hubert jay (26 resultados)

Soft cover. Condición: Good. Good condition. Minor to Moderate wear. Binding fairly tight, pages clean. Pictures available upon request.

Condición: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block.

Soft cover. Condición: New. B003NQ6FIE New. New old stock found in a warehouse.

Hardcover. Condición: Very good condition. Reprint ed. 160 p., illus. w/ B&W period photos. Foreword contains a pupil (usage) guide.

Condición: New.

Condición: New.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condición: New.

Brand new book. Fast ship. Please provide full street address as we are not able to ship to P O box address.

Magazine. Condición: Very Good. First Edition. Stapled 36 page photo-illustrated magazine. UK edition. No date but early 1950s. Near Fine condition with only light browning to pages. Includes 'Killer's Kiss for the Lady in Red' by Hugh Layne and 'Operation: Hophead' by Jay Hubert. Postage charge will be reduced by £1.50 when the order is processed.

hardcover. Condición: Good.

Softcover. Condición: Near Fine. First edition. Octavo. 47pp. Stapled wrappers rubbed with bump at the crown and wear to the foredge, near fine. Literary anthology with contributions from Harold Norse, August Katau, Jay Reese, Aura Lee Barclay, Ingeborg Kayko, John T. Westbrook, Byron Vazakas, Scott Greer, John Gould Fletcher, Hubert Creekmore, Glenna Hallard Christopherson, Glen A. Harris, D.H. Piper, Roland Ryder-Smith, and Alex Austin.

Broché. Condición: Etat moyen. in-8 Description :181 pp. Marges jaunies. Couverture frottée avec des accrocs et pliures. Langue : Français Nb de volumes : 1.

[9707].

21,5*13,5 cm. OBroschur. 1. Auflage. 509 S. Schiefgelegen, sonst guter Zustand mit lediglich leichten Gebrauchsspuren. N07-4 ISBN 9783404207176 Wichtiger Hinweis: Aufgrund der EPR-Regelung zur Zeit KEIN Versand in EU-Länder. Due to EPR, there is currently no delivery to EU-countries. Sprache: Deutsch Gewicht in Gramm: 800.

No Binding. Condición: Good. A SMALL COLLECTION OF FIVE ORIGINAL Victorian CARTE DE VISITE PHOTOGRAPHS All taken in KINGTON HEREFORDSHIRE By Hubert Jay of The Oxford Arms Hotel, Kington & W. J. Yates of 13 High Street Kington Condition as seen. this is a lighter item, shipping costs have been reduced accordingly at checkout where possible.

Couverture rigide. Condición: Bon. France Loisirs, 1998. 1 volume relié(s) avec jaquette illustrée format In-8 bon.

Condición: Good. Color poster. 28 x 20 inches. Reproduction is from The Work of Stowitts for Fay-Yen-Fah, Paris, 1927, depicting authentic Chinese Court costumes of the Han and T'ang Dynasties.Piccuted is a runner who brings the Vicroy information about visitors.Anna Pavlova discovered Stowitts dancing at the Greek Theater in Berkeley in the summer of 1915 and invited him to join her ballet company. He canceled graduate studies at Harvard and embarked on an adventure of excitement and romance that took him to the major stages of the Americas and Europe where stardom awaited. He left Pavlova's company to settle in Paris and pursue a solo career. Now a star in his own right he appeared in London, Stockholm, Madrid and New York. In Paris Stowitts starred in the 1924 Folies-Bergère with dazzling costumes by Erté. Few dancers have the courage to retire in their prime, especially when "trained down to racehorse shape," as Stowitts described himself. Even fewer have the courage at age 33 to launch themselves in an entirely new medium. By 1925, he was creating a career for himself as a painter from his studio on Montmartre's Avenue de Clichy. From his experiments with palette and brush ambitious collections of paintings soon followed: The Golden Age of Dance; The Fall of the Angels; and The Work of Stowitts for Fay Yen Fah, costumes and stage designs for a Chinese opera.

Condición: Good. Color poster. 28 x 20 inches. Reproduction is from The Work of Stowitts for Fay-Yen-Fah, Paris, 1927, depicting authentic Chinese Court costumes of the Han and T'ang Dynasties.Pictured in the garb used by the Empress Dowager.Anna Pavlova discovered Stowitts dancing at the Greek Theater in Berkeley in the summer of 1915 and invited him to join her ballet company. He canceled graduate studies at Harvard and embarked on an adventure of excitement and romance that took him to the major stages of the Americas and Europe where stardom awaited. He left Pavlova's company to settle in Paris and pursue a solo career. Now a star in his own right he appeared in London, Stockholm, Madrid and New York. In Paris Stowitts starred in the 1924 Folies-Bergère with dazzling costumes by Erté. Few dancers have the courage to retire in their prime, especially when "trained down to racehorse shape," as Stowitts described himself. Even fewer have the courage at age 33 to launch themselves in an entirely new medium. By 1925, he was creating a career for himself as a painter from his studio on Montmartre's Avenue de Clichy. From his experiments with palette and brush ambitious collections of paintings soon followed: The Golden Age of Dance; The Fall of the Angels; and The Work of Stowitts for Fay Yen Fah, costumes and stage designs for a Chinese opera.

