edited donna salvo (2 resultados)

Paperback. Condición: Near Fine. 1st. 256 pages, illustrations (some colour); 30 cm. Accompanies the exhibition held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 to March 7, 1993; the Museum of Contemporary Art, Chicago, April 3 to June 20, 1993; Whitney Museum of American Art, New York, July 16 to October 3, 1993. Near fine. Firm binding, clean inside copy. Light edgewear to wraps. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This important book revises our understanding of one of the key moments in American art: the beginnings of Pop art. A style celebrated for its use of mass-production, Pop art has conventionally been seen as constituting a complete break with the art movements that preceded it. Hand-Painted Pop: American Art in Transition, 1955-62 reevaluates this perception by considering Pop art's complex, layered period of evolution, focusing on its crucial seven years of development. Accompanying eight essays by distinguished art historians are 235 illustrations tracing Pop art's earliest beginnings. Many of the works shown have rarely been seen; others are among the most famous icons of our time. Hand-Painted Pop: American Art in Transition, 1955-62 places these works in the broader context of American culture. Among the topics covered are the formal links between New York School painting and early Pop art; the evolution of artists' choice of subject matter in the period; art education in the postwar era; the success and failure of the critical response to Pop; and gay iconography in the paintings of several Pop artists. This substantial revisionist history sheds considerable light on a central movement in art history." - Publisher. *** CONTENTS: Director's foreword, by Richard Koshalek; The faked gesture: pop art and the New York School, by Paul Schimmel; "Subjects of the artists": towards a painting without ideals, by Donna De Salvo; Unsentimental education: the professionalization of the American artist, by David Deitcher; Famous paintings seen and not looked at, not examined, by John Yau; Not necessarily pop: Cy Twombly and America, by Linda Norden; Early pop and the consumptive critic, by Stephen C. Foster; Modes of disclosure: the construction of gay identity and the rise of pop art, by Kenneth E. Silver; Fabulous confusion! Pop before pop?, by Dick Hebdige. Size: 4to. Collectible.

Wrappers. Condición: Fine Condition. 188 pp., over 70 illustrations in both B&W and color. Published on the occasion of the exhibition at the Tate Modern, London 1 June-29 August 2006.