friesinger gunther (126 resultados)

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Trade paperback. Condición: Very good. Trade paperback (US). Glued binding. 240 p. Audience: General/trade.

Paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

paperback. Condición: Good.

Softcover. Condición: leichte Gebrauchsspuren. ungelesenes Mängelexemplar Die möglichen Verbindungen von "Medien" und "Gewalt" sind in der wissenschaftlichen Welt schon unter den verschiedensten Vorzeichen diskutiert und behandelt worden. Ziel der vorliegenden Publikation ist es, entgegen der weitverbreiteten medienpädagogischen Fragestellungen zu versuchen, sich mit der Medialisierung von Gewalt und der Übernahme der (realen) Gewalt in die Welt der Medien sowie der Frage nach der (mitunter ebenfalls medialen) Legitimierung der Darstellung von Gewalt in den Medien auseinanderzusetzen und zu neuen Lösungsansätzen zu finden. Mit Beiträgen von Thomas Ballhausen, Thomas Brandstetter, Martin Büsser, Barbara Eichinger, Günther Friesinger, Johannes Grenzfurthner, Julia Barbara Köhne, Günter Krenn, Elena Messner, Jörg Metelmann, Mela Mikes, Tine Plesch und Thomas Schunke. 7 Erlaub t un d Verpönt Versuc h eine r Vorbemerkun g 9 Unte r de m Deckmante l de s Humors Strategie n filmischer historische r Kriegspropagand a zwische n Täuschun g un d Legitimation . Thomas Ballhausen und Gunter Kienn 2 5 Wie man lern t di e Bomb e z u liebe n Zur diskursive n Konstruktio n atomare r Gewal t Thomas Brandstetter 5 5 Splatterin g Bride . Konfiguratione n vo n Traum a un d weibliche r Rach e i n Quenti n Tarantino s Kill Bill (2003/4 ) JuJi a B. Kbhne 11 1 »Es gib t Dinge , di e mus s ma n selbs t machen. « Gewalt-Tourismus , (ästhetische ) Erfahrun g un d da s Rech t auf mei n Geschlech t (Kill Bill , Dogvill e un d di e Bilder au s Ab u Ghraib) . Jörg Metelmann 15 1 Kriege , di e wi r i m Fernsehe n gesehe n habe n Zu de n Strategie n mediale r Kriegsgewal t Thoma s Schunke 187 Da s Sexualverbreche n i n de r Kuns t de s 20 . Jahrhundert s Martin Büsser 20 7 »He hi t m e an d i t fel t lik e a kiss « Populärmusik , Geschlechterrolle n un d Gewal t Tin e Plesch (t) 23 1 Utopie n vo n Liebeslus t un d Lebensglüc k Gewalt - un d Machtdiskurs e i n ausgewählte n literarische n Konzeptione n de r Libertinag e Elena Messner 25 5 »Thi s i s th e NEW Shit?« , aske d th e Paranoi d Androi d Überlegunge n zur Performativität de r Angs t i n de n Video s vo n Marily n Manso n un d Radiohead . Mela Mikes 28 3 Biographien TitelSchutzverletzungen : Legitimation medialer Gewalt / Günther Friesinger . (Hrsg.) Person(en)Friesinger, Günter (Herausgeber) Ausgabe1. Aufl. VerlagBerlin : Verbrecher-Verl. Zeitliche EinordnungErscheinungsdatum: 2010 Umfang/Format286 S. ; 17 cm ISBN/Einband/Preis978-3-940426-39-0 kart. : EUR 15.00 EAN9783940426390 Sprache(n)Deutsch (ger) SchlagwörterKünste ; Gewalt ; Aufsatzsammlung DDC-Notation700.4552 [DDC22ger] Sachgruppe(n)700 Künste, Bildende Kunst allgemein ; 300 Sozialwissenschaften, Soziologie, Anthropologie In deutscher Sprache. 240 pages. 16,8 x 11,8 x 2,2 cm.

EA. sehr guter Zustand, unpag., farbige Abb., kart. Editors G. Friesinger, Magnus Wurzer, Johannes Grenzfurthner, Franz Ablinger, Chris Veigl. Ausstellungskatalog. Gramm 600.

Condición: As New. Unread copy in mint condition.

Condición: As New. Unread copy in mint condition.

Paperback. Condición: Near Fine. Cover has light scratching, textblock is slightly smudged, otherwise book is nearly as new. No reading wear, straight spine, tight binding. Pages are clean, bright, crisp and unmarked. An excellent copy overall.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: New. Brand New.

Condición: New. Brand New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

187pp.+ads., intro., illust. in b/w [+ 4pp color plates], bios. From the depiction of a vulva in a cave painting to the newest internet porno, technology and sexuality have always been closely linked. No one can predict what the future will bring, but history indicates that sex will continue to play an essential role in technological development. This anthology is a collection of talks given at 'Arse Elektronika: pr0nnovation?' - a conference about pornography and technological innovation. It was organized by the Austrian art / tech / philosophy collective monochrom in San Francisco, September 2007. Contributors include Timothy Archibald, Violet Blue, Jonathan Coopersmith, Mark Dery, Thomas Edlinger, Kyle Machulis and Thomas Roche, Annalee Newitz, Carol Queen, Rose White, et al. Topics include sex machines and sex robots, pornographic remakes of feature films, unforeseen effects of the internet, computer interraction, do-it-yourself pornography, privacy online, and much more. Large trade paperback. Light shelfwear; small thumb-bend to cover edge and first two pages. Signed on endpapers, presumably by editors. Very good.

gut erh., 260 S., Grossformat, kart. Monochrom s Arse Elektronika Anthology. Edited by J. Grenzfurthner, Günther Friesinger, Daniel Fabry, Thomas Ballhausen. Gramm 600.

