emery marie (86 resultados)

hardcover. Condición: Acceptable. This is a former library/ rental copy with stickers, inserts, and markings.

Condición: good. This is a retired library book with typical wear markings. May or may not have library stickers attached which will not be removed.

Condición: very_good.

Hardcover. Condición: Used - Very Good. Cover edges show some minor wear from reading and storage. Pages are clean; there is no writing, highlighting or margin notes.

Soft cover. Condición: Near Fine. 1st Edition. First Edition, First Printing of this Collection of 12 Short Stories. Featured are Cedar Savage by Doug Allyn, Dark Lady Down by Loren D Estleman, Murder at the Jubilee by Amy Myers, Duel at Dawn by Edward D Hoch, Missing Baby by Batya Swift Yasgur, Cabin Fever by Patrick Irelan, One Night by Jacklyn Butler, Flushing Scarlett by Clayton Emery, The Case of the Headless Man by Bill Crider, The Tosca Dagger by Robert Barnard, Rien Ne Va Plus by Raymond Steiber and Poetic Justice by Marie E Truitt. Light smudging to the lettering on the spine. In Near fine Condition.

No Binding. Condición: VG+. LL-93. A VG or better original release 8 x 10 still. Photographic Image.

PF. Condición: New.

Hardcover. 1st American Edition. Light gray binding with dark gray lettering. Glossy dust jacket illustrated in B&W. xxviii, 258 pp. Illustrated in B&W. "Recounting the tragic story of Camille Claudel, this beautifully illustrated biography celebrates the work of a major sculptor, rescuing her from the obscurity to which time, madness, and the shadow of Rodin's overbearing genius has condemned her." -- dust jacket. VG/VG, minor shelf wear, otherwise clean and tight.

Librairie J. Lefort Imprimeur-Editeur 1875. 4e édition. Récit imité de l'allemand. Gravure en frontispice. In-8 demi-reliure percaline vert-foncé plats marbrés verts tête et titre dorés sur dos. 223 p. Etat d'usage très frais. Rare.

Condición: New. In.

24.0 x 17.5cms 258pp 130 b/w Illusts Very Good Hard Cover & dustwrapper Paris was Claudel's grand niece. This is her biography of her ancestor's association with Auguste Rodin and her subsequent madness. It reproduces her sculptures.

Couverture rigide. Condición: Assez bon. Marie EMERY IVAIN OU LE FILS DU LEPREUX 1869, Lille-Paris, Librairie J. Lefort 3ème édition In-12 (11,5 x 18,5 cm), relié, 144 pages Reliure cartonnage romantique vert, dos lisse titré orné doré, plats ornés dorés, frontispice noir et blanc Etat : coiffes élimées avec défaut de cartonnage, reliure frottée, coins légèrement émoussés, rousseurs claires, papier fort peu jauni, ouvrage solide Poids : 300g.

Condición: very good. This course presupposes on the part of the student a knowledge of elementary (Euclidean) geometry and a slight knowledge of trigonometry. DW3. blue cloth, faded gilt lettering on cover & spine, 255 pages, indexed, sticker on ffep.

Condición: Very good.

Very Good 24.0 x 17.5cms 258pp 130 b/w Illusts Very Good Hard Cover Paris was Claudel's grand niece. This is her account of her ancestor's association with Auguste Rodin and her subsequent madness. It reproduces her sculptures.

24.0 x 17.5cms 258pp 130 b/w Illusts Very Good Hard Cover & dustwrapper Paris was Claudel's grand niece. This is her biography of her ancestor's association with Auguste Rodin and her subsequent madness. It reproduces her sculptures.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dustjacket. Presumed First. Presumed first edition w/NAP, hardcover, has a slight lean to binding, light sunning to spine, very light bumps to spine ends and board corners, some faint rubbing, and previous owner's name to top of first free endpage, otherwise a solid, tight VG copy.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: New.

Hardcover. Condición: Good. 3rd Edition. 1859. In French. Brown cloth with elaborate gold trimmings. Moderate general wear. Binding is worn. 190 pages. 6109.

