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Publicado por HACHETTE LIVRE-BNF, 2018
ISBN 10: 2016139218ISBN 13: 9782016139219
Librería: medimops, Berlin, Alemania
Libro
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
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Nuevo desde EUR 16,72
Usado desde EUR 2,68
Encuentre también Tapa blanda
Año de publicación: 1906
Librería: Bibliofolie, Haudrecy, Francia
Libro
Couverture souple. Condición: Bon. Journal ancien de format petit in-folio,dessin couleur en couverture,illustrations en noir,bon état général.
Publicado por Forgotten Books, 2018
ISBN 10: 024329767XISBN 13: 9780243297672
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
Libro
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Nuevo desde EUR 19,12
Librería: Librairie-Bouquinerie Le Père Pénard, Lyon, Francia
N° 213 de 29 avril 1905 - grand in-8 Broché - revue illustrée assez bon état.
Publicado por Hachette Livre - BNF, 2016
ISBN 10: 2011168155ISBN 13: 9782011168153
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
Libro Impresión bajo demanda
PAP. Condición: New. Ibels, Henri-Gabriel Ilustrador. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Nuevo desde EUR 23,45
Publicado por P-V. Stock, 1899
Librería: Anybook.com, Lincoln, Reino Unido
Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Poor paper bindings, pages unopened. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:
Publicado por Calmann-Lévy - Nouvelle Collection illustrée nr. 23, 1908
Librería: Joie de Livre, Varennes sur Amance, Francia
Libro
Soft cover. Condición: Fair. Français, couverture souple, moyen état, des dommages mineurs à la couverture, 110 pages.
Publicado por Forgotten Books, 2018
ISBN 10: 0331590131ISBN 13: 9780331590135
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
Libro
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Nuevo desde EUR 32,83
Publicado por Ancienne Maison Quantin, Paris, 1904
Librería: Willis Monie-Books, ABAA, Cooperstown, NY, Estados Unidos de America
Hardcover. Condición: Fair. Estado de la sobrecubierta: No Dust Jacket. Illustrated by Ibels, H. -G. ; Gerardin, A. Ilustrador. Front hinges split at the lower end. Approx. 3" missing from the bottom spine end. Front outer hinge has some very small holes near the top end. Rear hinges weak. Covers have heavy wear to the outer corners and have edge wear. Front cover has a slight partial cup ring, two slight cracks from bending, and a couple slight scratches. Rear cover has some slight stains and is darkened. Front free endpaper is missing a piece approx. 1.5" X 4.5". Pages slightly browned. Two pages noted with small tape repairs to edges. ; French text. Owner information written on title page.
Publicado por HACHETTE LIVRE-BNF 2022-04, 2022
ISBN 10: 2329750692ISBN 13: 9782329750699
Librería: Chiron Media, Wallingford, Reino Unido
Libro
PF. Condición: New.
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Nuevo desde EUR 16,15
Publicado por Paris, Editions du Cygne, 1931., 1931
Librería: AUSONE, Bruxelles, Belgica
21 x 28, 366 pp., très nombreuses illustrations et planches, reliure larges dos/coins cuir à 5 nerfs, tête teintée, couverture conservée (avant, arrière), très bon état.
Publicado por Albert Messein,, Paris,, 1933
Librería: Librairie Christian Chaboud, Bruxelles, Belgica
130x185mm, broché, 304p. Bel exemplaire.
Publicado por Berger-Levrault - Georges Crès. Stated 1914, 1914
Librería: DR Fine Arts, New York, NY, Estados Unidos de America
Soft Cover. Condición: Poor. With 8 b&w illustrated plates (front cover in color); stated date November 1914; 1) Léandre: the meeting of Bonnot with the Kaiser, 2) Ciolkowski: London, 3) Faverot: La Cueillette, 4) H. G. Ibels: l'Insomnie du Kaiser, 5) H. Boutet: Paris Aout 1914, 6) A. Noel: Le Repas d'Attila 11, 7) Jou: La Kultur allemande; 8) the colored front cover by Ciioklwski; softcovers, plates are totally detached, edges are terribly torn & falking but all images are visible ; overall pages in POOR COND.
