ghertner (173 resultados)

Hardcover. Condición: Very Good. No Jacket. Ghertner, Ed; Thompson, Del Ilustrador. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.74.

8vo. Original pictorial card covers (softback) (Fine). Pp. xii + 298, with b&w illus (no inscriptions).

26 cm. XV, 239 p. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: Englisch.

Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In.

Brossura. Condición: nuovo. prima edizione. WE SHIP WORLDWIDE (ASK) Brand New * Italian text * Cover #3 EAMON SAMOJLA - COVER + edit by ZOE GHERTNER.

Soft cover. Condición: Very Good. 1st Edition. *Veteran-Owned, Family-Run, Small Book Store in the Pacific Northwest* FAST SHIPPING!!

Softcover. Condición: Neu. Dawoud Bey, Louis Draper, Anthony Barboza, Beat Streuli, Ming Smith, Zoe Ghertner, Patrick Duo Gakpetor, Tyler Mitchell, Samuel Fosso, Lynette yiadom-Boakye, John Goto, Paul Mpagi, Sepuya, David Hammons, Brassai, Steven Taylor, Jamie Hawkesworth Ilustrador. 1. Auflage. A#22 Magazine, Rhapsody In The Street, curated byGrace Wales Bonner. Antwerp, A publisher, 2021. 293:230mm. 199S. Zahlr. Abb. z.T. farb. Illustr. Or.-Brosch. illustr. mit einem Photo von Anthony Barboza. + 1"limited-edition print edition inserted within each copy of." eine s.+w. Karte, 240:168mm, vorn: "Autoportraits III by Samue Fosso". Mit Buchbinde. Grace Wales Bonner Hrsg. Texts Engl. by Dan Thawley, Ben Okri, Greg Tate, Ntozake Shange, Ishmael Reed, Adjoa Armah, Petero Kalulé, Lynette Yiadom-Boakye, Roger Robinson, Mahfuz Sultan, Akeem Smith with Marlon James, Damian Marley; works by Dawoud Bey, Louis Draper, Anthony Barboza, Beat Streuli, Ming Smith, Zoe Ghertner, Patrick Duo Gakpetor, Tyler Mitchell, Samuel Fosso, Lynette yiadom-Boakye, John Goto, Paul Mpagi, Sepuya, David Hammons, Brassai, Steven Taylor, Jamie Hawkesworth,et al. "A Magazine 22nd issue has been curated by the British-Jamaican fashion designer Grace Wales Bonner, who established her label in London in 2014. Since her debut collection Grace Bonner has imbued her designs with cultural narratives that explore the mythologies of Blackness across our planet. Entitled Rhapsody In The Street, A#22 responds to the tradition of Black poetry, literature and portrait photography of the 20th century, the issue features a curation of archival portfolios and other historical ephemera, as well as newly commissioned essays, poems, paintings and portraits.".

Paperback. Condición: Very Good. Standard-sized.

Condición: As New. Used book that is in almost brand-new condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In.

Condición: New.

One Final Draft script, one Draft script and two Treatment scripts for Season 2 Episode 5 of the 1988-1991 television series. Originally aired October 7, 1989 on ABC. Based on the books by A. A. Milne and E. H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this installment, Rabbit tries to cancel Valentine's Day after the disorganization of the celebration the year prior. Set in the fictional Hundred Acre Woods. Final Draft script: White titled self-wrappers, noted as Final on the front wrapper, production No. 4W89-010, dated January 16, 1989, with credits for Screenwriters Carter Crocker and Stephen Sustarsic. With a script distribution list bound before front self-wrapper. Title page integral with front self-wrapper. 40 leaves, with last page of text numbered 37. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Draft script: Title page integral with first page of narrative text, production No. 4W89-010. 19 leaves, with last page of text numbered 19. Xerographic duplication, rectos only. Pages Near Fine, bound with a staple at the top left corner. Treatment script 1: Title page integral with first page of narrative text, production No. 4W89-010. 21 leaves, with last page of text numbered 21. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 2: Title page integral with first page of narrative text, dated 12/28/88, with credits for screenwriter Stephen Sustarsic. 8 leaves, with last page of text numbered 8. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner.

