jackie nickerson (56 resultados)

Condición: acceptable. USED book in ACCEPTABLE condition. Cover and pages are in tact but may show creases, tears, water damage, handwriting, underlining, or highlighting. Supplemental items such as access codes and CDs not guaranteed.

Soft cover. Condición: Very Good. 164 pages. Includes articles on Alessandro Michele, Carrie Mae Weems, George R. R. Martin, Solange Knowles, Bruce Nauman, Viggo Mortensen, Robert Rauschenberg, Cy Twombly, and more. Moderate wear, VG.

Magazine. First edition. Fine magazine, with a hint of handling/shelving. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The February 19, 2017, issue of the Sunday New York Times Style Magazine, T, with: Susannah Frankel profiles "The Woman Behind Martin Margiela," Jenny Meirens, with photos by Anders Edstrom and Danilo Scarpati; fashion portfolios by Collier Schorr, Karim Sadli, and Robi Rodriguez; a profile feature on Riley Keough by Taffy Brodesser-Akner with portraits and a fashion portfolio photographed by Patrick Demarchelier; Gary Indiana on the Pictures Generation and their continued relevance, with a portrait of 17 by Jason Schmidt; a profile of Anthony Vaccarello, the new head of Saint Laurent, by Alexander Fury and photographs by Jackie Nickerson; a tour of the minimalist SoHo apartment of Ronnie Sassoon and James Crump with photos by Francois Halard and text by Mary Kaye Schilling; a profile of the Italian chef Giacomo Bulleri by Deborah Needleman and photos by Bert Teunissen; Chloe Sevigny tours her hometown of Darien, Conn.; a Profile in Style of Min Hogg; Stockholm; Tilda Swinton and Gentle Monster; the artist Rashid Johnson responds to a poem by Robin Coste Lewis; the conceptual artist Anicka Yi; an illustrated Interview with Marge Simpson; Luke Edward Hall; and much more. Perfect-bound magazine; 248 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches.

Magazine. First edition. Near Fine magazine with tears at the staples. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The November 4, 2007, issue of the Sunday New York Times Magazine with: the problems with nationalized oil jumping off Hugo Chavez's "oil socialism" by Tina Rosenberg with photographs by Ambroise Tezenas; the "conversion" of the avowed atheist Antony Flew by Mark Oppenheimer with a portrait by Jackie Nickerson; Barack Obama's life story as a guide to a "post-post-9/11" foreign policy by James Traub with a portrait by Christian Witkin; the renovation of the 40 Bond building by Herzog & de Meuron with a portfolio of photographs by Raymond Meier and text by Pilar Viladas; the neon sculptures of Ivan Navarro by Maura Egan and a photo by Adam Friedberg; an interview with John Bolton; the graphic novel/comic Mister Wonderful, chapter 8, by Daniel Clowes; The Dead and the Naked, chapter 9, by Cathleen Schine; and much more. Staple-bound magazine; 86 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.

First edition. Softcover. Exhibition catalog for a show that ran November 5 through December 20, 2013. Features a brief text by Shane Lavalette. A collection of color photographs by Jackie Nickerson. A clean very near fine copy in wrappers. Uncommon.

Exhibition Announcement Cards. This is not a book. The original announcement card for a group exhibition titled "By and About Women: For Women and Children in Need" and held at Laurence Miller Gallery, NYC, January 10 - March 7, 2009. The show presented works from a portfolio produced to raise funds for the Lotus House Women's Shelters Endowment Fund. The artists who contributed to the portfolio were Helen Levitt, Carrie May Weems, Mary Ellen Mark, Anastasia Khoroshilova, Alessandra Sanguinetti, Brenda Ann Kenneally, Jackie Nickerson, Justine Kurland, Peggy Nolan, and Natasha Duwin. Stiff paper, printed both sides; 8.5 x 3.5 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Hardcover. Condición: Good.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: Fine. Estado de la sobrecubierta: Near Fine. Dust jacket clean overall with some handling marks; boards firm and clean; pages and plates unmarked throughout; binding tight. Overall a fine copy with no signs of previous ownership. ; 9.6 X 0.6 X 12 inches; 104 pages.

Magazine. First edition. Fine/As New magazine. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The October 21, 2018, issue of the Sunday New York Times Style Magazine, their annual "The Greats" issue, featuring articles on: George R.R. Martin photographed by Alessandra Sanguinetti; Bruce Nauman photographed by Alec Soth; Viggo Mortensen photographed by Jackie Nickerson; Solance Knowles photographed by Collier Schorr; Carrie Mae Weems photographed by Mickalene Thomas; and Alessandro Michele, portrait and fashion portfolio photographed by Michal Chelbin. Also in this issue: Tom Delavan on a 1951 trip Robert Rauschenberg and Cy Twombly through Italy and Morocco and the effect it had on their art and careers; the sacred valley of the Incas; Poland's Brutalist architecture; Tangiers; space age jewelry; the crafts-women of Oaxaca; the disappearance of frogs with whimsical photographs by Kyoko Hamada; a Frank Lloyd Wright chair considered; Pierre Hardy; and much more. Perfect-bound magazine; 164 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.

