giulio dalvit (108 resultados)

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Hardback or Cased Book. Condición: New. Propagazioni: Giuseppe Penone at S�vres. Book.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

Condición: New.

Hardcover. Condición: new. Hardcover. Celebrates the first works in porcelain Giuseppe Penone has created - among the largest pieces of porcelain ever produced at Sevres - which have never been presented to the public before. A major figure in the Arte Povera movement of the late 1960s, the renowned Italian artist Giuseppe Penone is known for his exploration of the relationship between art and the natural world in a body of work that includes sculpture, performance, works on paper, and even garden design. His first works in porcelain, the exquisite disks presented here draw attention to the moment of touch - the convergence of surface and skin - that underpins so much of his work. Published to accompany The Frick Collection, New York's temporary installation of works by Penone, this new volume comprises eleven porcelain disks that the artist made during his 2013 residency at the Manufacture Nationale de Sevres, the influential porcelain factory founded in the 18th century. A continuation of his Propagazioni (Propagations) series, begun in 1995, which includes various media, each disk bears the imprint of one of the artist's fingertips. One of them is in gold, its imprint a variation on the artist's index finger. Never before presented to the public, the installation of the disks in a gallery adjacent to the Frick's early Italian paintings on gold grounds and the porcelain room kindles a rich artistic dialogue with both porcelain and gold. AUTHORS: Xavier F. Salomon is the deputy director and Peter Jay Sharp Chief Curator, The Frick Collection, New York. He resides in New York City. Giulio Dalvit is assistant curator of Sculpture, The Frick Collection, focusing on the museum's sculpture and medals collections. He resides in New York City. 30 colour illustrations Celebrates the first works in porcelain Penone has created, among the largest pieces of porcelain ever produced at Sevres, enhanced by immaculate photographs and design. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. A major figure in the Arte Povera movement of the late 1960s, the renowned Italian artist Giuseppe Penone is known for his exploration of the relationship between art and the natural world in a body of work that includes sculpture, performance, works on paper, and even garden design. His first works in porcelain, the exquisite disks presented here draw attention to the moment of touch-the convergence of surface and skin-that underpins so much of his work.Published to accompany The Frick Collection, New York's temporary installation of works by Penone, this new volume comprises eleven porcelain disks that the artist made during his 2013 residency at the Manufacture Nationale de Sèvres, the influential porcelain factory founded in the 18th century. A continuation of his Propagazioni (Propagations) series, begun in 1995, which includes various media, each disk bears the imprint of one of the artist's fingertips. One of them is in gold, its imprint a variation on the artist's index finger. Never before presented to the public, the installation of the disks in a gallery adjacent to the Frick's early Italian paintings on gold grounds and the porcelain room kindles a rich artistic dialogue with both porcelain and gold.

Hardback. Condición: New. A major figure in the Arte Povera movement of the late 1960s, the renowned Italian artist Giuseppe Penone is known for his exploration of the relationship between art and the natural world in a body of work that includes sculpture, performance, works on paper, and even garden design. His first works in porcelain, the exquisite disks presented here draw attention to the moment of touch-the convergence of surface and skin-that underpins so much of his work.Published to accompany The Frick Collection, New York's temporary installation of works by Penone, this new volume comprises eleven porcelain disks that the artist made during his 2013 residency at the Manufacture Nationale de Sèvres, the influential porcelain factory founded in the 18th century. A continuation of his Propagazioni (Propagations) series, begun in 1995, which includes various media, each disk bears the imprint of one of the artist's fingertips. One of them is in gold, its imprint a variation on the artist's index finger. Never before presented to the public, the installation of the disks in a gallery adjacent to the Frick's early Italian paintings on gold grounds and the porcelain room kindles a rich artistic dialogue with both porcelain and gold.

Condición: New.

Hardcover with dustjacket, 72 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardback. Condición: New. Various identities for the richly dressed, contemplative young man in this portrait have been proposed but none with any certainty. The mood of the subject and the diffused, gentle play of light over the broadly painted surfaces are strongly reminiscent of Titian's Venetian contemporary Giorgione. In many ways, the Frick portrait epitomizes a new tendency in Italian Renaissance portraiture in which the depiction is intended less as a description of the sitter than as an encounter with them. A rich contribution by artist Elizabeth Peyton accompanies an illuminating essay by Giulio Dalvit which addresses the many questions of provenance, chronology, attribution and of who this mysterious young man might be.

