eubie blake (31 resultados)

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Not a book but a 12-inch, 33-1/3 rpm, mono (monaural) record album, RCA Vintage Series LPV-560, near mint vinyl with orange label in near-mint purple-and-white cardboard jacket. Offers Fanny Brice ("Second Hand Rose," 1921), Noble Sissle & Eubie Blake, Helen Morgan, Cole Porter ("You're the Top" from "Anything Goes," vocal & piano 1934), Nora Bayes, Beatrice Lillie, Eddie Cantor, etc. Early 20th Century vintage Broadway musical comedy. Reduced from $24.

Soft cover. Condición: Fine. Folio, softcover, fine, clean and unmarked in hot pink pictorial wraps. movie starred Steve Allen and Donna Reed. Music like new, clean and unmarked, 4 pp. "why can't I forget like I should?" heaven knows I would if I could.

Soft cover. Condición: Good. Piano Music. some minor wear to cover, corners and edges, some minor cover creasing, few small marks on cover, anoted for ukulele and tonic sol-fa, few small chips to edges, a good copy overall, fromm the Benny Goodman Story, front cover shows picture from film. Book.

Paperback. Condición: Good. Good condition with wear and markings.

Audio CD. Condición: Very Good. Audio CD. Condition: Very Good. Chestnut, 2006. 1 disc. Disc Quality: Excellent. Size: 5.66 x 5 x .34. Music CD CD31.

Soft cover. Condición: As New. 1975 Edition. With previous owner's name, otherwise a fine,as new, 72 page stapled paperback copy, white pictorial cover.

First Edition. EUBIE BLAKE, Schirmer, 1979, first edition, fine in an attractive dust-wrapper with some wear and tear and a large toenail size chip missing from the rear dust-wrapper panel. Illustrated with photos. Includes a filmography, discography and a piano rollography.

No Binding. Condición: Very Good. Cover Art - Barbelle Ilustrador. Vintage sheet music, 6 pages. Front cover: drawing of a seated lady, a heart with a silhouette of a couple kissing and a drawing of Mickey Alpert. Originally introduced in Will Morrissey's "Hot Rhythm". Back cover: ads for other songs. Measures approx. 9" x 12". Some folds, scuffing and minor chipping to cover edges, but in generally great condition. Great decorative cover art.

Soft cover. Condición: Good. No Jacket. 4to. 72 pp. Trade paperback, booklet format. General wear to covers. Clean, unmarked copy.

No Binding. Condición: Very Good. A very good copy of this LP: plays beautifully, no scratches / skipping. [Please note: Due to the size extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.].

Condición: 1. Noten. Klavier. Spielpartitur 8 S. .

Condición: Very Good. F. 8vo. hardcover. 244pp. index, b/w plates. Very good, light foxing to edge of text-block. /Very good d/w.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Review copy with publisher's letter laid in. In Mylar cover. Out of print. Includes discography. Binding is cloth.

Condición: Good. 1975. Good condition. Shelf wear and some very minor scuffs. No visible marks in the text block. Binding is sturdy. Pictures upon request.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Inscribed First Edition, First Printing of this biography of popular music legend and pioneering Black composer and entertainer Eubie Blake. First emerging in the vaudeville era, Eubie Blake was eclectic master of popular sounds including ragtime, boogie woogie, show tunes, and jazz. In a major milestone, he co-created the first all Black Broadway musical with the 1921 "Shuffle Along" and late his career become the centerpiece of another Broadway musical "Eubie." Inscribed by Eubie Blake to a previous owner on the title page. Signed by Author(s).

Soft cover. Condición: As New. As New; see scans and description. New York: Warner Brothers Inc., 1921. 'I'm Just Wild About Harry' Vintage Sheet Music, 1921. Deluxe Edition. Noble Sissle & Eubie Blake (Words and Music). Tall quarto (12" x 9"), center-folded wraps, 4 pp. Rather startlingly As New. No flaws. Though 1921 is the only stated date on the piece, the original Warner Brothers price sticker of $2.50 (lower right, front cover), and the superior condition might indicate this was produced at some point in time more recent than that. Other examples with the product code number V50282 (upper left, front cover) do not appear on the internet. Sharp, handsome, collectible. See all scans. Ships in a new, sturdy, protective box - not a bag. Lph2.

Condición: new.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. 8vo, very good in GOOD ONLY CHIPPED AND WORN D.J.INSCRIBED "To Berenice & Alvin.Loooooove, Eubie Blake" laid in is a program for a concert for his 100th birthday.Hblckbox. Inscribed by Author(s).

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 6. A perfect gift for your loved ones. Reprinted from 1919 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 6.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 6. A perfect gift for your loved ones. Reprinted from 1921 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 6.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 6. A perfect gift for your loved ones. Reprinted from 1919 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 6.

Condición: Very Good. [4] p.: cartoon; 22 cm. Book by Flourney E. Miller [Flournoy E. Miller]; music and lyrics by Eubie Blake and Andy Razaf; costumes designed by Vincente Minnelli; orchestra under direction of Eubie Blake. Featured Ethel Waters, Berry Brothers, Eubie Blake and his Blackbird Orchestra; Cecil Mack's Blackbird Choir; and Flourney E. Miller. Other performers included Minto Cato, Mantan Moreland, Helena Justa, Dusty Fletcher, Blue McAllister, Jimmie Baskette, and Neeka Shaw. "The Porgy Travesty number is given by request in order to permit Miss Ethel Waters an opportunity to give her own version of the popular St. Louis Blues." Songs: Roll, Jordan; Cabin Door; Blackbirds Are Blue; Mozambique; Lucky to Me; Take a Trip to Harlem; Memories of You; Specialty; Somewhere in Harlem; Waking Up the Folks Downstairs; Always Broke Porgy; We're the Berries; and Diana Lee. Illustrated advertisement on back (p. [4]) for a limerick contest in the Evening Ledger. In Very Good Condition: lightly creased; clean and intact.

