kirsch karin (62 resultados)

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

hardcover, Condición: Good, Rizzoli, NY, c.1989, 9-1/4"x12", cloth, 224pp., water-stain to bottom 4" of foredge, slightly affecting margin of text inside, ow G/G $.

paperback. Condición: fine. Illustrated with photos, drawings, and plans. 71pp., thin folio, glossy, stiff, printed wrappers. Stuttgart: Deutsche Verlags-Anstalt, (1997). A fine copy.

Hardcover. Condición: NF. Hardback in Near Fine condition with Very Good+ dust jacket . 4to 11" - 13" tall. 224 pages. Beautiful volume in a dust jacket with some fading to front along spine . Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Paperback. Condición: Very good. Paperback. 71pp. Darkened and rubbed overall, else very good in publisher's wraps.

Hard Cover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. This is a near fine hardcover copy with a near fine dust jacket. Completely clean no spotting or other marks. Stated first edition. The Weissenhofsiedlung: Experimental Housing built for the Deutscher Werkbund, in 1927, involved many of the leading architects of the period such as Le Corbusier and Peirre Jeanneret, Peter Behrens, Victor Bourgeois, Richard Docker, Josef Frank, Walter Gropius, Ludwig Hilberseimer, Ludwig Mies van der Rohe, J.J.P. Oud, Hans Poelzig, Adplf Rading, Hans Scharoun, Adolf Schneck, Mart Stam, Bruno and Max Taut. Illustrated throughout in black & white with vintage photographs, architects drawings, elevations, plans, details, etc. Chronology. Biographical sketches of the architects. Bibliography. 12" high X 9" wide, 223 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Original red cloth. First US edition. Lower points gently bumped else fine condition. In fine DJ. ; 20 X 14 X 4 centimeters; 224 pages.

Hardcover. Condición: Used - Very Good. Very nice clean, tight copy free of any marks.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Black and white photographs and line drawings throughout. Translated from the German. First edition thus. Near fine in a near fine dust jacket.

Hardcover. Condición: New.

Hardcover. Condición: Brand New. German language. 8.50x6.89x0.59 inches. In Stock.

Hardcover. Condición: New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Study of the housing development in Stuttgart designed by architects of the modern movement for the 1927 exhibition "Die Wohnung". Contents: Preface -- I. The climate after World War I. Politics and society ; The cultural situation in Stuttgart ; The Deutscher Werkbund ; The revolutionary groupings of November 1918 : Arbeitsrat für Kunst and Novembergruppe ; Der Zehnerring and Der Ring ; Der Block -- II. The Werkbund Exhibition. The aims of the 1972 exhibition ; The opening ; The International Exhibition of Modern Architecture : designs and models ; Indoor exhibitions : Gewerbehalle and Stadtgartenumgang ; The Weissenhof test lot -- III. The Weissenhofsiedlung. Prologue ; Choice of site and evolution of site layout ; The selection process ; Ludwig Mies van der Rohe : Houses 1, 2, 3, 4 ; Jacobus Johannes Pieter Oud : Houses 5, 6, 7, 8, 9 ; Victor Bourgeois : House 10 ; Adolf Gustav Schneck : Houses 11, 12 ; Le Corbusier and Pierre Jeanneret : Houses 13, 14, 15 ; Walter Gropius : Houses 16, 17 ; Ludwig Hilberseimer : House 18 ; Bruno Taut : House 19 ; Hans Poelzig : House 20 ; Richard Döcker : Houses 21, 22 ; Max Taut : Houses 23, 24 ; Adolf Rading : House 25 ; Josef Frank : Houses 26, 27 ; Mart Stam : Houses 28, 29, 30 ; Peter Behrens : Houses 31, 32 ; Hans Scharoun : House 33 -- Appendix A: The Deutscher Werkbund announces the 1927 Stuttgart exhibition, December 1926 -- Appendix B: Mies van der Rohe's undated list of types (Siedlungstypen) -- Appendix C: Mies van der Rohe sums up, 1927 -- Appendix D: Some contemporary reactions -- Chronology -- Biographies -- Glossary of German terms. 223p : ill. ; 30 cm. First edition, first impression. Red cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Hardcover. Condición: Near Fine. Book and jacket near fine.

