dorot ruth (24 resultados)

Hardcover. Condición: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Hardcover book in Near Fine/Fine condition. Pages are crisp and completely clean bearing no additional markings whatsoever. Dustjacket shows only very minor shelfwear but looks great now that it is protected by a clear removable brodart cover. We ship promptly from the United States and in a box.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 1st English language edition indicated. Translated from Hebrew. Fine with no wear or markings in a very good lightly used jacket. An illustrated academic work.

Hardcover. Condición: New. HARDCOVER, BRAND NEW, Perfect Shape, No Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2011. Hardcover. Draws a comparison between two Jewish artists of the twentieth-century: Polish-born magician story-teller Isaac Bashevis-Singer (1904-1991) and Russian-born creator of visual magic Marc Chagall (1887-1985). Num Pages: 144 pages, colour illus. BIC Classification: 2ACY; ACX; AFC; AGB; DSBH; DSK. Category: (G) General (US: Trade). Dimension: 302 x 212 x 15. Weight in Grams: 830. . . . . .

Hardcover. Condición: As New. Hardcover with printed boards. Shows light shelf wear, otherwise as new. Pages are clean and unmarked. No notes or highlighting.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. 2011. Hardcover. Draws a comparison between two Jewish artists of the twentieth-century: Polish-born magician story-teller Isaac Bashevis-Singer (1904-1991) and Russian-born creator of visual magic Marc Chagall (1887-1985). Num Pages: 144 pages, colour illus. BIC Classification: 2ACY; ACX; AFC; AGB; DSBH; DSK. Category: (G) General (US: Trade). Dimension: 302 x 212 x 15. Weight in Grams: 830. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. First Edition. Clean bright pages; slight curling to lower rear edge of jacket. A comparative study of the work of Isaac Bashevis Singer and Marc Chagall, the book is based on the author's doctoral dissertation of 2004. It includes nineteen full color plates, in addition to many smaller black and white illustrations. The physical appearance of the book is striking, slightly oversize, with eye-catching photographic cover illustrations; high quality heavy white paper; clear, large type and wide margins. The author considers Singer's fiction and Chagall's creations as "poems in prose and painting." She analyzes and compares individual works of Chagall and Singer, pointing out similarities and differences. Each of the five thematic chapters includes extensive footnotes. In addition there is a useful bibliography of works by and about Singer and Chagall. The author is currently Lecturer in art history at Bar-Ilan University and Ariel University Center in Israel. The book is a fascinating study of the interrelationships and connections between the life and work of these two important Jewish creative artists. Scholarly, rather than popular, in tone, it is a valuable addition to Judaica collections in academic and research libraries, as well as synagogue libraries." --"AJL Reviews " 144 pages. Quantity Available: 1. Category: Art & Design; ISBN/EAN: 9781845194093. Pictures of this item not already displayed here available upon request. Inventory No: dscf7132.

Condición: Like New. Used - Like New. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: new.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. Num Pages: 112 pages, colour illus. BIC Classification: 2CSJ; ACX; AFC; DSBH; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 155 x 16. Weight in Grams: 490. . 2013. Hardcover. . . . .

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 143 pages. 9.75x6.50x0.50 inches. In Stock.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardback. Condición: New. This book draws parallels between literature and the arts, and between drama and painting, in terms of Time and Symbolism, as they appear in the play The Lady of the Castle by Leah Goldberg, and in a group of selected paintings by Marc Chagall, Salvador Dali, Rene Magritte, Paul Klee and Edward Munch. Discussion focuses on the connection between the written play-text and the paintings through their common visual qualities and in terms of their common thematic, structural and stylistic characteristics. In a world dominated by science and technology, which renders belief in any "absolute" problematic, two seminal events have left a permanent mark on the contemporary concept of time: Einstein's theory of relativity and Bergson's philosophy of duration (simultaneite and duree). In their wake, Time has become relative and fragmented -- a central theme in the play and in the selected works of art under discussion. Objective, scientific and chronological time is contrasted with inner, psychological time (duration), which differs from individual to individual and from culture to culture. Four categories of time are assessed: historical, physical-chronological, psychological and eternal. The primary meaning behind a symbol makes the basic assumption that a particular object or entity may represent another essence. In attempting to understand the temporal/symbolic linkages of the text and paintings, much importance is attributed to the relationship between representer' and represented' and between concrete and abstract. Through symbolic abstraction one is able to better comprehend the human and cosmic phenomena the symbol seeks to decipher. The book deals with a castle. This central symbol of the play and the paintings is multifaceted, representing what is manifest and what is hidden within the castle, revealing a magical encounter between the world of words and the world of colour.

