jill hartz (44 resultados)

Condición: Good. hardcover 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: Not Issued. 1st. 110pp. color and b&w photos, NF conditon. Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: good. Signs of wear and consistent use.

Condición: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

hardcover. Condición: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Condición: Near Fine wraps. 1st trade pbk. 4to. 110pp.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Oversized hardbound book in bright clean condition throughout, including full color dust jacket. Artists include Jay Backstrand, Bets Cole, Cie Goulet, James Lavadour, and Isaka Shamsud-Din, among many others.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Fine in a fine jacket with no wear or markings - looks new.

Saddle-stapled wraps. Condición: Very Good. No Jacket. First Edition. 8vo - over 7¾" - 9¾" (square). A very good+ copy with small sticker to front cover; minor bumping to corners. Color Illustrations.

Paperback. Condición: Fine. First Edition. Illus., 64pp. Bright, sharp, clean copy with no ownership markings. Appears to have never been read. Well packaged in a box, ships with tracking.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. text clean and unmarked. binding tight. boards have very light wear. edges of pages have little to no wear. dust jacket has very light wear.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Based on the exhibition of the same title January 20 to April 29, 2018 At Schnitzer Museum of Art in Portland Oregon. In unused condition.

Soft cover. Condición: Fine. Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR, 2017. Softcover, 64 pp. Exhibition catalog, profusely illustrated in color. The paintings of Oregon artists Mark Clarke (1935-2016) and Margaret Coe (born 1941). This show took place from October 21 2017 to April 1, 2018. In fine condition.

Soft Cover. Condición: Near Fine. First Edition; First Printing. Tight, clean and crisp. The book appears unread and looks New. With a very tiny tear to top of spine. No inscriptions. No remainder mark. Not ex-library. As New. ; Illustrated with numerous full page color plates. With essays by Jill Hartz, Andrea Douglas, and David Summers. ; 4to; 252 pages.

Condición: New. Brand New.

Softcover. Condición: VG. Clean and tight. Color-illustrated wraps; orange spine with white and yellow lettering; French flaps. Many color illustrations. Catalogue of an exhibition held October 21, 2017-April 1, 2018. With essays by all of the authors.

Condición: new.

Hardcover. Estado de la sobrecubierta: Near Fine. First Edition. 159 pages. 10-3/8 by 13 inches. First edition (first printing). A fine copy in a dust jacket with minor edge wear. A large book.

Paperback. Condición: new. Paperback. In the summer of 2000, the University of Virginia Art Museum mounted an unusual site-specific exhibition called "Hindsight/Fore-site: Art for the New Millennium," for which twenty-four artists created artworks inspired by Thomas Jefferson's legacy. Artists included Agnes Denes, Ann Hamilton, Martha Jackson-Jarvis, Michael Mercil, the Monacan Indian Council, Todd Murphy, Dennis Oppenheim, Lincoln Perry, and Lucio Pozzi; among the sites featured were Montpelier, Ash Lawn-Highland, the Monticello Visitors' Center, area parks and schools, and the University of Virginia. Charlottesville, longtime home of Jefferson and site of the university he founded, served as an ideal location for the exhibition.New essays by the art historian and curator John Beardsley and the exhibition's curator, Lyn Bolen Rushton, explore the art-historical significance of the exhibition and the works' connection to Jefferson's life complemented by essays of noted Jefferson scholars, illuminating arenas of particular concern to the artists. The historian Peter S. Onuf writes on slavery and Sally Hemings, University of Virginia's president John T. Casteen III considers education and democracy, and the Monticello senior historian Lucia Stanton examines agrarian theory and practice.The projects in "Hindsight/Fore-site" were conceptually ambitious and visually compelling, yet most were ephemeral, making the eighty illustrations and accompanying essays in Siting Jefferson a particularly valuable documentation of a remarkable and largely unreplicable exhibition. In 2000, the University of Virginia Art Museum mounted an exhibition called ""Hindsight/Fore-site: Art for the New Millennium"", in which 24 artists created works inspired by Thomas Jefferson's legacy. This text contains essays which explore the art-historical significance of the exhibition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: Fine. 64 pp., paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. A nice, solid copy. ; Color Plates; Small 4to.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Jordan Schnitzer Museum of Art [Published Date: 2018]. Hardcover, 42 pages, 5 pages of plates : chiefly illustrations (chiefly color), portraits ; 21 x 21 cm. Catalog published in conjunction with the exhibition of the same title held at the Jordan Schnitzer Museum of Art, September 12, 2018 - December 30, 2018. Very good in very good dust jacket. Gray cloth covered boards with silver lettering on front and spine. Light bumping and scuffing to edges of covers. Binding tight. Pages clean and unmarked. Dust jacket has a few tiny nicks and light creasing along edges. light overall scuffing to jacket as well. Now in an archival-quality (removable) Brodart Cover. NOT Ex-Library. NO remainder marks. Contents include: Foreword by Jill Hartz, executive director and curator of the exhibition; Conversing with history : Matthew Picton's cartographic sculptures by Emily Dara Shinn; Mapping conquest and colonialism by Matthew Piction; Works in the exhibition; Matthew Picton : biography.