Softcover. 24,5 x 24,5 cm. Originalbroschur mit 78 (2) Seiten, reich farbig und einfarbig bebildert. In gutem Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den Jahresanfang mit unterhaltender Lektüre! - Bei uns finden Sie das richtige Geschenk! -- Wir kaufen Ihre werthaltigen Bücher! Archi.

Hardcover. Condición: Fine. Leichte Risse; Farbveränderung durch Alter/Sonne.

Hardcover. Condición: new. Hardcover. First published in 1989 by Rizzoli International Publications, Inc. The fundamental significance of the Weissenhofsiedlung in Stuttgart for the history of early modern architecture should not be underestimated. Almost all the influential architects of the 20th century built their proposed solutions in response to the theme "a home for modern city dwellers" on the beautifully located slope on the north side of Stuttgart. The choice of architects and the fact that a project of this type could be implemented at all so few years after World War I and the inflation, is one of the outstanding characteristics of this building exhibition". The German Werkbund is aware, and points out most emphatically that so important a task can only be successful and have a major impact if it is not only carried out in a technically flawless manner but also creates trend-setting architectonic solutions. The Werkbund therefore recommends to the city of Stuttgart that leading architects be commissioned with planning the exhibition and thus assuming a leading role in the construction of modern housing both in Germany and abroad. This memorandum, dated January 1926, concludes with the following appeal: It is now up to the municipal council whether this event, so crucial for the promotion of our housing, will be able to take place in Stuttgart in 1927. An interesting situation thus arose: members of the municipal council had to decide on the merits of this pioneering project. The majority voted for it. The result: 25 yes votes, 11 no votes and 6 abstentions. How did this project ever come to Stuttgart, anyway? What made it possible was a favourable constellation of both personnel and chronological circumstances. Gustaf Stotz must be regarded as the project's initiator. It was he who managed to fire up the enthusiasm of the leadership of the German Werkbund and of the city about the project. It is also thanks to him that Mies van der Rohe undertook to be its artistic director. Mies and many of the architects of the Weissenhofsiedlung were relatively young and not established. They had a fine reputation in avantgarde circles, but hardly outside them. Moreover, in the German Werkbund the entire project was regarded as not really important -- a sort of practice piece for a "world building exhibition" that would take place in Berlin in 1930. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Gerhard Kirsch Ilustrador. First English Language Edition. Size: 4to 9 3/4 - 12". 224 pp. Internally clean. Binding firm. Dust Jacket slightly creased. Edges slightly marked. Illustrator: Gerhard Kirsch. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Architecture; United States; 1920s; Art & Design. ISBN: 0847811077. ISBN/EAN: 9780847811076. Pictures of this item not already displayed here available upon request. Inventory No: 60403.

224 S. m. zahlr. Abb., 4°, OLwd. m. OU. Erste amerikan. Ausgabe. Mit ausführl. bio-bibliograph. Anhang.

paperbound, flaps, small 4to 164 pp., ca. 200 ills. Ausstellungskatalog Kestner-Museum Hanover, Galerie der Stadt Stuttgart, Haus Konstructiv Zürich; very good condition.

SOFTCOVER. Condición: Fine. 1st Edition Thus. Extra Large 4to. in stiff glossy card covers, 71pp on stiff art paper, numerous plans and illustrations in text, bibliography, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy (minute speck of shelf rub to cover corner tips, covers faintly tanned) ] . . . . . . . . . . . . . To see more of our books on Architecture type DbbARCH in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condición: Good. Evansville, IN: Tri-State Genealogical Society, 1995. Book 2. 4to hardcover. 455pp. Genalogical tables. Good book. Bowed. (Genealogy, Indiana, Kentucky, Ohio) Inquire if you need further information.