One Draft script, one Second Draft script, and eight Treatment scripts for Season 2 Episode 4 of the 1988-1991 television series. Originally aired September 30, 1989 on ABC. Five of the Treatment scripts are under the working title, "Land of Lost Wishes," one Treatment script under the working title, "Land of Forgotten Wishes," and the remaining two Treatment scripts with no title. Based on the books by A.A. Milne and E.H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this installment, Winnie the Pooh tries to gift the moon to Tigger for his birthday. Set in the fictional Hundred Acre Woods. Second Draft script: White titled self-wrappers, lacking rear wrapper, noted as Second Draft on the front wrapper, production No. 4W88-160, dated December 20, 1988, with credits for screenwriters Stephen Sustarsic and Carter Crocker. Title page integral with front wrapper. 37 leaves, with last page of text numbered 36. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine. Bound with a staple at the top left corner. Draft script: White titled self-wrappers, lacking rear wrappers, production No. 4W88-160, dated December 14, 1988, with credits for screenwriters Stephen Sustarsic and Carter Crocker. Title page integral with front wrapper. 40 leaves, with last page of text numbered 39. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Treatment script 1: No title page. 11 leaves, with last page of text numbered 11. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 2: Title page integral with first page of narrative text. 3 leaves, with last page of text numbered 3. Mimeograph duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 3: Title page integral with first page of narrative text, production No. 4W88-160. 24 leaves, with last page of text of numbered 24. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 4: Title page integral with first page of narrative text, with credits for screenwriter Marley Clark. 7 leaves, with last page of text numbered 7. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 5: Title page integral with first page of narrative text, dated 10/3/88, with credits for screenwriter Marley Clark. 7 leaves, with last page of text numbered 7. Xerographic duplication, rectos only. Near Fine, bound with a staple at top left corner. Treatment script 6: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 5 leaves, with last page of text numbered 5. Xerogrpahic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 7: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 3 leaves, with last page of text numbered 3. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 8: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 4 leaves, with last page of text numbered 4. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner.

One Final Draft script for "To Catch a Hiccup", and one Final Draft script, one Draft script, and four treatment scripts for "Me and My Shadow", together presented as Season 2 Episode 1 of the 1988-1991 television series. Originally aired September 9, 1989 on ABC. Based on the books by A. A. Milne and E. H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this installment, Piglet 'loses' his shadow in one segment and in the next the gang tries to rid him of hiccups. Set in the fictional Hundred Acre Woods. Final script "To Catch a Hiccup": White titled self-wrappers, lacking rear wrapper, noted as Final on the front wrapper, production No. 4W88-151, dated December 1, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 22 leaves, with last page of text numbered 21. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Final script "Me and My Shadow": White titled self-wrappers, lacking rear wrapper, noted as Final on the front wrapper, production No. 4W88-131, dated October 24, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 19 leaves, with last page of text numbered 19. Xerographic, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Draft script "Me and My Shadow": Title page integral with first page of narrative text, production No. 4W88-131. 19 leaves, with last page of text numbered 19. Xerograophic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 1: White titled self-wrappers, lacking rear wrapper, production No. 4W88-131, dated September 14, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 12 leaves, with last page of text numbered 12. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 2: Title page integral with first page of narrative text, production No. 4W88-131. 12 leaves, with last page of text numbered 12. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 3: Title page integral with first page of narrative text, production No. 4W88-131. 13 leaves, with last page of text numbered 13. Xerographic duplication, rectos only. Near Fine, bound with a staple at the left corner. Treatment script "Me and My Shadow" 4: Title page integral with first page of narrative text, production No. 4W88-131, dated 9/9/88, with credits for screenwriter Stephen Sustarsic. 3 leaves, with last page of text numbered 3. Xerographic duplication, rectos only. Near Fine, bound with a staple at the left corner.