Wraps--binding copy. Condición: As is! This item is in French and English. The format is approximately 9.375 inches by 12 inches. [4], 100 pages plus covers. Illustrations (drawings--two in color--and photographs). Front cover and remnant of spine has become partially separated and without a complete spine the pages are 'disbound'. Item has additional wear and soiling. This should be rebound. The first pages are in English. While the text of Louis I. Kahn Ouvres 1963-1969 is largely in French there are numerous captions and text portions in English. L'Architecture d'Aujourd'hui ("The Architecture of Today") is a French architecture magazine associated with the Modernist movement. The magazine was founded by André Bloc et Marcel Eugène Cahen in 1930. André Bloc (1896-1966) was trained as an engineer, though he was interested in modernism and architecture. Pierre Vago, a Hungarian, joined in the 1930s and was influential in developing the magazine's network of international correspondents. The magazine achieved rapid success. The first international trip, open to architects and architecture enthusiasts who showed interest, was to the Soviet Union in 1931. The goal of these trips was to see the architecture and establish contacts with architects in the area. As André Bloc was Jewish, he could no longer manage the magazine during World War II. André Hermant became editor of the magazine after it was purchased by M. Georges Massé June 1941. The first issues of Bloc's reborn L'Architecture d'Aujourd'hui came out in 1945. Up until 1949, he released 5 thematic issues annually, one of which was a double issue. Louis Isadore Kahn (born Itze-Leib Schmuilowsky; March 5 [O.S. February 20] 1901 March 17, 1974) was an Estonian-born American architect based in Philadelphia. After working in various capacities for several firms in Philadelphia, he founded his own atelier in 1935. While continuing his private practice, he served as a design critic and professor of architecture at Yale School of Architecture from 1947 to 1957. From 1957 until his death, he was a professor of architecture at the School of Design at the University of Pennsylvania. Kahn created a style that was monumental and monolithic; his heavy buildings for the most part do not hide their weight, their materials, or the way they are assembled. He was awarded the AIA Gold Medal and the RIBA Gold Medal. At the time of his death, he was considered by some as "America's foremost living architect." He became a naturalized citizen of the U.S. on May 15, 1914. He changed their name to Kahn in 1915. After completing his Bachelor of Architecture in 1924, Kahn worked as senior draftsman in the office of the city architect, John Molitor. He worked on the designs for the 1926 Sesquicentennial Exposition. In 1928, Kahn made a European tour. He was interested particularly in the medieval walled city of Carcassonne, France, and the castles of Scotland, rather than any of the strongholds of classicism or modernism. After returning to the United States in 1929, Kahn worked in the offices of Paul Philippe Cret, his former studio critic at the University of Pennsylvania, and then with Zantzinger, Borie and Medary in Philadelphia. In 1932, Kahn and Dominique Berninger founded the Architectural Research Group, whose members were interested in the populist social agenda and new aesthetics of the European avant-gardes. Among the projects Kahn worked on during this collaboration are schemes for public housing that he had presented to the Public Works Administration, which supported some similar projects during the Great Depression. They remained unbuilt. Among the more important of Kahn's early collaborations was one with George Howe. Kahn worked with Howe in the late 1930s on projects for the Philadelphia Housing Authority and again in 1940, along with German-born architect Oscar Stonorov, for the design of housing developments in other parts of Pennsylvania. A formal architectural office partnership between Kahn and Oscar Stonorov began in February 1942 and ended in March 1947, which produced fifty-four documented projects and buildings. Kahn did not arrive at his distinctive architectural style until he was in his fifties. Initially working in a fairly orthodox version of the International Style, he was strongly influenced by a stay as architect-in-residence at the American Academy in Rome during 1950, which marked a turning point in his career. After visiting the ruins of ancient buildings in Italy, Greece, and Egypt, he adopted a back-to-the-basics approach. He developed his own style, as influenced by earlier modern movements, but not limited by their sometimes-dogmatic ideologies. In the 1950s and 1960s, as a consultant architect for the Philadelphia City Planning Commission, Kahn developed several plans for the center of Philadelphia that were never executed. In 1961, he received a grant from the Graham Foundation for Advanced Studies in the Fine Arts to study traffic movement in Philadelphia and to create a proposal for a viaduct system. Kahn's teaching career began at Yale University in 1947. He eventually was named as the Albert F. Bemis Professor of Architecture and Planning at Massachusetts Institute of Technology in 1956. Kahn then returned to Philadelphia to teach at the University of Pennsylvania from 1957 until his death, becoming the Paul Philippe Cret Professor of Architecture. He also was a visiting lecturer at Princeton University School of Architecture from 1961 to 1967. Presumed First Edition, First printing thus.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New.

