elisabeth howe (26 resultados)

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships via media mail.

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Very Good. Clean and unmarked inside and out. Spine is not creased. Some pages have a mild bend or wrinkle. Slight wear to edges of covers and spine. Upper left corner of the back cover mildly bent. Will be bubble-wrapped and carefully packed in a sturdy box to ensure safe transit. This issue includes: "Catastrophic Human-Induced Change in Stream-Channel Planform and Geometry in An Agricultural Watershed, Illinois, USA" by Michael A. Urban and Bruce L. Rhoads; "Landscape Heterogeneity and Disturbance Interactions in a Subalpine Watershed in Northern Colorado, USA" by Elisabeth Howe and William L. Baker; "Constructing Cell-Based Habitat Patches Useful in Conservation Planning" by Richard L. Church, Ross A. Gerrard, Michael Gilpin, and Peter Stine; "Technology and Map-Learning: Users, Methods and Symbols" by Robert Lloyd and Rick L. Bunch; "Introduction: The Lowenthal Papers" by Kenneth Olwig; "Globalism and Tolerance in Early Modern Geography" (The Lowenthal Papers) by Denis Cosgrove; "Landscape: The Lowenthal Legacy" by Kenneth Olwig; "Perceptual and Cultural Geography: A Commentary" (The Lowenthal Papers) by Yi-Fu Tuan; "Commentary on 'The Lowenthal Papers': Environment, the Humanities, and Landscape" (The Lowenthal Papers) by Edmunds V. Bunkse; "Postscript" (The Lowenthal Papers) by David Lowenthal; "Ramona Memories: Fiction, Tourist Practices, and Placing the Past in Southern California" by Dydia DeLyser; "An Economic Geography of Global Finance: Ownership Concentration and Stock-Price Volatility in German Firms and Regions" by Gordon L. Clark and Darius Wojcik; "In Memoriam: Peter Robin Gould, 1932-2000" by Peter Haggett and Book Reviews.

Soft cover. Condición: Very Good. All pages clean. Some light scratches to front cover. Slight wear to edges of covers and spine. Slight spine lean toward fore-edge. The journal will be bubble-wrapped and carefully packed in a sturdy box to ensure safe transit. This issue includes: Catastrophic Human-Induced Change in Stream-Channel Planform and Geometry in an Agricultural Watershed, Illinois, U.S.A. by Michael A. Urban and Bruce L. Rhoads; Landscape Heterogeneity and Disturbance Interactions in a Subalpine Watershed in Northern Colorado, U.S.A. by Elisabeth Howe and William L. Baker; Constructing Cell-Based Habitat Patches Useful in Conservation Planning by Richard L. Church, Ross A. Gerrard, Michael Gilpin and Peter Stine; Technology and Map-Learning: Users, Methods, and Symbols by Robert Lloyd and Rick L. Bunch; Introduction: The Lowenthal Papers by Kenneth Olwig; Globalism and Tolerance in Early Modern Geography by Denis Cosgrove; Landscape: The Lowenthal Legacy by Kenneth Olwig; Perceptual and Cultural Geography: A Commentary by Yi-Fu Tuan; Commentary on "The Lowenthal Papers": Environment, the Humanities, and Landscape by Edmunds V. Bunkse; Postcript by David Lowenthal; Ramona Memories: Fiction, Tourist Practices, and Placing the Past in Southern California by Dydia DeLyser; An Economic Geography of Global Finance: Ownership Concentration and Stock-Price Volatility in German Firms and Regions by Gordon L. Clark and Dariusz Wojcik; Peter Robin Gould, 1932-2000 by Peter Haggett; plus numerous book reviews.

Hardcover. Very good condition in very good dust jacket. ]. 166p.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships via media mail.

Hardcover. Condición: Good. No Jacket. ***1988 hardcover published without jacket/name written on the front free endpaper & minor wear on the cover/light tanning on the endpapers & on the page block edges/clean & unmarked text. 360 p.

Hardcover. Condición: Good. No Jacket. 1988 hardcover published without jacket/ex-library with usual markings/clean & unmarked text. 360 p.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. Hardcover. The dramatic monologue has attracted considerable critical attention in English but is rarely considered relevant to French poetry and has generally been ignored in studies of comparative literature. In Stages of Self, various poems by Jules Laforgue, Stephane Mallarme, and Paul Ambroise Valery are analyzed to show that they conform to the norms of the genre even though they bear little surface resemblance to the dramatic monologues by Browning, Pound, or Eliot. Traditionally, a dramatic monologue is a poem spoken by an identified persona placed in a dramatic situation. This description fits poems such as LApres-midi dun faune and La Jeune Parque, though the persona and the drama are quite unlike those of English and American dramatic monologues. The latter two tend to characterize the speaker fully, and to place him/her in a well-defined spatial and temporal context, while the French poems ignore characterization and give very little contextual detail. The figures of the Parque and the Faun are engaged in purely internal dramas, which again distinguishes these poems from the Browning-esque dramatic monologue; they belong to the dramatic tradition of Racine rather than Shakespeare. LaForugues oetry constitutes an interesting half-way point between the representational dramatic monologue typical of Browning, which Laforgue ironically undermines, and the more impersonal and universal, though still dramatic, monologues of Mallarme and Valery. Howe seeks to redefine the scope of the term dramatic monologue, which she feels is often unduly limited. She notes that the term is frequently confined to the use of spoken, colloquial language so foreign to Mallarme, Valery, or indeed, Tennyson or the presence of a silent interlocutor. However, Howe contends that such narrow interpretations restrict the genre to Brownings monologues, and not all of those. Admitting that far more examples of the genre exist in English, Howe attributes the scarcity to the differing assumptions on the part of French poets about poetic voice and about the nature of spoken as opposed to written language. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: New. Num Pages: 230 pages. Category: (P) Professional & Vocational. . . 1990. Hardback. . . . .