No Binding. Condición: Very Good. 8by11, TWO SEPARATE SHEETS, one, the program of this event, the other, a bio of Blake, leading up to the ceremony.(VVMBnew).

Folio (31 x 23cm). 5 pages. Pictorial wrapper, small fold to lower right corner, else VG. Cover page signed by composer. Wrappers state 'souvenir edition', with photos of Harry Truman, and alternative 'Victory Version' of the lyrics verso front wrapper.

Condición: Very Good Minus. A type-written program and script for a musical revue starring some of the biggest names in Broadway musical theater at the time: John Raitt, Tammy Grimes, Dick Shawn, Larry Kert, Patrice Munsell, Cyril Ritchard. And not known for musicals but another big name: Lillian Gish. The script is dated September; the show opened in November 13 the same year at the St. James Theatre, and it ran until February 1, 1976. Our copy has the inked ownership inscription of one of the actors/singers in the production, Dennis Perrin -- perhaps not as well-known as some of the others, but a working actor on Broadway at the time. 4to. 29 by 23 cm. Six leaves followed by paginated leaves, with a few inserts but also missing numbers, reflecting undoubtedly changes in the script and choice of song during the rehearsal period. The revue was made up of generally well-known standards with scripted dialogue interspersed. We assume that there was plenty of extemporaneous dialogue in other places, and the scripted dialogue was never followed religiously, with liberties taken here and there even with the well-known songs. It would seem that the impetus for the show, though, was to pay homage to the old chestnuts at a time the American musical was undergoing some radical change -- the same year as this "A Chorus Line" opened, which offers the perfect counterpoint to what was being done here. The only institutional copy of a script for this revue that shows up on OCLC First Search is at the Library of Congress, which of course would have to have a copy. It is possible the LOC has several different versions of the script; we can't say what they have is identical to this one. One could think that the musical wasn't helped by performers past their prime, but that wouldn't be entirely true. Take Tammy Grimes -- her next show after this was "California Suite", a huge hit for Neil Simon in 1976, in which Grimes starred in all three of the plays making up the Suite. And other stars such as John Raitt and Larry Kert might not have been able to repeat their earlier successes, but that was not because there was anything wrong with their voices -- John Raitt voice still had beauty and heft when he performed with his daughter years later, and Larry Kert one could say had some near misses. And both were surely not helped by changing styles and attitudes regarding musical theatre. Ultimately the problem with a show such as this is that it was a potluck of second servings. These performers would have gone for a decent new book musical if one were offered to them, and likewise, the audience could too buy tickets for new book musicals such as "Chorus Line". Condition: Light to moderate wear. Limp Leather. Stab binding, with brass clasps.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 8. A perfect gift for your loved ones. Reprinted from 1917 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: No linguistic content Pages: 8.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 8. A perfect gift for your loved ones. Reprinted from 1919 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: No linguistic content Pages: 8.

4 pp. 1 vols. 4to. 4 pp. 1 vols. 4to. Rare: OCLC locates only the Yale and the British Library copies. This example bears a gift inscription to Clarence L. Holte (1909-1993), the prominent African-American bibliophile and publisher of "The Basic Afro-American Reprint Library" Pictorial self wrappers with photo of King on upper cover. Very good.

Condición: Near fine. Single sheet of Blake's stationery, bearing his address in Brooklyn, and printed with a lengthy list of songs and productions in which he played a role in composing. Letter in near fine condition, with flattened mailing folds. Original (torn) mailing envelope retained, with Vaughan's address in Hidden Hills, CA written in Blake's hand, and with a number of seemingly unrelated ink notations to verso. Autograph letter of more than 30 lines, including postscript, profusely apologizing to legendary jazz singer Sarah Vaughan for a remark he made to her, along the lines of, "when are you going to learn how to sing?" The letter reads, in full (slightly edited for clarity): Dear Sarah, I'm writing this letter to you and I'm trembling with fear. I shall never again joke with an artist any more. When I said to you, "when are you going to learn how to sing?" I was joking. I'm very, very sorry that you took my joking as a Slander [sic]. I've [told so] many of your friends, [speaking?] you + Lottie Gee. You both had, + you have got 2 ranges. I know another artist [who] had two voices. Anyhow you have it and you know when + how to use it. So when I joked to you, you knowing that I was a musician, I was joking. Please for goodness sake, don't think that I'm that [dumb?] to ridicule your [singing]. No. No. No. Please. One of your friends said to me to send you my [song] "Memories of You." Now I'm afraid to send it to you. Any how whether you believe me or not I love your style of singing, and please tell your husband I was only joking. [Sincerely?] Eubie Blake. P. P. I have two numbers I'd like to send you--"Memories of You," and "Calling Romance." E. B." Blake lived a long life, and had a long and successful career in jazz, from the Ragtime era all the way into the postwar period of free jazz and experimentation. He is perhaps best remembered as the co-composer (with frequent collaborator Noble Sissle) of the hit 1921 musical "Shuffle Along." Blake was generous with his autograph, and his long career in performance afforded him countless opportunities to give it. However, we've never encountered such a revealing and heartfelt letter; much less to such a significant fellow jazz figure. The final request--that Vaughan pass along the apology to her husband--is, in the opinion of this cataloguer, an example of the kind of soft misogyny that could plague even some of the most accomplished women in the performing arts.

s/w-Großfoto (Porträt, Photo Tom Caravaglia 1979) mit eigenhändiger Widmung To Michael, Empfehlung, Unterschrift signiert.