Condición: Good. Color poster. 28 x 20 inches. Reproduction is from The Work of Stowitts for Fay-Yen-Fah, Paris, 1927, depicting authentic Chinese Court costumes of the Han and T'ang Dynasties.Pictured is an ascetic in the garb of Confucius. From his staff hangs a bunch of sacred leave,a gourd and fruit.Anna Pavlova discovered Stowitts dancing at the Greek Theater in Berkeley in the summer of 1915 and invited him to join her ballet company. He canceled graduate studies at Harvard and embarked on an adventure of excitement and romance that took him to the major stages of the Americas and Europe where stardom awaited. He left Pavlova's company to settle in Paris and pursue a solo career. Now a star in his own right he appeared in London, Stockholm, Madrid and New York. In Paris Stowitts starred in the 1924 Folies-Bergère with dazzling costumes by Erté. Few dancers have the courage to retire in their prime, especially when "trained down to racehorse shape," as Stowitts described himself. Even fewer have the courage at age 33 to launch themselves in an entirely new medium. By 1925, he was creating a career for himself as a painter from his studio on Montmartre's Avenue de Clichy. From his experiments with palette and brush ambitious collections of paintings soon followed: The Golden Age of Dance; The Fall of the Angels; and The Work of Stowitts for Fay Yen Fah, costumes and stage designs for a Chinese opera.

Condición: Good. Color poster. 28 x 20 inches. Reproduction is from The Work of Stowitts for Fay-Yen-Fah, Paris, 1927, depicting authentic Chinese Court costumes of the Han and T'ang Dynasties.Pictured in the garb used by court ladies of the 4th Century.Anna Pavlova discovered Stowitts dancing at the Greek Theater in Berkeley in the summer of 1915 and invited him to join her ballet company. He canceled graduate studies at Harvard and embarked on an adventure of excitement and romance that took him to the major stages of the Americas and Europe where stardom awaited. He left Pavlova's company to settle in Paris and pursue a solo career. Now a star in his own right he appeared in London, Stockholm, Madrid and New York. In Paris Stowitts starred in the 1924 Folies-Bergère with dazzling costumes by Erté. Few dancers have the courage to retire in their prime, especially when "trained down to racehorse shape," as Stowitts described himself. Even fewer have the courage at age 33 to launch themselves in an entirely new medium. By 1925, he was creating a career for himself as a painter from his studio on Montmartre's Avenue de Clichy. From his experiments with palette and brush ambitious collections of paintings soon followed: The Golden Age of Dance; The Fall of the Angels; and The Work of Stowitts for Fay Yen Fah, costumes and stage designs for a Chinese opera.

Hardcover. Condición: Very Good. Very Good condition.Crisp pages. Clean cover and pages. Book shows minimal shelf wear. No highlighting/marking. Not Satisfied? Contact us to get a refund.

Buckram cloth. Condición: Near Fine. Limited Signed Edition. No. 371 of 400 limitation. Printed by Bernard Freres and plates engraved by Deichel-Ploquin in 1928. Folio, 15.5 by 13.5 inches, 40 by 34 cm. 44 pp, followed by 50 color plates with text on versos. With a total of 53 tipped-in, full page color plates, and 6 other tipped-in color illustrations, along with some red and gilt text illustrations or ornamentation. This is an elaborately produced, unique volume containing the classic Chinese Opera "Fay-Yen-Fah", along with the traditional designs, costumes and decor, as illustrated in Stowitts decorations and color plates. Hubert Julian "Jay" Stowitts (1892-1953) was a true polymath -- a gifted athlete, he willed himself to become a dancer after being swept away watching a performance, and within a few years he was discovered by the famed Russian ballerina Anna Pavlova and traveled as a successful dancer throughout the Americas and Europe, becoming the first American to star with a Russian ballet troupe. After a solo career, Stowitts retired from dancing and began a new career as a painter and occasional film actor. He traveled and lived in the Far East and South Asia, where he produced 155 paintings he called "Vanishing India." At the 1936 Olympics in Berlin, his exhibition of fifty-five paintings of nude male American athletes caused a "sensation." The Nazis closed the exhibit down, partly because it showed depictions of Jewish and African-American athletes. Stowitts was fascinated by Eastern religion and philosophy and much of his later work reflects his exploration of these ideas. In this Stowitts can be viewed rightly as a kind of visionary and precursor for ideas that gained wider acceptance in the West in the 1960s and after. The buckram binding, which appears to be a bit later, has washed out color and minor deterioration in the front upper spine area and a few limited spots of washed out discoloration. Otherwise, the binding is tight and the interior is bright and fresh.