Condición: New. Num Pages: 230 pages. Category: (P) Professional & Vocational. . . 1990. Hardback. . . . . Books ship from the US and Ireland.

Condición: New. Cunningham, Elisabeth Irene Ilustrador.

Hardcover. Condición: Fine. xiv, 455 p. : ill. ; 24 cm. ; ISBN: 0897664949 (alk. paper); 9780897664943 (alk. paper) ; LCCN: 89-9363 ; OCLC: 19623688 ; stiff paper wrappers ; authors include P W Basham, Robert V Witman, Leonardo Seeber, John G Armbruster, John Adams, Mark & Ma ry Lou Zoback, Edward Woodhouse, Davied Boore, Paul Somerville, Gail Atkinson, Robin McGuire, Gabriel Toro, Daniele Venezano, Luc Chouinard, Ricardo Dobry, R E Weems, S F Obermeier, R B Jacobson, G S Gohn, Martitia P Tuttle, Leonardo Seeber, Steven G Wesnousky, Eugene S Schweig, Silvio K Pezzopane, W j Hall, S L McCabe, M Shinozuka, K Moriyama, Frank E McClure, Guy J P Nordenson, Jack P Moehle, V C Fenton, Glenn R Hill, Thomas A Schwartz, James H Gates, T D O'Rourke, Christopher Rojahn, Chris D Poland, M Elisabeth Pate-Cornell, Rene W Luft, Warner Howe, Charles Scawthorn, and Stephen K Harris ; FINE. Book.

paperback. Condición: As New.

Hardcover. Condición: new. Hardcover. The dramatic monologue has attracted considerable critical attention in English but is rarely considered relevant to French poetry and has generally been ignored in studies of comparative literature. In Stages of Self, various poems by Jules Laforgue, Stephane Mallarme, and Paul Ambroise Valery are analyzed to show that they conform to the norms of the genre even though they bear little surface resemblance to the dramatic monologues by Browning, Pound, or Eliot. Traditionally, a dramatic monologue is a poem spoken by an identified persona placed in a dramatic situation. This description fits poems such as LApres-midi dun faune and La Jeune Parque, though the persona and the drama are quite unlike those of English and American dramatic monologues. The latter two tend to characterize the speaker fully, and to place him/her in a well-defined spatial and temporal context, while the French poems ignore characterization and give very little contextual detail. The figures of the Parque and the Faun are engaged in purely internal dramas, which again distinguishes these poems from the Browning-esque dramatic monologue; they belong to the dramatic tradition of Racine rather than Shakespeare. LaForugues oetry constitutes an interesting half-way point between the representational dramatic monologue typical of Browning, which Laforgue ironically undermines, and the more impersonal and universal, though still dramatic, monologues of Mallarme and Valery. Howe seeks to redefine the scope of the term dramatic monologue, which she feels is often unduly limited. She notes that the term is frequently confined to the use of spoken, colloquial language so foreign to Mallarme, Valery, or indeed, Tennyson or the presence of a silent interlocutor. However, Howe contends that such narrow interpretations restrict the genre to Brownings monologues, and not all of those. Admitting that far more examples of the genre exist in English, Howe attributes the scarcity to the differing assumptions on the part of French poets about poetic voice and about the nature of spoken as opposed to written language. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: Sehr gut. Zustand: Sehr gut | Seiten: 64 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condición: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condición: Sehr gut. Zustand: Sehr gut | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Paperback / softback. Condición: New. Cunningham, Elisabeth Irene Ilustrador. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condición: new. Cunningham, Elisabeth Irene Ilustrador. Paperback. Christy, a woman hardened by the streets and clinging to a life of desperation must face her demons as she attends the funeral of an old friend. Jack was the closest thing she ever had to a father even though their relationship had never been revealed to his family. Christy would have preferred for the alternative history of Jacks life to remain a secret, but that was not to be. When Christy is discovered by Jack's biological daughter, Jennifer, the truth is finally revealed as her story begins to unfold. Christy recounts her memories and recollections as Jennifer seeks to understand the father that she thought she knew. Join these two unlikely acquaintances as they put aside their differences and engage in a discovery of their true selves buried in the emotional depths of love, loss, and what it means to truly come home. This heart warming story will enthrall you as Christy unravels the patch work quilt of her life as both women come to understand that a second chance might only be as far as each other. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.