that is lyrical and frightening, but always fascinating.Roger Cardinal was one of BritainÕs most distinguished art historians, best known for defining what is generally known as Outsider Art - that is, art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba, Canada, subsequently moving to Warwick University and finally to the University of Kent at Canterbury, where he taught for fifty years and held a professorship.Roger Cardinal was not only a leading authority on Outsider Art, but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent, percipient writings include several books on a wide range of subjects such as Outsider Art (1972), German Romantics in Context (1975) Figures of Reality (1981), Expressionism (1984), The Landscape Vision of Paul Nash (1989), The Cultures of Collecting (1994), and Kurt Schwitters (2011). He also acted as a curator and was a regular contributor to art-historical publications.CardinalÕs interest in art lay in its margins - the neurodiverse, psychotic, uneducated, autistic, self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly, it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. ISBN 0811844323.

Introductions by Barbara Hitchcock and Deborah Klochko; essay Deborah Martin Kao. 120p., colored and b/w illus., square quarto format, stiff wrappers.

Hardcover. Condición: New in Shrink-Wrap. NEW IN SHRINK-WRAP. 4to, 156 pp, new in blind-stamped and printed boards, as issued, without dj. Lavishly illustrated in color with the work of 16 contemporary photographers. Includes photographers' biographies. First edition. Interesting design, with a tiered fore-edge and open face perfect binding.

Wraps. Condición: As New. First edition. An exhibition catalog, from "Perceptions", with price list laid in; 48 pages. Between 1945 and 1955, a fortunate group of students at the California School of Fine Arts in San Francisco studied under a faculty that included some of the great photographers of the ageâ??Ansel Adams, Minor White, Edward Weston, Imogen Cunningham, Dorothea Lange, and Lisette Model. Many of the students went on to distinguished photographic careers themselves. Accompanied by a beautiful and informative book, the exhibition showcases about sixty choice examples of the work of teachers and students active at the CSFA during this remarkable midcentury period. Minor Martin White (July 9, 1908 â?? June 24, 1976) was an American photographer, theoretician, critic, and educator. He combined an intense interest in how people viewed and understood photographs with a personal vision that was guided by a variety of spiritual and intellectual philosophies. Starting in Oregon in 1937 and continuing until he died in 1976, White made thousands of black-and-white and color photographs of landscapes, people, and abstract subject matter, created with both technical mastery and a strong visual sense of light and shadow. He taught many classes, workshops, and retreats on photography at the California School of Fine Arts, Rochester Institute of Technology, Massachusetts Institute of Technology, other schools, and in his own home. He lived much of his life as a closeted gay man, afraid to express himself publicly for fear of loss of his teaching jobs, and some of his most compelling images are figure studies of men whom he taught or with whom he had relationships. He helped start, and for many years was editor of, the photography magazine Aperture. After his death in 1976, White was hailed as one of America's greatest photographers.

Exhibition catalogue. First edition first impression 2004. Essay by Roger Cardinal. Pictorial boards. Near fine. The first survey of outsider photography This is the first survey of an electrifying subset of outsider art - outsider photography. Presented here is the work of seventeen artists, almost all self-taught, who use photography or photographic elements in their work. This is work of not just untrained or isolated artists, but those propelled by the extremes of disposition or circumstance. The dissemination of images of this art made by those set apart for various reasons from "normal" social behaviours - the mentally ill, prisoners, and eccentrics - infiltrated the art world in the early 1920s, and has long incorporated photography. Employing collage (affixing photos or reproductions to a background); photocollage (photographs cut and pasted together to form a new whole); and tableaux (works based on manipulation and staging), the artists here present work that is lyrical and frightening, but always fascinating. Ask to see our other Photography titles.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Fine in a Fine jacket. 1st Printing.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine.

hardcover. Condición: fine. Estado de la sobrecubierta: very good(+). Essay by Deborah Martin Kao. Over 80 color plates throughout. Square 4to, grey cloth, dust wrapper (wrapper lightly crinkled at top edge). New York: Abrams, (1999). A fine copy in a very good(+) dust wrapper.

Paperback. Condición: Very good. Paperback. 51p. Lightly rubbed and edgeworn, else very good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. A lovely, crisp, clean hardcover in very good condition; light shelf wear. Dust jacket in very good condition with small closed tear to rear. We are a brick-and-mortar store and sell our own inventory.

Harry N. Abrams, Inc. Publishers.New York.1999.Publishers cloth with dust jacket. Not paginated. Illustrated. Photos by Ansel Adams, Robert Frank, David Hockney, Robert Mapplethorpe and many more. Nice copy in fine condition.

Condición: Very Good +. 4to, 48 pp, VG+ in pictorial wraps. Profusely illustrated in duotone photographs. Includes a catalogue checklist.

Condición: Good. 8vo. Stapled Wraps, [20 pp.]. Very Good. B&W Photographs. Black and white illustrations. Includes six pages of tear-out postcards.From the collection of UC Berkeley art historian Peter Selz (1919 - 2019).