Condición: Fair. Fair condition, linen binding, 27,5x22,3x2,3, ill. (pictures [colour]) List of works, Jackie Nickerson in conversation with Vince Aletti. Foxing due to dampness on title and end pages, foxing on top edge and backside of cover. , letterbox mail.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: as new. Wie neu/Like new.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Hardcover / Pappeinband. Condición: Sehr gut. Auflage aus dem Buch nicht ersichtlich. 224 Seiten Das Buch befindet sich in einem gebrauchten sehr guten Zustand. Es ist gebraucht und hat nur geringe Gebrauchsspuren, wie Verfärbung der Schnittkanten, leichter Abrieb an den Kanten vom Einband. Im Buch sind keine Einträge oder Beschriftungen. Nichtraucherbuch. Rik020206SK Sprache: Französisch Gewicht in Gramm: 1310.

Exhibition Announcement Cards. This is not a book. The original announcement card/poster for an exhibition of photographs by Jackie Nickerson titled "Faith" and held at Jack Shainman Gallery, NYC, October 11 - November 10, 2007. On one panel of the card is advertised a concurrent exhibition of work by Pierre Dorion titled "Cabin Fever." Stiff thin card, machine-folded twice to 6 pages; 2 color illustrations; 5.75 x 10.5 inches, unfolds to a 10.5 x 17-inch poster. Condition: Fine. Laid-in is the gallery press release with Nickerson's show to one side, Dorion's to the other. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

Buch. Condición: Neu. Neuware -Stateside is Jackie Nickerson's sweeping, fragmented visual diary of a decade living and working across the USA. From streetscapes in Chicago to military installations on Hawaii, from Utah landscapes to New York skyscrapers, Nickerson used whatever camera she had at hand-medium format, 35mm, point and shoot, iPhone-to fix raw glimpses of America at this peculiar, precarious time. Her focus was less on specific locations than on repeated motifs, as if these photos could have been taken virtually anywhere in America. Chainlink fences, basketball courts, suburban houses and classrooms, gas stations and even battleships become markers of sameness, and of the functionalism that fuel's America's economy.Unlike other photobooks that trace a journey through America, both as place and idea (most famously Robert Frank's The Americans and Joel Sternfeld's American Prospects), in Stateside Nickerson avoids 'definitive' images on individual pages. Instead she made large prints of her work, hung them in an overlapping sequence on her studio wall, and then re-photographed them. The result is a compelling, ongoing narrative of the complex, troubled America of today. 228 pp. Englisch.

Buch. Condición: Neu. Neuware -Field Test ist eine fotografische Ausarbeitung im Spannungsfeld äußerer Kräfte und Hyperkonnektivität. Jackie Nickerson (\*1960) hinterfragt die Lebensumstände der Menschen dieser Welt und zeichnet eine Chronik des Bewusstseins unserer Generation. Ihre eindrücklichen Fotoskulpturen zerlegen und rekonstruieren, schützen und vernichten das Individuum.Die Themen, die uns in ihren Bildern begegnen sind allgegenwärtig: Globalisierung, Technik und Medizin, Kommerzialisierung, Massenproduktion, Umweltverschmutzung, Migration, Digitalisierung, Fake News und nicht zuletzt der Umgang mit COVID-19. Ihre Materialen setzen sich vornehmlich aus Kunststoff und Verpackungsmaterialien zusammen, in denen der Mensch sich buchstäblich zu »verfangen« scheint.Nickersons Arbeiten sind verstörend unbequem. Fast scheinen sie wie Bilder einer unabwendbaren Zukunft, die uns schon heute erreichen. 104 pp. Englisch, Deutsch.

Buch. Condición: Neu. Neuware -Field Test ist eine fotografische Ausarbeitung im Spannungsfeld äußerer Kräfte und Hyperkonnektivität. Jackie Nickerson (\*1960) hinterfragt die Lebensumstände der Menschen dieser Welt und zeichnet eine Chronik des Bewusstseins unserer Generation. Ihre eindrücklichen Fotoskulpturen zerlegen und rekonstruieren, schützen und vernichten das Individuum.Die Themen, die uns in ihren Bildern begegnen sind allgegenwärtig: Globalisierung, Technik und Medizin, Kommerzialisierung, Massenproduktion, Umweltverschmutzung, Migration, Digitalisierung, Fake News und nicht zuletzt der Umgang mit COVID-19. Ihre Materialen setzen sich vornehmlich aus Kunststoff und Verpackungsmaterialien zusammen, in denen der Mensch sich buchstäblich zu »verfangen« scheint.Nickersons Arbeiten sind verstörend unbequem. Fast scheinen sie wie Bilder einer unabwendbaren Zukunft, die uns schon heute erreichen. 104 pp. Englisch, Deutsch.