Condición: New.

PF. Condición: New.

Condición: New.

Hardback. Condición: New. New examinations of the role storytelling played in medieval life.The storyteller stands at the crossroads of orality and performance, surrounded by a circle of rapt listeners. Evelyn Birge Vitz has challenged a generation of scholars to join the circle, listen as they read, and exchange pen forperformance. A tribute to her work, the fifteen essays in this volume attend to the qualities of voice, their registers and dynamics, whether practiced or impromptu, falsified, overlapping, interrupted or whispered. They examinehow the book became a performance venue and reshaped the storyteller's image and authority, and they investigate the mutability of stories that move from book to book, place to place and among competing cultures to stimulate cultural and political change. They show storytelling as far more than entertainment, but central to law, religious ritual and teaching, as well as the primary mode of delivering news. Themes that crisscross the volume include tensionsamong amateurs and professionals, dominant and minority languages and cultures, women and children's engagement with storytelling, animality, religion, translation, travel, didacticism and entertainment. Kathryn A. Duys is Associate Professor and Chair of the Department of English and Foreign Languages at the University of St. Francis in Joliet, Illinois; Elizabeth Emery is Professor of French and Graduate Coordinator at Montclair State University; Laurie Postlewate is Senior Lecturer in French at Barnard College of Columbia University. Contributors: Elizabeth Archibald, Maureen Boulton, Cristian Bratu, Simonetta Cochis, Joyce Coleman, Mark Cruse, Kathryn A.Duys, Elizabeth Emery, Marilyn Lawrence, Kathleen Loysen, Laurie Postlewate, Nancy Freeman Regalado, Samuel N. Rosenberg, E. Gordon Whatley, Linda Marie Zaerr.

Hardback. Condición: New. New examinations of the role storytelling played in medieval life.The storyteller stands at the crossroads of orality and performance, surrounded by a circle of rapt listeners. Evelyn Birge Vitz has challenged a generation of scholars to join the circle, listen as they read, and exchange pen forperformance. A tribute to her work, the fifteen essays in this volume attend to the qualities of voice, their registers and dynamics, whether practiced or impromptu, falsified, overlapping, interrupted or whispered. They examinehow the book became a performance venue and reshaped the storyteller's image and authority, and they investigate the mutability of stories that move from book to book, place to place and among competing cultures to stimulate cultural and political change. They show storytelling as far more than entertainment, but central to law, religious ritual and teaching, as well as the primary mode of delivering news. Themes that crisscross the volume include tensionsamong amateurs and professionals, dominant and minority languages and cultures, women and children's engagement with storytelling, animality, religion, translation, travel, didacticism and entertainment. Kathryn A. Duys is Associate Professor and Chair of the Department of English and Foreign Languages at the University of St. Francis in Joliet, Illinois; Elizabeth Emery is Professor of French and Graduate Coordinator at Montclair State University; Laurie Postlewate is Senior Lecturer in French at Barnard College of Columbia University. Contributors: Elizabeth Archibald, Maureen Boulton, Cristian Bratu, Simonetta Cochis, Joyce Coleman, Mark Cruse, Kathryn A.Duys, Elizabeth Emery, Marilyn Lawrence, Kathleen Loysen, Laurie Postlewate, Nancy Freeman Regalado, Samuel N. Rosenberg, E. Gordon Whatley, Linda Marie Zaerr.