Hardcover. Condición: new. Hardcover. New volume in the Frick Diptych series focuses on an exquisite Renaissance portrait, pairing an essay by Frick curator Giulio Dalvit with a rich contribution from contemporary artist Elizabeth Peyton. Various identities for the richly dressed, contemplative young man in this portrait have been proposed but none with any certainty. The mood of the subject and the diffused, gentle play of light over the broadly painted surfaces are strongly reminiscent of Titian's Venetian contemporary Giorgione. In many ways, the Frick portrait epitomises a new tendency in Italian Renaissance portraiture in which the depiction is intended less as a description of the sitter than as an encounter with them. A rich contribution by artist Elizabeth Peyton accompanies an illuminating essay by Giulio Dalvit which addresses the many questions of provenance, chronology, attribution and of who this mysterious young man might be. AUTHORS: Giulio Dalvit is assistant curator of sculpture, The Frick Collection, New York. Elizabeth Peyton is one of the preeminent portrait artists working today. Her work has been shown most recently in the exhibition Women Painting Women at the Modern Art Museum of Fort Worth (2022). SELLING POINTS: . New volume in the best selling Frick Diptych series that began with Holbein's Sir Thomas More by Hilary Mantel . Volume 10 focuses on an exquisite Renaissance portrait 47 colour illustrations New volume in the Frick Diptych series focuses on an exquisite Renaissance portrait, pairing an essay by Frick curator Giulio Dalvit with a rich contribution from contemporary artist Elizabeth Peyton. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Condición: new.

Condición: New. 2022. Hardcover. . . . . .

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: Brand New. 72 pages. 9.50x6.00x0.50 inches. In Stock.

Condición: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Paperback. Condición: New. An informative guide to the most iconic works in The Frick Collection honoring the museum's reopening post-renovation. From paintings and sculpture to decorative arts, this publication encapsulates the range and depth of Henry Clay Frick's collection. Organized chronologically and by geographic school, The Frick Collection is designed to offer a sense of the connections between, and diversity among, contemporaneous artistic production across different fields, genres, and media in early modern Europe. When American industrialist Henry Clay Frick (1849-1919) built his New York home on the Upper East Side of Manhattan, he intended for it to one day become a public art museum for the "use and benefit of all persons whomsoever." After his death and that of his wife, Adelaide, in 1931, the house was transformed into a museum and was opened to the public in December 1935. The Frick's daughter Helen Clay Frick (1888-1984), along with a board of trustees, was instrumental in the continuance of her father's legacy and the care of his bequest. Over the years, the collection grew and the number of visitors increased, requiring renovation campaigns in the 1970s and 2020s to accommodate these changes, the latest giving access to the public for the first time to a suite of rooms on the second floor. Originally the Frick family's private quarters, these rooms are now galleries for works of art, providing space for more objects to be on view. The scope of the collection, which spans from about 1300 to 1900, was never intended to be encyclopedic and reflects the taste of the founder, who chose to acquire works for his home that were "pleasing to live with.".

Hardback. Condición: New. Various identities for the richly dressed, contemplative young man in this portrait have been proposed but none with any certainty. The mood of the subject and the diffused, gentle play of light over the broadly painted surfaces are strongly reminiscent of Titian's Venetian contemporary Giorgione. In many ways, the Frick portrait epitomizes a new tendency in Italian Renaissance portraiture in which the depiction is intended less as a description of the sitter than as an encounter with them. A rich contribution by artist Elizabeth Peyton accompanies an illuminating essay by Giulio Dalvit which addresses the many questions of provenance, chronology, attribution and of who this mysterious young man might be.

Condición: New.

Condición: New. Special order direct from the distributor.

Condición: New.

Paperback. Condición: New. An informative guide to the most iconic works in The Frick Collection honoring the museum's reopening post-renovation. From paintings and sculpture to decorative arts, this publication encapsulates the range and depth of Henry Clay Frick's collection. Organized chronologically and by geographic school, The Frick Collection is designed to offer a sense of the connections between, and diversity among, contemporaneous artistic production across different fields, genres, and media in early modern Europe. When American industrialist Henry Clay Frick (1849-1919) built his New York home on the Upper East Side of Manhattan, he intended for it to one day become a public art museum for the "use and benefit of all persons whomsoever." After his death and that of his wife, Adelaide, in 1931, the house was transformed into a museum and was opened to the public in December 1935. The Frick's daughter Helen Clay Frick (1888-1984), along with a board of trustees, was instrumental in the continuance of her father's legacy and the care of his bequest. Over the years, the collection grew and the number of visitors increased, requiring renovation campaigns in the 1970s and 2020s to accommodate these changes, the latest giving access to the public for the first time to a suite of rooms on the second floor. Originally the Frick family's private quarters, these rooms are now galleries for works of art, providing space for more objects to be on view. The scope of the collection, which spans from about 1300 to 1900, was never intended to be encyclopedic and reflects the taste of the founder, who chose to acquire works for his home that were "pleasing to live with.".