Buch. Condición: Neu. Neuware -Stateside is Jackie Nickerson's sweeping, fragmented visual diary of a decade living and working across the USA. From streetscapes in Chicago to military installations on Hawaii, from Utah landscapes to New York skyscrapers, Nickerson used whatever camera she had at hand-medium format, 35mm, point and shoot, iPhone-to fix raw glimpses of America at this peculiar, precarious time. Her focus was less on specific locations than on repeated motifs, as if these photos could have been taken virtually anywhere in America. Chainlink fences, basketball courts, suburban houses and classrooms, gas stations and even battleships become markers of sameness, and of the functionalism that fuel's America's economy.Unlike other photobooks that trace a journey through America, both as place and idea (most famously Robert Frank's The Americans and Joel Sternfeld's American Prospects), in Stateside Nickerson avoids 'definitive' images on individual pages. Instead she made large prints of her work, hung them in an overlapping sequence on her studio wall, and then re-photographed them. The result is a compelling, ongoing narrative of the complex, troubled America of today. 228 pp. Englisch.

Buch. Condición: Neu. Neuware -Stateside is Jackie Nickerson's sweeping, fragmented visual diary of a decade living and working across the USA. From streetscapes in Chicago to military installations on Hawaii, from Utah landscapes to New York skyscrapers, Nickerson used whatever camera she had at hand-medium format, 35mm, point and shoot, iPhone-to fix raw glimpses of America at this peculiar, precarious time. Her focus was less on specific locations than on repeated motifs, as if these photos could have been taken virtually anywhere in America. Chainlink fences, basketball courts, suburban houses and classrooms, gas stations and even battleships become markers of sameness, and of the functionalism that fuel's America's economy.Unlike other photobooks that trace a journey through America, both as place and idea (most famously Robert Frank's The Americans and Joel Sternfeld's American Prospects), in Stateside Nickerson avoids 'definitive' images on individual pages. Instead she made large prints of her work, hung them in an overlapping sequence on her studio wall, and then re-photographed them. The result is a compelling, ongoing narrative of the complex, troubled America of today.

Buch. Condición: Neu. Neuware -Salvage: The title alludes to the reused and recycled content of Jackie Nickerson's (\*1960) 2020 series of studio portraits that explore the homogeneity of portraiture - balance, similarity, proportions, size - that characterize the genre. With her photographic examination of old masters and modern paintings, Nickerson illuminates the way in which artists over centuries interpret the observed world in their own way by using common visual techniques and means of expression in different media. 96 pp. Englisch.

Buch. Condición: Neu. Neuware -Salvage: The title alludes to the reused and recycled content of Jackie Nickerson's (\*1960) 2020 series of studio portraits that explore the homogeneity of portraiture - balance, similarity, proportions, size - that characterize the genre. With her photographic examination of old masters and modern paintings, Nickerson illuminates the way in which artists over centuries interpret the observed world in their own way by using common visual techniques and means of expression in different media. 96 pp. Englisch.

Magazine. The January 29, 2006, issue of the Sunday New York Times Magazine, with: American evangelicals in Africa, by Daniel Bergner, and photographs by Jackie Nickerson; The Spring 2006 Collection, a fashion portfolio photographed by Dusan Reljin, with Mona Johannesson and Alyssa Miller modeling; part 19 of Building Stories by Chris Ware; chapter 4 of At Risk by Patricia Cornwell; William Ivey Long, the hardest-working costume designer in show biz, profiled by Alex Witchel and photographed by Alessandra Petlin; James Blunt interview by Deborah Solomon; reviving the virus behind the global 1918 influenza outbreak, by Jamie Shreeve, illustrated by Nathan Fox; nuclear nonproliferation needs rethinking, by James Traub; Naomi Duguid and Jeffrey Alford bring remote corners of the world to American tables; William Safire, On Language; Randy Cohen, The Ethicist; and much more. Staple-bound magazine; 78 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine with light signs of handling/storage. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condición: Brand New. 228 pages. 8.74x1.14x9.61 inches. In Stock.

Poster, measuring 10 x 17 inches; very good condition; folded 2 times into 3 sections; a mailed copy with address and postal marks on rear. Will be mailed folded.