Condición: New. Num Pages: 112 pages, colour illus. BIC Classification: 2CSJ; ACX; AFC; DSBH; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 155 x 16. Weight in Grams: 490. . 2013. Hardcover. . . . . Books ship from the US and Ireland.

Buch. Condición: Neu. Neuware - This book draws parallels between literature and the arts, and between drama and painting, in terms of Time and Symbolism, as they appear in the play The Lady of the Castle by Leah Goldberg, and in a group of selected paintings by Marc Chagall, Salvador Dali, René Magritte, Paul Klee and Edward Munch. Discussion focuses on the connection between the written play-text and the paintings through their common visual qualities and in terms of their common thematic, structural and stylistic characteristics. In a world dominated by science and technology, which renders belief in any 'absolute' problematic, two seminal events have left a permanent mark on the contemporary concept of time: Einstein's theory of relativity and Bergson's philosophy of duration (simultanéité and durée). In their wake, Time has become relative and fragmented -- a central theme in the play and in the selected works of art under discussion. Objective, scientific and chronological time is contrasted with inner, psychological time (duration), which differs from individual to individual and from culture to culture. Four categories of time are assessed: historical, physical-chronological, psychological and eternal. The primary meaning behind a symbol makes the basic assumption that a particular object or entity may represent another essence. In attempting to understand the temporal/symbolic linkages of the text and paintings, much importance is attributed to the relationship between representer' and represented' and between concrete and abstract. Through symbolic abstraction one is able to better comprehend the human and cosmic phenomena the symbol seeks to decipher. The book deals with a castle. This central symbol of the play and the paintings is multifaceted, representing what is manifest and what is hidden within the castle, revealing a magical encounter between the world of words and the world of colour.

Hardback. Condición: New. This book draws parallels between literature and the arts, and between drama and painting, in terms of Time and Symbolism, as they appear in the play The Lady of the Castle by Leah Goldberg, and in a group of selected paintings by Marc Chagall, Salvador Dali, Rene Magritte, Paul Klee and Edward Munch. Discussion focuses on the connection between the written play-text and the paintings through their common visual qualities and in terms of their common thematic, structural and stylistic characteristics. In a world dominated by science and technology, which renders belief in any "absolute" problematic, two seminal events have left a permanent mark on the contemporary concept of time: Einstein's theory of relativity and Bergson's philosophy of duration (simultaneite and duree). In their wake, Time has become relative and fragmented -- a central theme in the play and in the selected works of art under discussion. Objective, scientific and chronological time is contrasted with inner, psychological time (duration), which differs from individual to individual and from culture to culture. Four categories of time are assessed: historical, physical-chronological, psychological and eternal. The primary meaning behind a symbol makes the basic assumption that a particular object or entity may represent another essence. In attempting to understand the temporal/symbolic linkages of the text and paintings, much importance is attributed to the relationship between representer' and represented' and between concrete and abstract. Through symbolic abstraction one is able to better comprehend the human and cosmic phenomena the symbol seeks to decipher. The book deals with a castle. This central symbol of the play and the paintings is multifaceted, representing what is manifest and what is hidden within the castle, revealing a magical encounter between the world of words and the world of colour.