Publicado por Imprimerie spéciale de l'assiette au beurre, 1906
Couverture souple. Condición: bon. ROD0050279: 23 juin 1906. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 14 pages de gravures en noir et en couleurs par H.G. Ibels. Texte de André Ibels. . . . Classification Dewey : 70.441-Journaux satiriques anciens.
Publicado por Anciennes éditions Poulalion, 1933
Cartonné. In-4 (37,5 x 27,2 cm), format cartonné, dos toilé, 25 pages ; rousseurs et quelques taches au premier plat, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Publicado por S.N., 1916
Librería: Tiré à Part, Marseille, Francia
Original o primera edición
In-8 ( 235 X 160 mm ) de 46 pages, broché sous couverture illustrée. 12 illustrations pleine page de H.-G. IBELS. Edition bilingue ( français - espagnol ). Très bel exemplaire de l'édition originale au tirage limité à 500 exemplaires numérotés, non mis dans le commerce. Litterature Edition-originale illustré-moderne.
Librería: Celler Versandantiquariat, Eicklingen, Alemania
Miembro de asociación: GIAQ
Libro
F. A. Ackermann Kunstverlag, München, 1974. Blattmaß: ca. 44,2 x 60 cm, (Blattrand gering fleckig und mit kleinen Randausrissen)---Verlag: F. A. Ackermann Kunstverlag Verlag: F. A. Ackermann Kunstverlag - Slg. Josef Voggenauer, Archiv für alte und neue Werbegraphik, München / Printed in West Germany by lithographic process - 32 Gramm.
Publicado por Ancienne Maison Quantin, Paris, 1904
Librería: Libreria Le Colonne, TORINO, TO, Italia
In-4° (cm. 32,3x24), pp. 42 di cui 20 a COLORI a piena pagina con 6 VIGNETTE con dodascalie e con 20 RITRATTI da antiche stampe in bianco e nero e testo biografico a fronte di grandi personaggi da piccoli. Du Guesclin, Pic de la Mirandole, Michel-Ange, Jacques Amyot, Agrippa d'Aubigné, Jacques Callot, Gassendi, Claude Gelée, Turenne, Molière, Blaise Pascal, J. B. Lulli, Jean Bart, Benjamin Franklin, D'Alembert, Michel Sedaine, Mozart, Lazare Hoche, Napoléon, Jules Michelet.
Publicado por Paris, P.-V. Stock., 1898
Librería: Rödner Versandantiquariat, Den Haag, Holanda
Original o primera edición
8°, 111 S. m. zahlr. ganzs. Illustr., priv. mehrfarbiger Leinenband m.eingebundener OBrosch., papierbed. ger.gebräunt; schönes Expl. (Seltene) erste Ausgabe in sehr schönem gewebtem Leinen (ohne den Original-Umschlag) eingebunden! Wichtige satirische 'Geschichte', die Émile Zola gewidmet ist. Die sehr zahlreichen kritischen Zeichnungen des Autors waren zuvor in 'Sifflet' erschienen. Sprache: Französisch.
Publicado por Albert Messein, Editeur, Paris, 1933
Librería: Theologia Books, La Charite sur Loire, Francia
Libro Ejemplar firmado
broché. Condición: Moyen. Barbere, A.; Cazals, F. A.; Dola, G.; Gin; Herault, P.; Ibels, H. G.; Lenoir, Marcel; Roedel; Viardot, G.; Villon, J.; Willette, etc. Ilustrador. Les Cafes Litteraires - Les Caveaux et Cabarets du Quartier Latin - Les Cafes-Concerts et les petits Theatres de 1895 a 1914 - La Censure en 1918 - Le Quartier Latin d'aujourd'hui. Envoi de l'auteur. Preface de Gustave Frejaville. Exemplaire broche en bon etat general, un peu d'usure au dos surtout. 304p. Size: 19cm. Signé Par l'Auteur.
Publicado por Paris, 1916., 1916
Librería: Antiquariat Hans Hammerstein OHG, München, Alemania
Origi.Broschur, gr.8°, 46 Seiten. Umschlag mit Alterspuren, angestaubt, vergilbt und geknickt, Kanten stark bestossen, Rücken beschädigt und bescharbt, Ecken bestossen, sonst ordentlich.