Hardcover. Condición: VG/VG. Gray cloth boards with silver stamped lettering. White and color-illustrated dust jacket with brown and black lettering. 159 pp. Mainly color illustrations. Catalog of an exhibition held at the Jordan Schnitzer Museum of Art, University of Oregon, Eugene, January 20-April 29, 2018. Contents: Introduction / Robert and Desirée Yarber, Morris Graves Foundation -- Foreword : the nature of art, the art of nature / Jill Hartz, Executive Director and exhibition co-curator, Danielle Knapp, McCosh Associate Curator and exhibition co-curator -- Finding time in Achepohl's vision of nature / Cory Gundlach -- A conversation with Keith Achepohl -- Works in the exhibition -- Keith Achepohl : curriculum vitae. In 2011, Eugene-based artist Keith Achepohl (American, born 1934) spent three weeks at the Morris Graves Foundation Artist Residency, "The Lake," in Loleta, California. That period of uninterrupted work, followed by a second stay in 2016, profoundly affected both the artist's subject matter and his media. Thus far, Achepohl has created nine distinct yet interrelated explorations of the plants and trees that he observed at Morris Graves's final home, which are presented here for the first time. Although the finished pieces are wholly of nature, they are, according to the artist, neither landscapes nor botanical studies. Rather, he describes them as "more fantasy than reality, an intensely personal language of nature that developed from careful observation to mnemonic response." Achepohl's virtuosity across media is evident in these sensitively rendered, metaphorically rich portraits of The Lake's natural splendor.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1st Edition. Good hardcover in a Good dust jacket. From a limited first printing of 1000 hardcovers. Underlining/marginalia to fewer than 5 pages, otherwise the text is clean. The color plates are unmarked. Shelf wear to the jacket. Overall a great reference copy. 192 pp.

Paperback. Condición: Brand New. 110 pages. 11.00x8.50x0.50 inches. In Stock.

Condición: New. In 2000, the University of Virginia Art Museum mounted an exhibition called "Hindsight/Fore-site: Art for the New Millennium", in which 24 artists created works inspired by Thomas Jefferson's legacy. This text contains essays which explore the art-historical significance of the exhibition. Editor(s): Hartz, Jill. Num Pages: 110 pages, 60 colour and 20 b&w illustrations. BIC Classification: 1KBB; ACX; GM; HBT; JFC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 13. Weight in Grams: 612. . 2003. Illustrated. paperback. . . . .

Softcover. Color-pictorial wraps, stapled; 12 pp. with 9 color images. With essay material by both Hartz and Bacik (curators) and by Declan Mc Gonagle of Dublin. Includes bios of the 16 Irish artists and a checklist of their works. Artists are from both Ireland proper and from Northern Ireland. Good with a bit of general wear.

Condición: New. In 2000, the University of Virginia Art Museum mounted an exhibition called "Hindsight/Fore-site: Art for the New Millennium", in which 24 artists created works inspired by Thomas Jefferson's legacy. This text contains essays which explore the art-historical significance of the exhibition. Editor(s): Hartz, Jill. Num Pages: 110 pages, 60 colour and 20 b&w illustrations. BIC Classification: 1KBB; ACX; GM; HBT; JFC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 13. Weight in Grams: 612. . 2003. Illustrated. paperback. . . . . Books ship from the US and Ireland.