Condición: New.

Paperback. Condición: New.

Paperback. Condición: new. Paperback. An Anthology of the 2009 Arse Elektronika colloquium, which takes place annually in San Francisco. The Arse event is an exploration of future, current, and past technology as it is used in regards to erotic human relations. The 2009 Arse Elektronika was centered around biotechnology and body modification. Besides lively interviews and fiery panel discussions, Of Intercourse and Intracourse includes personal essays and anecdotes, project descriptions the reader can actually build, research bibliographies, and lots of information on historical and speculative theories and practices. Interesting, entertaining, and mentally stimulating, its wide-reaching topics, are well thought-out and thought-provoking in turn. Some of the subjects and projects included: trans-species and extraterrestrial pornography, tantric sex, "joydick" and "pussypad" project instructions, polyamory + technology, W.S. Burroughs's Naked Lunch, latex, intimacy, biometrics, and the future of sex --just to name a few. This is an amusing and mind-expanding foray into technology with a purpose. Of Intercourse and Intracourse is replete with fun and funny ways to use electronics for pleasure and self-control, and keeping the multitude of unusual ideas afloat, there is plenty of information on the psychologies behind them. The participant-contributors, besides being "far-out" thinkers in their respective fields, are also deep thinkers on the state of humanity now and in decades to come. These are refreshingly un-self-conscious viewpoints, brainstorming, and theoretical fantasies on the topic of sex in the 21st century and beyond. Features, essays and projects by Eleanor Saitta, R.U. Sirius, Jack Sargeant, Annalee Newitz, Katrien Jacobs, Christian Heller, Bonni Rambatan, Kyle Machulis, Saul Albert, Tatiana Bazzichelli, Johannes Grenzfurthner, Violet Blue, Carol Queen, Douglas Spink, Rose White, Rainer Prohaska, Thomas Ballhausen, Uncle Abdul, Elle Mehrmand (Echolalia Azalee), Micha Cardenas (Azdel Slade), Ani Niow, Monika Kribusz, Noah Weinstein, Randy Sarafan, Allen Stein, Kim De Vries, Pepper Mint, Robert Glashuettnencr, Jonathon Keats. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: New.

Soft cover. Condición: Very Good. Very good, clean, tight condition. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.

Broschiert. Condición: Gut. 59 ungezählte Seiten : Illustrationen Das Buch befindet sich in einem sehr ordentlich erhaltenen Zustand; Sprache: Englisch Gewicht in Gramm: 250.

Hardcover. Condición: Fair. Wasserschaden / Verschmutzung; Leichte Abnutzungen; Gebogener Buchrücken.

Paperback. Condición: New.

Condición: As New. The group monochrom refers to its working method as Context Hacking, thus referencing the hacker culture, which propagates a creative and emancipatory approach to the technologies of the digital age, and in this way turns against the continuation into the digital age of a centuriesold technological enslavement perpetrated through knowledge and hierarchies of experts. Thanks to the electronic mass media of this age, the possibility of democratizing and socializing the means of production seems for the first time to have become realizable (with no need for any other revolution beyond the technical). Context hacking transfers the hackers' objectives and methods to the network of social relationships in which artistic production occurs, and upon which it is dependent. In a metaphoric sense, these relationships also have a source code. Programs run in them, and our interaction with them is structured by a user interface. When we know how a space, a niche, a scene, a subculture or a media or political practice functions, we can change it and recode it, deconstructing its power relationships and emancipating ourselves from its compulsions and packaging guidelines.

Condición: Fine. Leichte Abnutzungen; Farbveranderung durch Alter/Sonne. The group monochrom refers to its working method as Context Hacking, thus referencing the hacker culture, which propagates a creative and emancipatory approach to the technologies of the digital age, and in this way turns against the continuation into the digital age of a centuriesold technological enslavement perpetrated through knowledge and hierarchies of experts. Thanks to the electronic mass media of this age, the possibility of democratizing and socializing the means of production seems for the first time to have become realizable (with no need for any other revolution beyond the technical). Context hacking transfers the hackers' objectives and methods to the network of social relationships in which artistic production occurs, and upon which it is dependent. In a metaphoric sense, these relationships also have a source code. Programs run in them, and our interaction with them is structured by a user interface. When we know how a space, a niche, a scene, a subculture or a media or political practice functions, we can change it and recode it, deconstructing its power relationships and emancipating ourselves from its compulsions and packaging guidelines.

Condición: As New. Originalverpackt. The group monochrom refers to its working method as Context Hacking, thus referencing the hacker culture, which propagates a creative and emancipatory approach to the technologies of the digital age, and in this way turns against the continuation into the digital age of a centuriesold technological enslavement perpetrated through knowledge and hierarchies of experts. Thanks to the electronic mass media of this age, the possibility of democratizing and socializing the means of production seems for the first time to have become realizable (with no need for any other revolution beyond the technical). Context hacking transfers the hackers' objectives and methods to the network of social relationships in which artistic production occurs, and upon which it is dependent. In a metaphoric sense, these relationships also have a source code. Programs run in them, and our interaction with them is structured by a user interface. When we know how a space, a niche, a scene, a subculture or a media or political practice functions, we can change it and recode it, deconstructing its power relationships and emancipating ourselves from its compulsions and packaging guidelines.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.