Publicado por Stock, 1898
Librería: Bibliomane, ARC ET SENANS, Francia
Original o primera edición
Couverture souple. Condición: Bon. H.G. Ibels Ilustrador. Edition originale. In-8 broché de 111pp., 40 illustrations pleine page. Cette édition, dédiée à Emile Zola, constitue le recueil des dessins de H.G. Hibels parus deans le Sifflet, journal Dreyfusard. Affaire Dreyfus. Bon état.
Couverture souple. Condición: bon. RO40233424: 1898. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 111 pages. Illustré de nombreux dessins en noir et blanc hors texte. Couverture détachée. Annotation sur le 1er plat. . . . Classification Dewey : 840.08-XIX ème siècle.
Librería: L'Ancienne Librairie, Paris, Francia
Paris, G. Charpentier, 1896. In-12, 246 pp., demi-maroquin à coins bleu nuit, filets à froid sur les plats, dos à nerfs, tête dorée, couverture conservée (rogné, quelques petites rousseurs Réunion de quatre textes : le premier, Le Café-concert est Georges Montorgueil, le second, Les Gestes de la chanson de Maurice Lefèvre, le troisième, Les Cirques, en vers d'André Ibels et le quatrième et dernier, Les Forains de Georges d'Esparbès. Ils sont tous illustré de compositions en noir de H.G. Ibels. Voir photographie(s) / See picture(s).
Publicado por Chez L'auteur, no year
Librería: Antiquariaat Berger & De Vries, Groningen, Holanda
Paper cover. Ills in colour. -good.-(The cover is smudged and torn, smudges on the sides of the first few pages as well (glue?), but otherwise the booklet is in good condition.).
Librería: L'Affichiste Vintage Posters, Montreal, QC, Canada
Arte / Grabado / Póster
No Binding. Condición: Fine. Date: 1897 Size: 9.25 x 12.5 inches Notes: Poster, Small, Lithograph Artist: Ibels, H. S. About The Poster: A color plate from an exquisite book called Les Programmes Illustres, by Ernest Maindron, published in 1897, by Librairie Nilsson-Per Lamm, Paris purchased at auction, and filled with the most unbelievably detailed and remarkable works of art we have seen. granted we are biased and truly moved by works from this period, by truly, these are gems, in remarkable, mint condition, and more than 100 years old. The auction catalog reads: " 'I often ask myself what they, the curious of the year 2000, will think of us, whom we are cut off from by a century of dreadful events; them, knowing that which we don't yet know and that we nearly suspect, what will they say of our old frivolity with all that has passed? Won't they pity us, like we today have pity for the aristocratic society whose ancient prints we refer to with carelessness and levity?' Thus mused Pierre Veber in his prefacing comments for the Programmes Illustres, a hardcover compendium of some of the most beautiful menus, invitations, business cards and announcements of the Belle Epoque. Little could he have known how off the mark his thoughts were ." (Rennert) Each sheet is 9.25 x 12.5 inches, and the images on the sheet vary - this one, by H.S. Ibels, measures 6 x 8 inches and is for the Theatre Libre's presentation of Grand Papa (who seems a little worse for wear.) Of Ibels, it has been written "(b Paris, 30 Nov 1867; d Paris, Feb 1936). French printmaker, illustrator and painter. He became one of the original members of the Nabis as an art student at the Académie Julian, Paris, in 1888-9. He joined in the early group ventures such as printmaking, puppet plays and theatre design, but he was never involved with the more esoteric Symbolist aspirations of some of the group's leading members. He first exhibited at the Salon des Indépendants in 1891 and participated in the Nabis's group shows at Louis Le Barc de Boutteville's gallery. With Edouard Vuillard and Maurice Denis, he was quick to attract public attention, the nature of his work earning him the sobriquet 'le Nabi journaliste'. His art was inspired by contemporary life, with subjects drawn from the spectacle of modern Paris, particularly from the café, circus and boxing ring. Both in subject and technique he can be likened to such artists as Adolphe Willette, Henri de Toulouse-Lautrec and Théophile-Alexandre Steinlen, and his work shares many characteristics with theirs, notably an economy of line and a simplicity of shapes and colours. Such features derived in Ibels's case from the art of Honoré Daumier, Japanese printmakers and Paul Gauguin and the Pont-Aven group.".