Hardback. Condición: New. First published in 1989 by Rizzoli International Publications, Inc. The fundamental significance of the Weissenhofsiedlung in Stuttgart for the history of early modern architecture should not be underestimated. Almost all the influential architects of the 20th century built their proposed solutions in response to the theme "a home for modern city dwellers" on the beautifully located slope on the north side of Stuttgart. The choice of architects and the fact that a project of this type could be implemented at all so few years after World War I and the inflation, is one of the outstanding characteristics of this building exhibition". The German Werkbund is aware, and points out most emphatically that so important a task can only be successful and have a major impact if it is not only carried out in a technically flawless manner but also creates trend-setting architectonic solutions. The Werkbund therefore recommends to the city of Stuttgart that leading architects be commissioned with planning the exhibition and thus assuming a leading role in the construction of modern housing both in Germany and abroad. This memorandum, dated January 1926, concludes with the following appeal: It is now up to the municipal council whether this event, so crucial for the promotion of our housing, will be able to take place in Stuttgart in 1927. An interesting situation thus arose: members of the municipal council had to decide on the merits of this pioneering project. The majority voted for it. The result: 25 yes votes, 11 no votes and 6 abstentions. How did this project ever come to Stuttgart, anyway? What made it possible was a favourable constellation of both personnel and chronological circumstances. Gustaf Stotz must be regarded as the project's initiator. It was he who managed to fire up the enthusiasm of the leadership of the German Werkbund and of the city about the project. It is also thanks to him that Mies van der Rohe undertook to be its artistic director. Mies and many of the architects of the Weissenhofsiedlung were relatively young and not established. They had a fine reputation in avantgarde circles, but hardly outside them. Moreover, in the German Werkbund the entire project was regarded as not really important -- a sort of practice piece for a "world building exhibition" that would take place in Berlin in 1930.

Hardback. Condición: New. First published in 1989 by Rizzoli International Publications, Inc. The fundamental significance of the Weissenhofsiedlung in Stuttgart for the history of early modern architecture should not be underestimated. Almost all the influential architects of the 20th century built their proposed solutions in response to the theme "a home for modern city dwellers" on the beautifully located slope on the north side of Stuttgart. The choice of architects and the fact that a project of this type could be implemented at all so few years after World War I and the inflation, is one of the outstanding characteristics of this building exhibition". The German Werkbund is aware, and points out most emphatically that so important a task can only be successful and have a major impact if it is not only carried out in a technically flawless manner but also creates trend-setting architectonic solutions. The Werkbund therefore recommends to the city of Stuttgart that leading architects be commissioned with planning the exhibition and thus assuming a leading role in the construction of modern housing both in Germany and abroad. This memorandum, dated January 1926, concludes with the following appeal: It is now up to the municipal council whether this event, so crucial for the promotion of our housing, will be able to take place in Stuttgart in 1927. An interesting situation thus arose: members of the municipal council had to decide on the merits of this pioneering project. The majority voted for it. The result: 25 yes votes, 11 no votes and 6 abstentions. How did this project ever come to Stuttgart, anyway? What made it possible was a favourable constellation of both personnel and chronological circumstances. Gustaf Stotz must be regarded as the project's initiator. It was he who managed to fire up the enthusiasm of the leadership of the German Werkbund and of the city about the project. It is also thanks to him that Mies van der Rohe undertook to be its artistic director. Mies and many of the architects of the Weissenhofsiedlung were relatively young and not established. They had a fine reputation in avantgarde circles, but hardly outside them. Moreover, in the German Werkbund the entire project was regarded as not really important -- a sort of practice piece for a "world building exhibition" that would take place in Berlin in 1930.

Condición: Sehr gut. 71 Seiten Sprache: Englisch Gewicht in Gramm: 400 30 x 23 cm, Softcover/Paperback.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. first edition 1993 softcover in very good condition, slight shelf wear, 68 pages, in German, B/W illustrations.

Folio. Or.bds. Dustjacket. (plastic-covered) 224pp. b/w ills. Fine. The history of the Weissenhofsiedlung and its recent restoration.

Condición: New. The fundamental significance of the Weissenhofsiedlung in Stuttgart for the history of early modern architecture should not be underestimated. Almost all the influential architects of the 20th century built their proposed solutions in response to the theme .