Librería: L'Affichiste Vintage Posters, Montreal, QC, Canada
Arte / Grabado / Póster
No Binding. Condición: Fine. Date: 1897 Size: 9.25 x 12.5 Notes: Poster, Small, Lithograph Artist: Ibels, H.S. About the poster: A color plate from an exquisite book called Les Programmes Illustres, by Ernest Maindron, published in 1897, by Librairie Nilsson-Per Lamm, Paris purchased at auction, and filled with the most unbelievably detailed and remarkable works of art we have seen. granted we are biased and truly moved by works from this period, by truly, these are gems, in remarkable, mint condition, and more than 100 years old. The auction catalog reads: " 'I often ask myself what they, the curious of the year 2000, will think of us, whom we are cut off from by a century of dreadful events; them, knowing that which we don't yet know and that we nearly suspect, what will they say of our old frivolity with all that has passed? Won't they pity us, like we today have pity for the aristocratic society whose ancient prints we refer to with carelessness and levity?' Thus mused Pierre Veber in his prefacing comments for the Programmes Illustres, a hardcover compendium of some of the most beautiful menus, invitations, business cards and announcements of the Belle Epoque. Little could he have known how off the mark his thoughts were ." (Rennert) Each sheet is 9.25 x 12.5 inches, and the images on the sheet vary - this one, by H.S. Ibels, measures 6.5 x 8.5 inches and is for the Theatre Libre's presentation of Le Devoir. Of Ibels, it has been written "(b Paris, 30 Nov 1867; d Paris, Feb 1936). French printmaker, illustrator and painter. He became one of the original members of the Nabis as an art student at the Académie Julian, Paris, in 1888-9. He joined in the early group ventures such as printmaking, puppet plays and theatre design, but he was never involved with the more esoteric Symbolist aspirations of some of the group's leading members. He first exhibited at the Salon des Indépendants in 1891 and participated in the Nabis's group shows at Louis Le Barc de Boutteville's gallery. With Edouard Vuillard and Maurice Denis, he was quick to attract public attention, the nature of his work earning him the sobriquet 'le Nabi journaliste'. His art was inspired by contemporary life, with subjects drawn from the spectacle of modern Paris, particularly from the café, circus and boxing ring. Both in subject and technique he can be likened to such artists as Adolphe Willette, Henri de Toulouse-Lautrec and Théophile-Alexandre Steinlen, and his work shares many characteristics with theirs, notably an economy of line and a simplicity of shapes and colours. Such features derived in Ibels's case from the art of Honoré Daumier, Japanese printmakers and Paul Gauguin and the Pont-Aven group.".
Publicado por Soirées de Médan., 1930
Librería: Roe and Moore, London, Reino Unido
Arte / Grabado / Póster Original o primera edición Ejemplar firmado
Soft cover. Condición: Very Good. 1st Edition. 12mo. Folding card. menu. Upper cover design for this menu by H.-G.Ibels 1930 "Sur le Pont des Arts, la Vérité vient se camper fièrement devant l'Institut". Printed in blue on cream card. Heavily creased at edges. With a presentation inscription from the artist 'a mon seul ami Lucien Descartes affectueusement H. G. I. 1930'. Signed by Author(s).
Publicado por Chez L'auteur
Broché. In-8 (15,5 x 20,5 cm.), broché, couverture illustrée, non-paginé, sans date, livre animé proposant des combinaisons de personnages (chapeau, visage, corps), à la manière des "Cent mille milliards de poèmes" de Queneau, illustrations couleurs pleine page ; rares tâches sur les plats jaunis, dos, coiffes et mors frottés, intérieur frais, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. Ibels H.G.
Publicado por Paris, 1896
Librería: Trillium Antique Prints & Rare Books, Franklin, TN, Estados Unidos de America
Arte / Grabado / Póster
Condición: Fine. H.G. Ibels Ilustrador. This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 11 1/4" by 15 1/2".